France

From the lenses of cultural studies and gender studies, this course examines how fiction throughout various eras has treated, whether directly or indirectly, questions of seduction, femininity, masculinity, and the meaning of virility. It explores the manner in which political and ideological disruptions have modified the figure of the seducer and vamp, and how this is presented in various cultural productions of stories, novels, poems, frescoes, paintings, opera, film, television series, and video games. 

This course focuses on the history of writing, storytelling, and books. It begins with the first signs of writing known to man, then explores the evolution of the creation of writing and what is known as a book today. The course studies the different methods used to create written works and includes guided visits to the printing museum. The first part of the course focuses on the global history of writing, and the second part of the course concentrates on the history and evolution of writing in France.  

This course focuses on Martin Heidegger’s thoughts on technology as they developed post-war and increasingly became part of the French and European landscape. It examines Heidegger’s thoughts as well as those of others that debated in the 1940s and 1950s, including Adorno, Horkheimer, Hans Jonas and Arnold Gehlen; and current thinkers like Giorgio Agamben or Harmut Rosa. The course provides a critical reflection on technology, modernism, and the notion of progress.

This course presents a general overview of drugs (illegal and legal) in today’s society. It covers both classic and contemporary work around the sociology of drugs and actors in the world of drugs. The course explores drugs in modern societies, including the history of drugs, representation, diffusion, social dynamics, and drug control policies. It also investigates the drug economy: the organization of markets, petty dealing, networks, and national and international trafficking. Additional topics include uses and experiences, motivations, experimentation; the organization of care, therapeutic models, the theory of addiction, the philosophy of risk reduction, and the medicalization of drugs; alcohol as a national and legal drug, the social construction of good drinking, and binge drinking; and “new” addictions, such as gambling, pornography, and video games.

This course sheds light on the history of Liberalism through a comparison between Britain and France. It builds a step-by-step history of liberal movements, liberal ideas, and their contradictions, both through British political history and French history, to provide a better understanding of both historical debates and today's issues regarding the notion of Liberalism in context. The course questions the view of Britain as a country of successful liberalism and France as one of failed or incomplete liberalism. It addresses Liberalism and anti-liberalism at the crossroads of political history, intellectual history, and political philosophy.

This course, the third in our intensive summer language program sequences, with its contiguous course FR34B, is roughly equivalent to the third and fourth quarters of French language instruction on students' home campuses. FR34A and FR34B provide students who have a working knowledge of the basic skills of speaking, listening, reading, and writing in French the opportunity to expand and improve these skills with an emphasis on the introduction of new, intermediate-level, forms of grammar and communicative skills within a French-immersion context. Placement in this course is determined by students' previous experience and the results of a language assessment taken prior to arrival. Successful completion of this course combined with FR34B targets the low-Intermediate French level. Course material includes: MOTIFS: AN INRODUCTION TO FRENCH by K. Jansma, Heinle, 5th Edition, 2011. Through the FR34AB sequence, students gain the ability to communicate in spoken and written French and develop a foundation of intermediate French grammar, a working vocabulary, and information on French and Francophone culture including health and illness, vacation time, family structures, schooling and values of the French Republic, the distribution of household chores, environmental protection, cuisine, grocery shopping and eating habits, the workplace, café life, multiethnic society, youth culture, and the geography, music and cuisine of the francophone world. Following the 34AB course sequence, students should be able to engage in short conversations in French, using both simple and more complex sentences and vocabulary, with occasional use of past and future tenses as well as conditional and subjunctive moods, on familiar topics and express their basic everyday needs using the indicative, imperative, conditional and subjunctive moods, regular, irregular, and reflexive verbs, as well as use object and relative pronouns, articles, prepositions, possessive and demonstrative adjectives, interrogative expressions, and expressions of quantity. Through the FR34AB sequence, students reflect upon basic cultural differences as reflected in a variety of French and Francophone contexts, such as varying levels of familiarity/formality, etiquette, family structures, relations between men and woman, urban life, social-cultural representations of France, the professional world, the political world, etc., as well as in cultural products such as film, performances, news, and music Assignments include class participation, small group and pair work, role play, games, individual and group presentations, written exercises, grammar, dictation, presentations of cultural products such as songs, films, audio texts, a variety of short and simple texts on cultural perspectives, and writing activities.

This course, the fourth in our intensive summer language program sequences, with its contiguous course FR45B, is roughly equivalent to the fourth and fifth quarters of French language instruction on students’ home campuses. FR45A and FR45B provide students who have completed a university-level first-year French course or its equivalent the opportunity to expand and improve their speaking, listening, reading, and writing skills, as well as expand their cultural knowledge of the French and Francophone world. The course is based on a presentation of intermediate-level forms of grammar, an expansion of students’ basic working vocabulary, and practice of oral and written communicative skills. Placement in this course is determined by students’ previous experience and the results of a language assessment taken prior to arrival. Course material includes: MOTIFS: AN INRODUCTION TO FRENCH, by K. Jansma, Heinle, 5th Edition, 2011, and RÉSEAU: COMMUNICATION, INTEGRATION, INTERSECTIONS, by J.M. Schultz and M.P. Tranvouez, Prentice Hall, 1st Edition, 2010. Through the 45AB course sequence, students gain the ability to communicate in spoken and written French and develop an understanding of intermediate French grammar points and working vocabulary including contemporary sociological and cultural issues that touch on questions of family and professional relationships, class, social, ethnic, multicultural, and political identities, and the role of the arts in contemporary contexts. Following the 45AB course sequence, students are familiar with all the verb tenses of high-frequency regular, irregular and reflexive verbs, the indicative, imperative, conditional and subjunctive moods, as well as subject and object pronouns, articles, prepositions, possessive and demonstrative adjectives, negative and interrogative expressions. Students apply these aspects of French grammar (such as verb tense, mode and conjugation) to written and oral communication and use listening strategies and skills necessary to understanding a wide variety of discourse. Additionally students are required to give individual and group presentations; read, understand, answer questions and discuss selected literary and journalistic texts as well as multimedia material; write summaries, dialogues or skits, as well as produce short compositions. Students reflect upon basic cultural differences as reflected in a variety of French and Francophone contexts, such as varying levels of familiarity/formality, etiquette, cuisine and dietary habits, family structures, commerce and the professional world, etc., as well as in cultural products such as film, performances, news, and music. Assignments include class participation, small group and pair work, role play, games, individual and group presentations, written exercises, grammar, dictation, presentations of cultural products such as songs, films, audio texts, a variety of short and simple texts on cultural perspectives, and writing activities.