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Social Neuroscience is a new and rapidly growing field of research. It is an interdisciplinary field that asks questions about topics traditionally of interest to social psychology, economics, and political science using methods traditionally employed by cognitive neuroscientists, such as functional brain imaging. The course discusses functional MRI research within the following topics: self-reflection, emotion regulation, perceiving others/mirror neurons, intersubject/hyper-scanning designs, and moral judgment. Students gain insight into the neural correlates of social behavior and acquire knowledge about designing a functional MRI study.
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In this course students acquire knowledge about: Public Health law in international, European, and domestic settings; the nature of law, and broad legal principles behind the law's contribution to public health; the way that different types of procedures are used to regulate the public health (e.g. medical committees and officials, criminal law, privacy, public interest arguments, etc.); other normative considerations relating to framing public health responses; how public health responses operate. The course also trains students to: read and understand legal documents (particularly treaties and European legislation, and guidance documents and codes of practice); understand how legal and ethical arguments are constructed at different points in relation to public health, particularly how human rights decisions are made at the European Court of Human Rights; apply these insights to “live” public health issues. Students are also trained to: consider the difference between life science, medical, political, legal and ethical judgments; consider how each type of judgment is constructed; consider how different judgments are given authority and enforced in society. Finally, through this course students are able to: construct effective, logical, and evidenced arguments to influence political decision-makers; consider how far discussion can be useful in the creation of normative arguments and responses; develop effective skills in presenting arguments.
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This course examines disturbed, strange, unadjusted, and abnormal behavior. Students review prevalent clinical case studies and the resulting research on topics such as anxiety disorders, eating disorders, addictions, mood disorders, and psychotic disorders. Questions that are repeatedly discussed include: What does the clinical picture look like? What are the diagnostic criteria? When does normal become abnormal? How often does this disorder arise? How does such a disorder develop? What can be done about it? The goal of these questions is to understand why one person develops the disorder while another does not, how scientific research can reveal the causes of disorders, and insight into the mechanisms that maintain the disorder. Students become familiar with various forms of psychotherapy and pharmacotherapy as well as theories on etiology, empirical findings that support or contradict the theory, customary treatments, and the effectiveness of those therapies.
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This course studies the work of young writers that at first sight seem to engage in the sort of genres we easily associate with the received practices and institutions of literature, and these young writers not only address the major issues and concerns in our society – racial injustice, class and gender inequalities, climate change, the rights of migrants and refugees, discrimination of LGBTQ+ people, domestic violence, sexual abuse, political violence, etc. – these are in fact at the core of their work. A closer look reveals that these young writers seem to break with the accepted boundaries between genres. To give one example: many of them challenge the binary between form and content, which too often has been broken down along racialized lines. The work of writers of color usually are more appreciated for its political activism rather than for its experimentation with form. The work of Claudia Rankine however shows a subtle combination of poetry, essay, and visual art, approaching race through form. Rankine is an exponent of the hybrid genre of the lyric essay. Other genre developments the course addresses are autofiction, spoken word, and relational theatre.
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What causes jetlag? Why do you feel like having a cup of soup? How come smokers are so hooked on their cigarettes? These and other questions are discussed during the course Body and Behavior. This course mainly studies biological explanations for behavior based on themes such as sexuality, eating and drinking, sleeping and waking, medication, movement, and addiction. Knowledge of the biological basis of behavior is essential for psychologists. The most important structure for explaining human behavior is our brain. However, establishing a link between electrical and neurochemical activities in our brain to behavior is no easy task. You need sound knowledge of neuroanatomy (how parts of the brain are in connection to one another), neurophysiology (how brain cells operate), and neurotransmission (how brain cells communicate). During the first few weeks of the course, special attention is paid to the (further) development of this basic knowledge. Students learn that knowledge of the biological basis of human behavior does not only come from research on humans, but also on animals. Finally, research methods used by psychologists to study the biological basis of behavior is touched upon. Today, psychologists are able to carefully study the structure and function of the brain using these methods. The most important methods are discussed and the pros and cons are compared.
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The debate between Enlightenment and Romanticism has an enduring impact on discussions of today in art, politics, science, human identity, and social values. The Western world is hardly understood without knowledge of these two decisive periods. This course is a systematical introduction to these two, formative, opposed intellectual traditions. First, a historical context is presented to the political and ideological ambitions of the Enlightenment (enlightened despotism, Voltaire at the court of Frederick the Great, censorship and the diffusion of the Enlightenment). Secondly, the opposed approach to "Nature" is introduced; the influence of Newton, the rise of modern science, the Encyclopédie vs. Romantic science (e.g. Goethe’s criticism on Newton’s Theory of Color) and the role of the arts in the new approach to nature (such as landscape painting and romantic poetry). Then, the changes in the visual arts illustrate continuity and discontinuity in cultural history (Romanticism and Neo-Classicism). In the fourth place, human subjectivity in the Enlightenment (based on Lockean psychology and Self-love) is confronted to new approaches to the romantic soul (the unconsciousness, irrationality, Weltschmerz). This is also discussed with an analysis of the classic movie DANGEROUS LIAISONS (Stephen Frears, 1988). Finally, discussions about morals and politics are presented (Rousseau, the Social Contract, the slogans of the French Revolution vs. Romantic values concerning the State and personal relationships like love and friendship, nationalism).
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