University of Sydney

Musicology Workshop provides a forum for discussion of musicological work, and the opportunity to gain a broad perspective on the discipline. Many Musicology Workshop activities are built around the Conservatorium's fortnightly Musicology Colloquium Series lectures, presented by SCM staff and visiting national and international scholars speaking on a wide range of topics. Other class activities explore areas such as research and writing skills, music criticism, controversies in recent music literature, visits to local libraries or archives, and conference attendance and reporting. Students are expected occasionally to attend other musicological activities such as the Conservatorium's Alfred Hook lecture series. During classes students also have the opportunity to present and gain feedback on their own research topics.

This course examines electrical energy conversion techniques and equipment. It covers magnetic circuits, inductance, sinusoidal excitation, hysteresis and eddy current loss, permanent magnets, electromechanical energy conversion, singly-excited and doubly-excited systems, transformers, single-phase, equivalent circuit parameters, three-phase transformers, autotransformers, DC machines, separate excitation, shunt excitation, series excitation, and compound excitation, efficiency, armature reaction, induction machines, revolving field, equivalent circuit, squirrel cage machines, measurements of the parameters, DC resistance test, no-load test, blocked-rotor test, synchronous machines, field relationships, power-angle relationships, and salient pole machines.

This course examines the economic techniques used by policymakers to address environmental issues. These techniques include: Pigovian taxes and subsidies; regulation with asymmetric information; marketable permits; pricing contributions for public goods; optimal damages; and the allocation of property-rights and market failures.

This course will provide students with an opportunity to develop knowledge of and teaching skills related to music education approaches that have influenced current practice. Students will focus on a number of internationally recognized approaches to teaching music, including those developed by Orff and Kodaly; Comprehensive Musicianship, and the creativity movements of the 1960s and 1970s. More recent approaches reflecting multiculturalism, globalization, mediated learning, constructivism, Informal Learning and forms of enculturation and musical creativity evident in children's musical worlds will also be explored. An important focus of this course will include building confidence in performing on chord-based instruments and drums.

This course examines new and comprehensive methods for the analysis and formation of business strategy. The course analyzes strategies for developing competitive advantages, including product differentiation, cost advantages and product life cycles; implementing incentives, control, firm boundaries, and internal firm decision-making mechanisms; implementing pricing, auction and signalling practices; assessing industry attractiveness and the regulatory/trade practices environment; and managing industry cooperation and conflict.

This course examines popular music, Indigenous music, classical music, and the music of multicultural communities in Australia, as well as themes prevalent in the work of contemporary music scholars. These include gender and identity, ownership and appropriation, reception and transmission, colonialism and Empire, globalization, modernity, representation, and music and place.

This course examines typical communication development in English across the lifespan and in cultures relevant to the Australian context. It covers the sequence of normal communication development from prelinguistic communication development through to adult language; the significance of context and function in the development of language; the universality of communication development, and the effect of gender in communication development. 

This course covers historical and contemporary concepts and techniques relating to non-objective painting. Painting is addressed in its history and as a category of contemporary art. It is broadly defined as an extended practice with a broad range of material, spatial and intellectual possibilities. Geometric abstraction, gestural abstraction and minimalism have all made their marks on contemporary painting, which often mixes them together. In the course a variety of these approaches are explored through focused and self-initiated projects. As their studies progress, students are encouraged to develop their own approaches and set out their own parameters to create a valid studio practice.

This course examines communication reference models (TCP/IP and OSI); circuit switched and packet switched communication; network node functions and building blocks; LAN, MAN, WAN, WLAN technologies; protocols fundamental mechanisms; the TCP/IP core protocols (IP, ICMP, DHCP, ARP, TCP, UDP etc. ); applications and protocols (ftP, Telnet, SMTP, HTTP etc. ); network management and security.