Italy

This course explores the intersection of climate change and other contemporary global environmental challenges and the future of the Mediterranean. Students gain an understanding of Mediterranean geographies, environments, and societies, along with past and future climate trends. The course examines the potential impacts of 21st-century climate change on ecosystems, human well-being, and social systems. The course provides an analysis of similar ecosystems across the globe that face climate-related challenges, and of the national and transnational policies that are or are not in place not only in the Mediterranean basin but also in locations such as in California, Australia, Chile, and South Africa.

Key topics include the fundamentals of climate science, relationships between human and natural systems (such as water supplies, agriculture, public health, and biodiversity), and the law, politics, and societal debates as pertain to possible solutions to reduce the magnitude and impacts of climate change. By studying these issues in the context of Sicily, students develop insights into global climate challenges and localized responses. The course also provides a historical perspective on Sicily’s environmental and social changes over time. Students explore how the region's long history of cultural and political shifts has shaped its environmental practices and adaptation strategies. Additionally, the course addresses the growing issue of climate-induced migration to Sicily, examining its impacts and the region’s ability to adapt to these growing population movements.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. The course is divided into 2 modules. Module 1 builds on empirical analysis from current diplomatic practices, and module 2 is a historiographic-based course. 

The program for module 1 is as follows:
1.  The evolution of the functions of the professional diplomat;
2.  Bilateral relations: construction of privileged partnerships;
3.  When a dispute freezes the bilateral relationship: the case of the Italian Marines;
4.  Multilateralism today;
5. Conflicts, prevention, the fragmented world in which we live;
6. The consular function: at the service of Italians abroad;
7.  Economic diplomacy: the new functions of public support for internationalization;
8. Economic diplomacy: the Farnesina as an "Agency" for the promotion of our Country. Nation Branding and integrated promotion;
9. Economic diplomacy: the path from export to internationalization that many companies still have to complete and some to consolidate;
10. A glance to the future: the role of the professional diplomat in the years to come.

Module 2 focuses on the interplay between diplomacy and international economic relations from a historiographic point of view. It covers a period that spans from the immediate aftermath of WWII to the early XXIst century. This module explores a set of case studies that pertain to the diplomatic, economic, and political transformations of the international system as it emerged since the start of the Cold War. Classes are organized as follows:
1. XX century diplomacy;
2. Bilateral relations.;
3. Diplomatic discords;
4. The origins of multilateralism;
5. Failed agreements;
6. Migrations and diplomacy;
7. The history of the European Economic Community (I);
8. The history of the European Economic Community (II);
9. The web of international economic organization between the Cold War and the early-post Cold War era;
10. Diplomatic and economic challenges in the early XXI century.

This course introduces students to the visual arts and to the questions and knowledge that they generate. Looking at a variety of artwork across different periods and media (painting, sculpture, graphic arts, photography and film, digital arts, video, etc.), and discussing some key themes/questions pertinent to artistic research and practice, this course advocates an understanding of the visual arts as a specific way of thinking about the world, knowing reality and acting upon it. This course encourages students to critically investigate a set of key issues, including: the status of the image and of representation; the nature of artistic creativity; the significance and implications of critical analysis; interpretation of the visual, particularly in relation to modernity. The course requires students to engage with a diverse range of secondary literature (historical and critical essays, biographies, literary texts, philosophical essays, etc.). This course combines traditional frontal teaching (lectures) with seminar-based activities. When possible, the course will also comprise on–site visits to relevant art collections, institutions and/or exhibitions. Visual analysis and critical thinking play a central role: image or text–based exercises are assigned throughout the course. Students are expected to participate in class discussions.

This course is part of the laurea magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. Students develop a critical approach to the diffusion and use of digital technologies. They are expected to acquire a preliminary knowledge of the historical context of these innovations to strengthen their understanding of the challenges posed by digitization. Students consider art as a field in which these technologies are both applied and criticized. By the end of the course, students are able to evaluate the variegated cultural and political imaginaries that are contributing to shaping digital innovations.

The course is articulated into the three parts. First, the course frames a political genealogy of the digital technologies, highlighting the philosophical issues they pose. For this reason, a brief history from the birth of internet to the success of platform capitalism and the expectations on artificial intelligence are presented. Then, the discussion focuses on some of the main cultural paradigms about technological innovations (Californian Ideology, Transhumanism, Accelerationism, etc.) to analyze the way they frame the relationship between the "digital" and the “human”. The last part is more collaborative and interactive with guest experts facilitating a workshop on art curatorship and digital technologies, and students presenting their response papers to course topics.

This course provides an interdisciplinary exploration of sustainable agriculture, food systems, and ecological practices within the context of the Mediterranean, with a specific focus on Sicily. Students engage with ecological concepts and principles fundamental to designing and managing sustainable agroecosystems, with a whole systems approach encompassing the multiple dimensions of sustainability. Local engagement is aimed at enhancing students’ critical thinking about global food systems, the SDGs and sustainable agricultural practices.

In addition to the core focus on sustainable agriculture and food systems, this course provides a deeper historical and environmental framing, exploring the long-standing cultural overlays that have shaped Sicily’s agricultural practices. Students examine the island's ecological history and agricultural evolution under indigenous, Greek, Roman, Arab, Norman and Spanish influences, while gaining insight into how historical globalization has impacted local food systems. Special attention is given to the role of commodity trade over time and its influence on current agricultural structures.

This course studies how political institutions shape economic outcomes and how key social and economic factors, such as education, the media, and lobbying, shape political outcomes. It also covers contemporary issues in political economics, such as the causes/consequences of the rise in populism and political polarization, the political economics of climate change, and conflict and violence. The course has a strong empirical focus and covers latest empirical evidence in political economics. Hence, beyond political economics, the course deepens knowledge of cutting-edge empirical methods for causal inference ("applied microeconomics") and deepens experience in applying those methods to (large) datasets in practice. Part 1 explores economic theories seeking to understand political behavior and its implications for economic policies and institutions, as well as how modern empirical methods are used in political economics analysis. Part 2 uses these methods to study three key areas of empirical political economics: 1) how political institutions--such as democratic- and non-democratic forms of government--shape economic outcomes; 2) how key social and economic factors, such as education, the media, and lobbying, shape political outcomes; 3) contemporary issues in political economics (including, among other topics, the causes and consequences of the rise in populism and political polarization; the political economics of climate change; conflict and violence). 
(Bocconi also offers courses 30335-Political Economics, as part of the degree program in Intl Politics & Govt.)

This course is part of the laurea magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor.

At the end of the course, students have acquired the theoretical and practical conceptual framework of the field of literature and philosophy studies, gaining a deep understanding of how philosophy and literature are two ways of reflection and expression of issues in common that can illuminate each other. At the end of the course, students are expected to possess: (1) knowledge of key theories and texts for the study of the interdisciplinary field of literature and philosophy, including philosophical and aesthetic texts on the study of literature, rhetorical and literary approaches to philosophical texts and philosophical theories of literary criticism, as well as familiarity with exemplary historical connections with a particular focus on the German context; (2) the ability to analyze convergences and differences in the argumentative, representative, and performative modes of the two disciplinary approaches with a particular focus on the different uses and registers of language in one and the other disciplinary context, as well as the development of critical awareness in relation to both textual traditions and their ways of addressing issues of ethical, social, and political significance; (3) differentiated and convincing presentation and argumentation skills that produce an original point of view in the debate, starting from a critical analysis of both philosophical and literary texts.

This course follows the traces of melancholy as a phenomenon connected to the longing for reference in both texts in philosophy of language and literature. During the course, students apprehend an important part of Western literary and philosophical reflection on questions regarding the nexus between language and (mostly) existential and (to a lesser extent) political questions. Students read and collectively interpret canonical and less canonical texts, and train their presentation and discussion skills.

The course traces the tradition of the linguistic turn back to one of its potential roots or affine forerunners, i.e., Early German Romanticism, to see how similar constellations were discussed and expressed in Modernism, and finally engages with more openly postmodern texts. It ends on more optimistic tones (with Judith Butler) that stress the spaces of agency that open up when not being determined by a fixed reference scheme. Readings include: Derrida’s Grammatology; Friedrich Schlegel’s programmatic, theoretic texts; Hegel’s critiques; the novel Nightwatches of Bonaventura; Nietzsche’s Twilight of the Idols; Hofmannsthal’s programmatic texts for the Sprachkrise; Borges’ “Tlön, Uqbar, Orbis Tertius”; Ellis’ American Psycho; Hermann’s text “Red Corals”; and end with Butler.

The course offers an introduction to the Italian Renaissance through an overall examination of the artistic development evolving between the 15th and 16th centuries in the main courts and cities of the Italian peninsula. Within this broad overview, a selected group of particularly significant works of art are analyzed more in detail, taking into consideration not only material and stylistic aspects, but also social and cultural issues, with a particular attention towards patronage and collecting (female patrons and collectors will be privileged among others).
 

By the end of the course, students will have acquired new tools, methodologies, and skills to develop, outline and clearly express a critically assessed thought on the following aspects:
1. geography and history of the Renaissance (definition of Renaissance, 'centers' of development and diffusion of Renaissance style, the notion of Italian Renaissance in the modern and contemporary critical debate);
2. artistic practices and workshops (the role of 'disegno'; the apprenticeship, training, and progressive emancipation of the artist; traveling artists and exchanges between 'center' and 'periphery')
3. materiality (techniques, style, and display; the renovation of the altarpiece; the oil technique)
4. interpretation of images in relation to texts (iconographic analysis, exchanges between artists and humanists or ‘literati’, with a particular attention for portraits; secular subjects and literary sources)
5. patronage, collecting and society (with a particular attention toward the role of women and the circulation of objects in different networks)

This course examines competing hypotheses on the role of geography, institutions, and culture for long-term economic growth and cross-country differences in economic outcomes. It also studies the role of religion (and religiosity) for accumulation of human capital and economic progress. Finally, the course analyzes how cultural distance may affect migrants’ assimilation and it studies how local culture and institutions shape technological progress and inflows of innovative ideas. 
Themes discussed include: The Role of Geography for Economic Growth and Development; The Role of Institutions for Economic Growth and Development; The Role of Culture for Economic Growth and Development; The beginning of modern economic growth: geography, institutions, and culture; The Interaction between Culture and Institutions; Flows of Technology and Flows of Ideas; The Economics of Religion; Diversity, migration, and assimilation. 

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course analyzes urban spaces through the use of semiotic tools, with special regard to urban forms, urban practices, and representations.

Main topics of the course:

• Urban semiotics: development of the discipline, approaches and methods.
• The form of the city: evolution, permanence, transformations.
• Cities between text and practice: semiotic tools for analysis of (urban and non-urban) space. Lived/represented/designed city: the city as text versus the city as subject/object of discourses.
• Interdisciplinary dialogues: urban ethnography, cultural geography, urban studies.
• City, memory, identity: (urban) places of memory and cultural heritage.
• City and conflict: spaces of power and spaces of protest - places and dynamics of urban conflicts (peripheries and banlieue) - city and war.
• The multicultural city: spaces of inclusion/exclusion - immigration and urban conflict.
• Digital city: Smart Cities and impact of ICT in urban practices.
• City between commons and places for consumption: public/private dynamics - urban creativity (street art and grassroots cultural production) - commercial and cultural tourism and strategies of city branding.