University of Otago

The course offers a detailed study of one or more media genres, such as film noir, science fiction, horror, or the musical. It introduces theories of genre and methods of genre analysis. 

The course examines theoretical and research perspectives on gender in education, with particular attention to the intersections of gender, race, class, and sexualities. It investigates how educational policies and practices address gender issues and introduces discourse analysis as a critical analytical tool. The course explores the role of feminist thought in understanding gender in educational contexts in Aotearoa New Zealand, engaging with contemporary feminist debates and questions such as: Does feminism still matter? Are we in a post-feminist phase? Or does feminism matter more than ever? Topics include gender-inclusive curriculum, pedagogy, and policy; the critique of popular gender-normative advice literature; and approaches to queering the curriculum, with opportunities for discussion and engagement with current media debates.

This course is an introduction to research in environmental sociology with an emphasis on the social processes, dynamics and institutions that are influential in contemporary environmental crises. It looks at the social dimensions of our natural world and considers how our social life shapes our ecological life (and vice versa!). It will focus particularly on how environmental problems are created by social drivers and experienced unequally. Topics include production and consumption and its environmental effects, inequality and environmental risk, and social movements for environmental justice. 

The course examines, integrates, and applies theories of human development, learning, and assessment to educational practice. It introduces the theoretical and research foundations of educational psychology as they relate to classroom teaching. The course explores concepts such as well-being, self-efficacy, constructivism, digital technology, motivation, talent development, and assessment, while addressing questions including: Should well-being be taught in schools? Is self-control more important than self-esteem? Can digital technology transform learning? Is positive thinking overrated? Is there too much emphasis on measurement in assessment?

This course examines ecological theory and methods to contemporary issues in society. It looks at how to apply ecological methods and theory to deepen our understanding of pressing societal issues and identify management and policy solutions that may be valuable to society.
 

This course politics of environmental and climate (in)justice. It looks at modern theories of justice versus environmental reality, individualized property regimes versus collective good, colonialism versus te Ao Māori, positivism versus mātauranga Māori, universalism versus localism, and seeks just ways forward. Case studies will be drawn from Aotearoa and global experiences of environmental and climate injustice. It looks at the foundations of liberal political thinking and draws from critical and decolonial theory and te ao Māori in our search for useful tools to fashion just decolonial environmental politics.

The course examines the role of culture in shaping psychological processes, with particular focus on Māori world views, and Pacific cultural contexts.

The course examines New Zealand’s relations with major countries, its policies in key regions, and its position on contemporary issues in international politics. It explores how a small state navigates complex global environments where optimal outcomes are not always possible. It also provides an insider’s perspective on how strategic decisions are made, drawing on conversations with senior political leaders, diplomats, and national security officials. It analyzes how New Zealand evaluates options, develops policy, and responds to global challenges in ways that safeguard its defense, economy, and societal interests.

This course examines literary classics that have attracted controversy for reasons including political content; issues of morality/obscenity; transgressing conventions of form; polemical works; questions of authorial identity and authenticity; and controversies over prizes and literary merit.