Italy

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. This course provides students with the scientific foundation of modern, anthropogenic climate change and its impacts. The course focuses on (1) the observational evidence of present climate change, (2) fundamental physical processes that shape climate (e.g. solar variability, orbital mechanics, greenhouse gases, the carbon cycle, atmospheric and oceanic circulation, and aerosols), (3) the modern description of climate change (radiative forcing, feedbacks, climate sensitivity) and (4) the physical understanding of predictions of future climate change (for example, how global warming will impact the global water cycle). At the end of the course, students are able to understand and discuss about material consequences of climate change, like sea level change, variations in precipitation, extreme events and abrupt climate change. This course also examines the science behind mitigation and adaptation proposals.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. This advanced course provides students with the ability to: acquire basic critical and methodological tools for the study of works and authors linked in an interdisciplinary sense to the philosophies of theatre and to the theories of representation, in an intercultural context; acquire advanced knowledge of the main historiographic, critical, and aesthetic perspectives of theatre studies in the contemporary international scene, also thanks to the analysis and collective discussion of works that are paradigmatically susceptible to a philosophical reading; arrive at a complete overview of the aesthetics and theories of theatre whose area of application includes both past theatre works and contemporary performances. In terms of skills, this knowledge provides the student with analytical and philosophical-aesthetic tools that enable him/her to inscribe past and present performances in a wide and conscious framework of meaning, within a polyphonic history of scenic culture marked by systemic continuities and paradigm shifts.

The course begins with a reflection on some fundamental philosophical ideas within the symbolic grammar of the theatrical event, namely space, time, body, and voice. These concepts are connected to corresponding theatrical experiences—not as mere illustrations or examples, but as scenic moments inherently full of meaning—belonging to different historical and cultural periods. In the second part of the course, the focus shifts to the actor and the complex relationship between person and character. To explore this relationship, attention is given to mimesis as both a process of identification and imitation. To ground these theoretical considerations in specific practices, Diderot’s Paradox of the Actor is read and analyzed, situating this work within the context of 18th-century French theatre. The final lessons of the module are devoted to experimenting with individual and collective critical-philosophical writing exercises. These exercises are related to performances that students will have attended during the course period, either live or via video.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The purpose of the course is to provide students with a background in science to the methods and policy tools used in environmental and resource economics in order to achieve efficient management of pollution and environmental resources. More specifically, the course will introduce the concept of environmental externalities as the main source of environmental degradation, and the policy instruments used to correct these externalities. The course also includes an introduction to climate change economics and climate policy. Student having successfully completed the course are expected have a good understanding of issues and economic policies related to controlling environmental pollution and climate change. The course covers the two main approaches to the economics of the environment and natural resources - Environmental economics and Ecological economics - with a special focus on the Economics of climate change. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. As a result of this course, students will know and understand the fundamentals of the virtual prototyping through the systematic approach to a complete DMU (Digital Mockup) that from the design concept leads to the engineering of a vehicle (car or motorcycle). Students will learn to work independently and apply multidisciplinary knowledge to the virtual design and optimization of systems and components in vehicle engineering. The students learn the most advanced techniques of interaction between real and virtual prototype through the principles of human-machine interaction. Students develop the ability to work within a workgroup, planning and managing the activities needed to achieve technically valid project results.

This course provides the skills and knowledge for the development of an innovative concept for new motorcycles and/or scooters. To achieve these objectives, the program includes the following activities: Definition of project objectives through Market Analysis and Competitor Analysis; Definition of Technical Specifications; Setting up the Product Architecture; Morphological matrix for the selection of integrated innovative solutions; Setting up the layout of the new motorcycle/scooter; 3D construction of the Digital Mock-up of the new motorcycle/scooter; Introduction to Aesthetics-Oriented Design; Definition of the new motorcycle vehicle concepts; Virtual and physical prototyping of the concepts.

The following prerequisites are required to participate in the course: Advanced knowledge of 2D CAD software, advanced knowledge of 3D CAD software for solid modeling, and advanced knowledge of 3D CAD (CAS) software for surface modeling. Please note that during the course, no class hours are dedicated to teaching 2D or 3D modeling software, which, as stated above, must be considered prerequisites.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The student is expected to understand the functions and processes of transformations within the media industries and the innovations connected to new digital technologies applied to creative industries.

The digital revolution has fundamentally reshaped our world, transforming how we create, distribute, and consume everything from news and entertainment to social connections. This course is an in-depth exploration of the economic principles and models that govern this new landscape. The course is focused on two of the most important media industries, music and video. Each of them is introduced and analyzed in the value chain, all the relevant typologies of players, and how the technological evolution and the changes in consumer habits are influencing the markets’ dynamics and their structure.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. This course advances the student's knowledge in the main criminological approaches explaining the relationship between crime, culture, and media; they will be able to critically analyze media narratives and recent crime, deviance, and control phenomena emerging in digital societies, relying on contemporary examples and on the related scientific literature.

The course explores the intersection between crime and the media, with particular attention to how deviance and criminality are represented across various mediums, including television, newspapers, cinema, literature, and social media. It also examines criminologically significant phenomena that characterize contemporary digital society, such as digital vigilantism and the spread of fake news. The course fosters a critical and sociological approach among students toward the narratives, images, and phenomena of deviance, crime, and social control that are constructed and reproduced through the media.

In the first part of the course, students are introduced to the main theoretical frameworks developed within criminology in the broad field of crime and media studies, with a particular focus on traditional media. The second part addresses forms of deviance, criminality, control, and harm specific to today’s digital society, drawing on examples from recent literature in digital criminology. The third part focuses on what can be considered ‘classic’ themes within the cultural criminology of media, such as the criminalization of music (and other creative cultural expressions), representations of policing in literature and television, and the phenomenon of trial by media.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course focuses on the most influential theories regarding the causes of war. Drawing on literature from political anthropology, social psychology, strategic studies, diplomatic history, sociology, political theory, and international relations, it identifies key variables and causal pathways that illuminate war as a recurring phenomenon, as well as specific conflicts. Historical examples are used throughout to illustrate the theoretical material and help students develop critical perspectives. The course equips students with a comprehensive "toolbox" of applied knowledge, enabling them to conduct their own analyses of international conflicts.

The course includes content such as: deciding for war; political institutions and war; interest groups and lobbies; diversion and war; capitalism and war; strategic interaction and bargaining; military technology; international anarchy and the security dilemma; polarity and stability; power transition and hegemonic war; the liberal international order and its crisis; the rise of China and the end of unipolarity; and the Ukrainian War.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The objectives of the unit are to gain a clear understanding of: why road safety is important, how we can achieve improvements and who is doing the work; the multidisciplinary nature of road safety and why we need to use a combination of engineering, education, and enforcement to be successful; the behavior of road users and ways in which the road environment can be designed/improved to cater for their needs; the complexity of the human/vehicle/road system and how the interrelationships work to influence the level of safety; what are the legal responsibilities of road authorities and decision makers and how they can fulfil them; how to undertake accident investigations; how to collect accident data and what to look for in quality data; how to analyze accident data, turn it into information and develop cost effective, practical counter measures; what needs to be done after treating a site and how to do it; how to be proactive in preventing accidents before they occur. Specific skill sets developed in the class are: Analysis of traffic collision and injury data; Analysis of collision risk in a road network (network screening); Identifying crash causal factors; Identifying and evaluating countermeasures; Principles of Road Safety Management; What is the Road safety Audit procedure, and what are aims and objectives, roles and responsibility; history of road safety audit, road safety audit and design standards, road safety audit tasks, various stages of safety audits; common identifiable problems; How to structure a road safety audit report, identify common problems; and case studies and site visits; what to look for on site visits.

The course explores the fundamentals and role of road safety engineering theory and practice. An appreciation of the design of traffic elements on the road network and a rigorous detective approach to investigating road crash data are developed. Participants learn applied skills to find road crash data and analyze it to determine the nature and extent of road crash problems at any given site. An ability to translate road crash data into meaningful information, determine counter measure options from thorough analysis of information and prioritize and evaluate counter measure implementation programs is cultivated. Students become aware of key issues in road safety policy, techniques for accident analysis, and prevention and road safety audit procedures. Other topics include the Highway Safety Manual, screening methods for identifying high collection concentrations, and proactive improvements to traffic safety.

The course examines principles of engineering and behavioral science relevant to preventing traffic collisions and subsequent injury. Human behavior, vehicle design, and roadway design are considered as interacting approaches to preventing traffic crashes and injuries. Safety of vulnerable road users (primarily pedestrians and bicyclists) is covered extensively.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. At the end of the course, students master some of the main notions of philosophical aesthetics in order to use them as tools to account for contemporary phenomena in which the aesthetic plays a crucial role on the cultural and experiential levels. Students acquire a good degree of autonomy in analyzing aesthetic-philosophical texts concerning discussions carried out over the last few decades. In particular, the course stresses topics and problems that have emerged more recently in the international discourse and that pertain to the nexus between the experiential dimension, the elaboration of expressive languages, and the formal and design-related articulations taking place within the field of the aesthetics. The aim of the course is to reflect on the (dis-)continuity and the (a-)symmetry between the conceptual-theoretical and the operative-experiential levels, and thus contribute to the development of a critical and non-dogmatic attitude toward the contemporary horizon that characterizes the aesthetic.

The course addresses a category which has traditionally been either problematic for, or foreign to, aesthetics: function. The course shows that, when understood as something operative and transformative and not merely contemplative and conservative, the aesthetic possesses an inherent functional character. Aesthetic function is dealt with through different philosophical perspectives, ranging from pragmatism to critical theory, to the more recent everyday aesthetics.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. In this course, students acquire necessary knowledge to read and critically interpret architecture between the fourteenth and sixteenth Centuries as well as the methodological tools to understand the territory, the city, and its major buildings. In addition, the course deals with a number of theoretical and practical issues of Renaissance architecture that are still alive nowadays.

The course provides a historical overview of the major figures of Italian Renaissance architecture from 1400 to 1600—Brunelleschi, Alberti, Bramante, Raphael, Antonio da Sangallo the Younger, Michelangelo, Peruzzi, Giulio Romano, Sanmicheli, Sansovino, Palladio as well as an outlook on a selection of European Renaissance architects. They are analyzed within the cities or countries they operated and will be compared with the cultural, social, and political local context. The second part of the course is an overview on a selection of European courts and on the role of humanistic architecture at the dawn of colonialism. Issues such as local antiquities, revival and survival, rules and license, theory of architecture, drawings and graphic conventions are addressed throughout the course.