University of Sussex

This course introduces students to international marketing, focusing on the complexities of operating in diverse and unfamiliar environments. Students build knowledge of the international environment and the unique challenges facing international marketers, including increased scope, risk, and uncertainty. Students learn to identify and manage differences, opportunities, and threats across varied economic, demographic, political/legal, cultural, technical, and competitive environments. Students connect international issues to marketing decision-making at three levels: macro level, where country selection decisions are made; national level, where market entry decisions are considered; market level, where marketing mix decisions are implemented.

Students explore some of the repertoires that are at the heart of post-war American pop music, including mainstream pop, the blues, hip-hop, funk, country, and rock. Students consider the extent to which American popular music has influenced other pop music cultures, and how a sense of American identity is both fostered and communicated in its music. Students also connect specific kinds of repertoire to major events in American history, such as the Civil Rights Movement. The course is organized according to topics such as the music industry, the blues continuum, identity in country music, urban music, and Afrofuturism. Students learn to identify and describe a range of American popular music genres, and position them in their socio-historical context. 

This course introduces students to Cognitive Psychology, the scientific study of how the mind works. Students become familiar with the field of Cognitive Psychology and its research approaches, and appreciate its relevance to everyday functioning. A variety of relevant topics are discussed, such as perception, attention, memory, language and decision-making, both in terms of the prevalent theoretical models, as well as empirical evidence.

This course discusses and analyzes the major challenges and current initiatives in the creation of finance industries appropriate to and effective in developing countries. The course focuses on the private financial sector and issues relating to access to finance. After a general overview, the course examines the forms of finance available for larger firms in developing countries, mainly the banking sector and the stock market. Subsequently, the course covers the evidence on the effects of financial development on economic growth and the role of institutional factors, such as corporate governance, in financial development. The course then examines the access to finance for smaller firms and households and the implications of a lack of access. Finally, the course touches upon private international sources of finance, namely private capital flows, FDI, and remittances to developing countries.

Decolonizing education is critical for social justice in the Global North and South. This raises important questions about the relationships between knowledge, power, and society in the past and present. This course addresses these issues. It engages with the politics and history of education in both UK and international contexts. It critiques how the curriculum has privileged particular knowledges and identities in ways that are racialized, gendered, and classed. Throughout the course, students relate these issues to students’ own experiences of education and what decolonizing education means for them.

George Orwell once wrote that "many people who would consider themselves extremely sophisticated and “advanced” are actually carrying through life an imaginative background which they acquired in childhood." This course examines the political lessons children’s books encode about what childhood is, and about which children matter and why. Students read children’s texts from a range of genres and forms – including fantasy, school stories, picture books, and domestic fiction – written between the late 18th century and the present day. Key focuses include agency, gender, race, class, and the environment. 

In this course, students explore some of the exciting and experimental developments in film music practices emerging in the second half of the 20th century. During this time cultural changes and expectations were reflected in greater experimentalism and innovation across society and art forms. This includes film music and sound, following the so-called Golden Age of classical Hollywood film scores in the 1920s, 30s, and 40s. Students will begin with a brief review of Golden Age film music and the established continuity system of musical editing. Students then examine case studies of film scores from several different countries, including USA, Britain, France, and the former Soviet Union. Students consider fragmented, composite, formalist, and popular music solutions. Finally students consider the growing influence of sound design and the blurred boundaries between music and sound in some contemporary cinema.

This course introduces students to photography as a tool for communication and encourages students to reflect critically on issues of form and content to convey meaning. Students will learn key technical processes in contemporary image making and consider existing photographic theories alongside emerging digital practices. Students will work individually to realise set exercises in and out of class and produce a completed series of images to a set brief.