Free University of Berlin

This seminar examines the close relationship of textuality, storytelling and subjectivity in three canonical modernist texts: Joseph Conrad, Heart of Darkness; James Joyce, A Portrait of the Artist as a Young Man; and Virginia Woolf, To the Lighthouse. Students study the period of Modernism and the distrusts and questions of the claim of human reason to be a reliable means for understanding and controlling the world. Key topics include narrative strategies within a newly structured world, textual experiments as empowering spaces for the shaken subject, and textual patterns emphasized in order to compensate for the loss of a more tangible world order. Additionally, the texts focus on textual representation served as a 'hyper-realist' depiction of the chaotic state of decay whereas story telling provided a potential panacea in a world devoid of meaning. 

Foreigners, in particular people from the US or Canada, are often astonished when they hear how fascinated Germans are with Native Americans. So-called “hobbyist” events with Germans “playing” at being and dressing up as North American Indians, shows with Native Americans performing traditional dances or other rituals, but also theatrical festivals devoted to stories around the fictional Mescalero Apache Winnetou and his white (German) blood brother Old Shatterhand draw thousands of visitors, and it is still fair to say that most Germans have some memory of playing Indians when they were children. The creator of Winnetou, Karl May, is more widely read than Goethe or Thomas Mann, although the literary value of his texts is disputed. As puzzling as this may be from the outside: For more than 150 years, America and, in particular, North American Indians have played an important role in narratives about German national identity. Examining these narratives, students discover a complex web of fascination and identification with Native Americans on the one hand, fascination and ambivalence regarding the culture, politics, and economics of the US and white Americans on the other hand. Students study extracts from literary texts depicting Native Americans from the 19th and 20th centuries and analyze films based on Karl May and other authors, produced in the FRG and the GDR (West and East Germany). They discuss the political implications of images of Native Americans in the context of imperial Germany, in National Socialism, and in the GDR, and they review and evaluate concepts such as the “Noble Savage”, “cultural appropriation” and racial/ ethnic stereotyping and exoticism.

The seminar provides a deep dive into economic inequality as relates to political economy more broadly, delving into questions such as “what inequality is and how to measure it?”, “what causes inequality?”, “how can welfare and redistributive policies manage inequality?”, and “why are some countries more equal than others?”. The first purpose of the course is to explain what causes economic inequality and how—and to what extent—it can be reduced. The second goal is to provide students with the theoretical and methodological tools to conduct their own empirical study to address these questions. The seminar begins by delving into conceptualizations and measurements used for economic distributions and income inequality. The second part centers on theories explaining levels of economic inequality, including the work of Pareto, Kuznets, Piketty and Milanovic. The third part focuses on the role of the state and redistribution in managing economic inequality, including theories on welfare-state formation, optimal taxation and the impact of political institutions. Finally, the last part is about public opinion on inequality and redistribution, centering on studies and theories about when voters want redistribution. The interplaying dynamics between economic distributions, political institutions, and public opinion are a running theme of the seminar. Students explore and discuss these dynamics as they are articulated in the literature and also propose and test new theories.

This course explores the central question: How does our environment — natural or built — affect our mind, behavior, and brain? In a time of rapid environmental change, with expanding urbanization, shrinking green spaces, rising climate anxiety, and evolving relationships with technology, understanding the connection between environment and mental processes is more crucial than ever. Students examine what makes environments beneficial to our brain and wellbeing, how surroundings shape cognition, whether one can design cities that support mental health, and what happens in the brain when one feels connected—or disconnected—from nature. The course traces the history and key theories of environmental neuroscience, introduces sensory perception and environmental stress, and investigates the impact of both natural and urban settings on mental health. Through lab visits, neuroimaging case studies, and a hands-on research project, students actively engage with current research. Grounded in three core pillars—interdisciplinarity, research-driven inquiry, and reflective engagement—this course encourages students to draw on diverse methods, collaborate on original studies, and consider their own experiences of space and place as they explore how neuroscience can inform real-world environmental design and policy.

At the end of the 20th century, several scholars famously pronounced that society had become “posthuman” (N. Katherine Hayles) and that “we are cyborgs” (Donna Haraway). Two and a half decades later, this diagnosis seems even more accurate: cyborgs, androids, and artificial intelligence populate literature and film; ‘cyborg’ technology in medicine can replaces limbs, organs, and senses; and artificial intelligence assists humans in various ways in their daily lives, from applications in their phones to digital assistants and chatbots. What are the implications of these developments for a traditional understanding of the human and the relationship between humans and machines? How do these transformations impact ideas about, and representations of, the human body and embodiment? What ethical and socio-political issues are at stake? The course explores these questions with the help of theoretical approaches from the fields of Posthumanism, Gender Studies and Critical Race Studies, as well as literary texts and films. Students read two contemporary novels – Jeanette Winterson’s Frankissstein (2019) and Kazuo Ishiguro’s Klara and the Sun (2021) – and watch two films – Alex Garland’s Ex Machina (2014) and Ridley Scott’s Prometheus (2012). They also have a chat with Chat GPT.

German academic writing is a skill that can be learned. By engaging with selected modern literary texts in the writing lab, students practice to develop research questions, prepare outlines, draft exposés, construct arguments, and comment on academic positions. The goal of the course is to enable participants to prepare well-structured term papers, bachelor's or master's theses, dissertations, and presentations. It also address the grammatical and
stylistic peculiarities of the German academic language, including intercultural distinctions. Moreover, students investigate the promise, perils, and limitations of artificial intelligence (AI), and the extent to which AI can facilitate many areas of academic work but not replace the need for critical and innovative thinking. By the end of the course, participants are equipped to successfully stand their ground in German academic discourse. At the same time, they acquire transferable skills to write clearly structured, concise academic texts in their own language.

In the last two decades, an increasing number of artists have engaged the specters of colonialism that continue to haunt us in our postcolonial present. In their work, the archive often figures as source or resource, matter or metaphor, and presence or absence of the colonial past. Considering the intensity of this archival return, it is no exaggeration to state that the archive has emerged as a paradigm through which artists pursue engagements with colonial histories. In their work the archive enables them to confront the legacies of their colonial pasts and provides them with possibilities to conceptualize the hidden histories and counter-memories that have been suppressed by screen memories whose traumatic contents need to be addressed to open up alternative futures. Conventionally imagined as a technology for the storage of traces of the past, in this context the archive may be thought of as a site to rethink the past, present, and future. This seminar examines how work in the archive explores alternative relations between past, present and future. This is done by examining a range of practices adopted by scholars, archivists, social activists, and contemporary artists in their engagement with the archive. This includes themes like; how colonial archives have been neglected, destroyed, and replaced by decolonial archives; how photographers have embraced archival images as material to recycle and repurpose; how contemporary artists have developed alternative archival epistemologies; how restitution might be conceived as a form of archival memory work; and why, in the post-apartheid context in South Africa, the decolonization of the university has been conceived as a question of the archive. In sum, the seminar examines how the archival turn addresses the question of African futures.

The course explores the long-term socio-economic consequences of exposure to natural disasters, focusing on the level of the individual. It consists of two complementary classes that have to be taken together. The first part of the course provides students with a theoretical foundation for understanding how natural disasters can shape economic and social outcomes over time. It focuses on discussing channels and mechanisms through which the natural environment and disasters or upheaval, in particular, affect individuals. Topics covered include the impact of such disasters on health, education, household income, labor markets, and migration. Students familiarize themselves with underlying microeconomic models, discuss research methods like causal inference strategies, and analyze empirical findings from academic research. The second part of the course is designed to deepen students’ understanding of the concepts covered in class through active engagement with empirical studies. Students are required to present and critically discuss academic papers that investigate natural disaster effects using micro-level data. The seminar emphasizes methodological approaches, data sources, and empirical strategies, encouraging students to evaluate the presented research critically and develop their analytical skills.

This course offers an in-depth exploration of quantitative text analysis methods for studying international relations. Students engage with advanced computational techniques, including text classification, topic modeling, and network analysis, to systematically examine textual data. The class places emphasis on methodological rigor, critical interpretation of results, and the application of these tools to address key research questions in the field. It is designed to equip students with the skills needed to conduct independent research using text as data.