Peking University, Beijing

This class is about writing and academic inquiry, with a special emphasis on literature. Good arguments stem from good questions, and academic essays allow writers to write their way toward answers, toward figuring out what they think. In this writing course, students focus on the creation of complex, analytic, well-supported arguments addressing questions that matter in academic contexts. 

As goods and services are produced and distributed, they move through a set of interrelated operations or processes. The design of these operations for strategic advantage, investments in improving their efficacy, and controlling these operations to meet performance objectives is the domain of Operations Management. Taking the process view of the organization we will examine, using case studies, readings and models, a variety of industrial applications. In the first part of this course, by studying how the manager can improve the efficacy of processes, we will develop a unifying theme to the subject. In the second part of this course, the focus will be on inventory theory and its application to supply chain management. In contrast to the first part of this course that developed a broad brush approach to the process view of operations, we will take a more analytical and detailed approach in model development in the second part of this course.

The basic purpose of this course is to deeply understand mathematical thought and values behind classical knowledge in mathematics.

The course is for learners with intermediate Chinese and a vocabulary of more than 600. It aims to expand students’ vocabulary and develop their Chinese ability. After studying, they can use the language accurately when tackling everyday scenarios and address regular topics with short speeches, including writing and speaking.

This course examines the history and practice of electronic music from the early twentieth century to the present. It will explore a wide range of genres—from experimental forms like musique concrète and drone composition to popular traditions like rock and various forms of electronic dance music (EDM)—as well as the evolution of instruments, techniques, and lines of influence. Through the course students will develop a broad perspective of the history of the field and an understanding of musical techniques that will meaningfully inform their own listening and creative practices. The primary goal of the course is to establish an understanding of the development of electronic music, including prominent composers, musicians, technologies, instruments, aesthetic ideas, and genres. A secondary goal is linked to the methods and organization of the course as they set out these points of orientation. The course will introduce a wide and representative sampling of different sources for the study of electronic music: in addition to recordings of musical works and performances, these sources include artists’ statements, historical surveys, documentary film, science fiction, specialized musicological study, music criticism, writings on aesthetics and the philosophy of art, and virtual software for modeling analogue synthesis.

History of Russian literature from 20th c. to present.

This course mainly explains Plato's dialogue (Fido and Socrates' Defense) and Descartes' First Collection of Philosophy and other classic Western philosophical texts, so that students can understand the way philosophers explore the world order and the inherent tension of philosophical life. 

This course covers two parts for international economics, international trade and international finance. In the first part, we will examine the causes and effects of international trade. We will analyze the content of trade, the distribution of gains to trade, and measure of the Global Value Chain. The effects of trade on economic growth, wage, employment, economic inequality, and environment will be studied. Lastly, we will explore why countries may want to limit and regulate international trade, and discuss the causes of trade conflicts and possible solutions. The second part of the course covers topics in open-economy macroeconomics and in international finance. We will first introduce national income accounting and the balance of payments, and discuss the relation between international trade and financial transactions. We will then study exchange rate, an important international price, exchange rate determination, and exchange rate regime. Finally, we will discuss the theory and policy of open-economy macroeconomics, and the internationalization of the Chinese yuan.

This class will focus on the topic of "how to understand the traditional Taijiquan", and both philosophical and practical perspectives will be discussed by mind and felt by body. On the philosophical side, the Taijiquan's special concepts (inner Qi - inner energy), methods("If you feel comfortable then you are right"), thinking way (forget yourself and just follow your opponent), theory system (get a will by your mind, get Qi by your will, to move by your Qi ) will be discussed to show a panoramic view of traditional Taijiquan, which also with the comparative discussion between Chinese "Gongfu (kung fu) philosophy" and western philosophy.

This course focuses on commercial films while also considering television dramas, web dramas, and short videos as narrative art forms. It offers both theoretical and practical teaching on the work of directors in narrative audiovisual arts. The course integrates teaching philosophies and approaches from world-renowned film schools, combined with Peking University's strong humanistic foundation and comprehensive academic strengths, forming a teaching mechanism that emphasizes both theory and practice. The course primarily consists of classroom lectures and practical guidance. Under the guidance of professional instructors, students will quickly grasp director theory and techniques. Industry elites are incorporated into the curriculum, with many top domestic and international screenwriters invited to teach. Following the teaching approach of "foundation" + "practice" + "innovation," students will acquire basic knowledge, be able to apply these skills to create and direct film segments, and be encouraged to think independently, learning to use audiovisuals to tell stories, express emotions, and convey ideas.