University of London, Royal Holloway

This course introduces a range of advanced and current topics in evolutionary ecology with a strong focus on studies using vertebrate systems. Evolutionary ecologists investigate the interactions between and within species, and, for example, consider the evolutionary effects of competitors, mutualists, predators, prey, and pathogens. Lectures and assigned readings provide a foundation in evolutionary ecology and a sampling of specific topics (i.e., Life-History Theory, evolutionary medicine, phenotypic plasticity, ecological speciation, and the evolution of sex). 

This course addresses key developments in contemporary digital culture. It focuses on how still and moving images, and art and visual culture in general change with the triumph of big data analytics and artificial intelligence. The course is structured around concepts key to such developments, such as the user and viewer, body and affect, (social) platform and metrics, interface and interaction, city and infrastructure, ecology and nature. 
 

The course introduces the students to the concept of sustainable energy and the main renewable energy resources. Those covered in the course are geothermal, hydro, wind, solar, and marine energy, the emphasis being on geothermal energy. The current and potential use of these energy resources for producing electricity and space heating are discussed, with application to the UK where appropriate. The focus is on current and future use of these resources, as well as on quantitative aspects and understanding some of the relevant physics. The module covers the basic concepts of energy science, including conservation of energy, basic thermodynamic concepts, energy efficiency, and related topics presented at an elementary (easily understood) level. An emphasis is on the ideal combination between geothermal energy (which is a steady source – always there) and other but non-steady renewable sources (e.g., solar and wind energy).

This course explores the concepts of diversity and inclusion in organizations, through identities of gender, race and ethnicity, disability, class, and sexuality. We explore, through case studies and in-class discussion, different management strategies for diversity and inclusion, in different contexts around the world, and critically explore their pros and cons. This course provides the theories, toolkits, and practical examples needed to manage for a diverse and inclusive organization in the 21st century. 

The course commences with an overview of contemporary CC/EC discourses, debates, the evidential base and international governance initiatives to address the challenge, including IPCC reports, UNFCCC and Stern, as well as regional and national-scale reports. It then examines the nature of urbanism and urbanization as linked networks and systems of urban areas embedded within multiscalar hinterlands. This provides the context for detailed examination of how urbanization and urbanism contribute to CC/EC; how CC/EC is affecting, and is predicted to affect, towns and cities in different regions, and how urban authorities and diverse groups of urban residents experience, perceive and respond to the phenomenon. Key concepts and literatures assessed include disaster risk, vulnerability, resilience, mitigation, adaptation, transformation, global(ized) urbanism and teleconnections, and the claimed conflict between tackling climate change and meeting immediate development needs.

In this course students develop an understanding of film, television, and digital media history. They look at how and where digital media intersect and converge with these moving image forms, examining media from the late 19th century through to the present. Students consider how even "old" technologies were "new" at some point, and analyze the relationship between technological, social, and aesthetic developments in new media forms.

This course offers students the opportunity to study the American commercial film industry since 1945, with an emphasis on the changes to the Hollywood mode of production in Hollywood's "post-classical" period, i.e., the decades since the collapse of the studio system in the 1950s. Individual films and filmmakers are considered in principal relation to the institutional, economic, and stylistic changes occurring at that point on Hollywood's historical evolution. Where appropriate, reference are also made to relevant historical context during this period of enormous social and political upheaval and momentous cultural change in the United States. 

This course introduces students to a selection of independent American films which are frequently overlooked by the dominant histories of American cinema. The films selected are chosen from a diverse range of American filmmakers from the 1960s to the present, and the course therefore hopes to provide an account of American film which reaches beyond the dominant Hollywood model. This leads to consideration of the divisions in American society and how these can be perceived through the work of independent filmmakers. 

The course considers how gaming emerged from post-War and Cold War cultures and traces its development alongside a history of contemporary capitalism up to the present. It considers games and their relation to nationalism, gender and sexuality, class and intersectionality, among other things. The course asks students to analyze the complex relationships between political context and games. To do so they develop both deep historical knowledge of the industry and solid theoretical tools through which to understand it. Students consider fan cultures, online activism, and community building around the gaming industry.

This course is concerned with introducing students to theories and concepts in sociology, and their application. Students are introduced to classical and contemporary social theories. They cover the works of the "founding fathers" of continental European sociology, Marx, Weber, and Durkheim, as well as more contemporary social theory including functionalism and symbolic interactionism.