France

This course introduces a set of analytic tools and conceptual frameworks through which to assess the origins and evolution of the institutions that constitute modern capitalism. It takes an interdisciplinary political economy approach that draws insights from economics, sociology, political science, history, geography, science and technology studies, and law. The course critically assesses the rise of what Karl Polanyi and Albert O. Hirschman have referred to as "market society," a powerful conceptual framework that views the development of modern capitalism not as an outcome of deterministic economic and technological forces, but rather as the result of contingent social and political processes. The material covers various theoretical perspectives that illustrate alternative conceptions of rationality, which in turn produce competing ways of seeing and making sense of the complexities of our social world. Ultimately, the course exposes a range of critical conceptual tools and frameworks through which to interrogate the current relationship between states and markets, and to consider the extent to which social actors can challenge its limits and imagine alternative possibilities.

This course allows the development of a personal graphic practice. Students choose tools and gestures among those offered in their training and learn to situate their practice in the field of creation. The course provides an opportunity to consider the openness, deepening, and methods of presentation (material support, framing, hanging, installation, public perception of the work) of the student's personal practice.

This course covers the role of revolutions in shaping history. From the Cold War, to the “new world order” following the end of the Cold War, to the present day, the course considers how and why revolutions happen, what constitutes a revolution, and how revolutions achieve (or fail to achieve) social and political reform.

This course focuses on the political aspects of Hollywood cinema by questioning the links that exist between the production of films and the ideological structures hidden behind the images. It discusses how genre cinema appears to be a "dream factory" whose specific economic organization is accompanied by ideological and political schemes that should be identified in the perspective of political and cultural studies. The course demonstrates how much cinema contributes to the diffusion of the traditional values of the American Dream and how the big studios manage to find a balance between submission to the commercial constraints imposed by the market, simplification of political phenomena (whether situational or systemic), and artistic research.

This multi-disciplinary course covers three broad topics: the architecture and various state and non-state actors of formal peacebuilding processes; negotiation between states as a key diplomatic function; and the phenomenon of third-party mediation in conflict resolution. These topics are covered from both the theoretical and practical perspectives, so the course literature, lectures, and exercises provide a balance between what the academics state and what actual diplomats, mediators, and non-state actors experience in the field of peacebuilding. The course also involves detailed case studies of contemporary conflicts in the Middle East region in order to explore these various processes in action and provide a degree of area studies specialization, including the conflicts in Lebanon, Palestine-Israel, Libya, Yemen, and Syria.

This interdisciplinary course explores classic literature and contemporary perspectives on reproduction from the perspectives of history, sociology, anthropology, and law. It examines the crucial role reproduction plays in how relations between nations are negotiated, both symbolically and materially. From colonial to metropolitan households, notably via military contexts, the “domestic” has been re-signified by the transnational: nannies, international adoption, and gestational surrogacy have historical links with 19th and 20th centuries' wars. Focusing on the exchanges and connections between the economic, the political, and the intimate, it examines how these increasingly global processes affect individuals, families, and (imagined) communities from multiple lenses: ethnicity and race, nation, class, and gender. It considers how notions of kinship, citizenship, and human rights have become the subject of intense scrutiny, notably through public debates on private and state management of collective life through (bio)technologies of measurement and intervention. Case studies range from analysis of gender dynamics of armed rebellions in Africa to reproductive politics in the United States. Key concepts and policies pertaining to biopolitics, birthing, welfare programs, domestic labor, marriage, and care work are discussed.

This course is a study of three components: grammar, written comprehension, and written expression. The course examines sentence structure and verb systems and focuses on complex notions of time, causality, and argumentation. The course analyzes literary texts from the eighteenth, nineteenth, and twentieth centuries for their grammatical properties, literary style, and practice of written expression.

Based on the analysis of philosophical texts, artists' writings, and works of art, this course studies the first major themes of aesthetics and philosophy of art (imitation, judgment). The course provides the basics of a general culture in the aesthetic field and promotes mastery of the techniques of dissertation and commentary from a methodological point of view.
 

This course is structured as a series of workshops focusing on Russia's influence in Europe, nearby countries, and the United States. It approaches this topic with the perspectives of popular geopolitics, international relations theory, cultural studies, media studies, and sociology. Topics include strategies of Kremlin's propaganda; its (post)-Cold-War-era anti-Americanism reverberating in the rhetoric of the European far-rights; Russia's Covid-19 policy; Putin's troll fabrics; interference in the U.S. elections; the Russian Orthodox Church and the Kremlin's influence in Ukraine and Georgia; and Russia's invasion on Ukraine. The course is based on case studies and extensively uses audio and video materials, documentaries, political statements, investigative reports, and opinion surveys as sources for analysis.

In Western culture, the city is the epitome of political and cultural expression, which gives the urban question a complex, diachronic, and dialectical character; it mirrors major economic, social, and political tensions. This course deciphers the fundamental elements of this complexity in tension with the fields of geopolitical thought applied to territories, in the decisive context of the environmental transition. In a dynamic and interactive way, the course takes on a contemporary political culture of the urban condition, allowing a political approach to urban citizenship, more diasporic or mobile where the network prevails over the territorial continuity. Instruction alternates between the classroom and the city.