France

This course explores the concept of equality through the lens of analytic philosophy, applying normative theories to pressing global ethical issues. The first part of the course engages in conceptual analysis of equality, examining key debates in distributive justice, structural injustice, and recognition theory. The second part of the course applies these theoretical foundations to real-world ethical challenges, including climate justice, post-colonialism, minority rights, war and conflict, migration, and human rights. Students are evaluated on their ability to mobilize normative concepts in their discussion of the problems and solutions particular to the global sphere.

This course presents the Chinese economy and its evolution over the last four decades from a macroeconomic perspective. The world's second-largest economy has several characteristics: it is opaque, constitutes a rare example of a hybrid capitalist system, and has undergone significant changes in recent years. In recent years, the Chinese economy has faced persistent internal imbalances that raise questions about the future changes to its growth model and, more broadly, the implications for its financial and trading partners. This course provides the essential tools for understanding the Chinese economy and its implications for international economic dynamics. 

The Scandinavian countries (Sweden, Norway, Denmark) are often seen as global models of welfare, good governance, and high quality of life, successfully combining social protection with entrepreneurial success. Historically associated with consensus politics, trust, and moral leadership - through figures such as Olof Palme or Norway's peace diplomacy - the region has long defied conventional wisdom about global pressures for deregulation, showing how social protection can coexist with global competitiveness. Recent narratives of decline, however, point to rising crime, economic stagnation, and populism. This course revisits the evolving politics of the "Nordic model," exploring its institutions, challenges, and relevance for Europe through history, politics, economics, and sociology.

This course examines the key institutions, actors, and processes shaping U.S. foreign policy, with a focus on the current Trump administration. It introduces major theories of foreign policy analysis and applies them to domestic and international dynamics influencing U.S. foreign affairs. Students engage with core debates and empirical cases across regions and policy realms. The course analyzes how leadership, polarization, public opinion, and bureaucracy affect foreign policy decisions. It concludes with a simulation of a U.S. National Security Council emergency meeting, allowing students to apply their knowledge in a practical, crisis-based setting.

This interdisciplinary seminar explores how literature and film grapple with the complexities of political power, authority, resistance, and representation. Drawing from a range of historical and geopolitical contexts, the course examines how writers and filmmakers narrate, aestheticize, and challenge systems of domination, the dynamics of oppression and liberation, and the moral ambiguities inherent in political engagement. Through lectures, screenings of film excerpts, class discussions, and written assignments, students acquire critical tools to analyze how cultural productions both reflect and shape political realities. The course features close readings of literary texts and critical analyses of landmark films, including CITIZEN KANE and CASABLANCA. It examines the theatrical staging of power in Shakespeare's HENRY V and its contrasting cinematic interpretations by Laurence Olivier and Kenneth Branagh; the construction of the Napoleonic and Lincolnian myths, from Abel Gance to Steven Spielberg; and the expression of American democratic idealism in Frank Capra's cinema. Further topics include the representation of atrocity and memory in works addressing the Holocaust, McCarthyism, the nuclear era, Watergate, the Vietnam War. Emphasis is placed on the aesthetics of authoritarianism and resistance, as well as on portrayals of the presidential figure in American and French cinema. The course interrogates the subdued complicity of the butler (Anthony Hopkins) in James Ivory's THE REMAINS OF THE DAY and explore the differences and similarities between Joseph Conrad's HEART OF DARKNESS and its adaptation by Francis Ford Coppola in APOCALYPSE NOW. Throughout the semester, the course critically engages with propaganda, the narrative construction of ideology, the tension between personal conscience and collective responsibility, and the ways in which historical memory is shaped—or suppressed—by literary and cinematic forms.

This course examines cultural (textual and visual) productions about minority identities in Paris. The city has always attracted immigrants and refugees who, in turn, influence its cultural and political landscape. After a brief historical survey, the course focuses on the contemporary period with special emphasis on the legacy of World War II, colonialism, and postcolonial immigration. It explores tensions between marginalization and integration, French universalism and multiculturalism, and competing memories of traumatic histories. Through films, literature, art works, media, weekly site visits, and critical essays, students reflect on what it means to be “the other” in Paris. Through the class, students gain awareness of local and global perspectives, by enhancing their intercultural understanding of languages, cultures, and histories of local societies and the global issues to which these relate. Students also develop an aesthetic inquiry and creative expression by engaging with artistic or creative objects in different media and from different of cultural traditions. Finally, this class allows students to explore and engage with difference by thinking critically about cultural and social difference; students identify and understand power structures that determine hierarchies and inequalities that can relate to race, ethnicity, gender, nationhood, religion, or class.