UC Center, Florence

This studio course introduces the principles of painting and develops skills in composition, observation, and the use of color. The course includes sessions on technique, brushwork, color theory, and the use of different media.  During the first half of the course assignments concentrate on developing different skills and building techniques, using traditional and experimental approaches to painting. During the second half of the course, students use these skills to develop their own work. Students explore the history of art in Florence in the many galleries and museums and use this knowledge to inform their own work. The course covers the technical developments of the Renaissance, including the study of perspective, line, and form. Through guided instructional sessions, students cultivate their unique artistic styles and engage in individual research, which may involve integrating themes and techniques from both modern and contemporary art. This study is the basis for developing painting skills through engaging with, and responding to, the works and artists they study. The course also has a focus on developing skills for self and peer criticism to discuss the development of the work. Students create a final piece supported by an Artist's Statement, a research breakdown outlining the evolution of the project's concept, and technical development. 

The Elementary Italian course provides students with the essential language skills to communicate effectively in common Italian contexts, covering the first level of Italian proficiency. Through a communicative approach and a strong emphasis on active participation, it helps students to quickly improve their ability to interact with Italians. Engaging in role-playing, group work, in and out of class task-based activities and oral and written tests, learners are immersed in the Italian language, reinforcing their listening, speaking, reading and writing abilities. Assignments and projects deepen their understanding of Florentine life and Italian culture. By the end of the course, students acquire foundational language skills as well as insights into Italy's rich cultural tapestry. 

This course introduces the history of design in Italy from the post-war period to the present day and explores the connection between design and the rebuilding of Italy and the Italian economy, following the devastations of World War II. The link between Italian design and Italian identity, and the concept of ‘Made in Italy’, is explored through the study of design in different areas, including fashion, objects, transport, and furniture. By looking at the impact of Italian design outside of Italy and the emergence of global companies, including the main fashion houses, the course leads students to understand the importance of design both as part of the Italian economy and as a lens through which the world views Italy. Finally, through visits, lectures, case studies analyzed through a cross-cultural lens, and in-class discussions, the course builds awareness and inspires creativity for new projects in an ever-changing world and society, with an eye on sustainability, ethics, design justice, and life cycle assessment in today’s market. 

This studio course introduces the principles of painting and develops skills in composition, observation, and the use of color. The course includes sessions on technique, brushwork, color theory, and the use of different media.  During the first half of the course assignments concentrate on developing different skills and building techniques, using traditional and experimental approaches to painting. During the second half of the course, students use these skills to develop their own work. Students explore the history of art in Florence in the many galleries and museums and use this knowledge to inform their own work. The course covers the technical developments of the Renaissance, including the study of perspective, line, and form. Through guided instructional sessions, students cultivate their unique artistic styles and engage in individual research, which may involve integrating themes and techniques from both modern and contemporary art. This study is the basis for developing painting skills through engaging with, and responding to, the works and artists they study. The course also has a focus on developing skills for self and peer criticism to discuss the development of the work. Students create a final piece supported by an Artist's Statement, a research breakdown outlining the evolution of the project's concept, and technical development. 

What was the attitude of European culture towards non-Europeans in the Middle Ages and the Renaissance? How were African, Arab, Turk, Mongol, but also Native American and Jewish people represented in Western art and why? From the fabulous East described by Marco Polo to the myth of Prester John, from the clash with the Islamic world to the conquest of America, the imagery of non-European peoples reveals a broad spectrum of symbolic, social, and religious meanings. The analysis of these portrayals provides insight into the processes of self-identification of Western Europeans and the emergence and development of categories of "otherness". This course enables students not only to understand the classification of human groups in the past, but also to better assess critically the modern and present-day use of such categories. The course takes a thorough multidisciplinary approach, encompassing social, political, religious, and broader cultural history. Florence offers a unique opportunity to analyze on-site, and often in their original context, works representing non-Europeans from the 13th to the 17th century. 

This introductory studio course presents photography as a medium of documentation, critical communication, and personal expression related to social issues and intimate involvement. It builds photography skills including composition, light, and technical expertise. Alongside developing skills, the course considers questions of identity and expression in photography and examines how photographs have been used as markers of cultural identification. The course challenge students to question, explore, and express their own identity through photography and to take inspiration from their host city environment, in synergy or contrast with their own identity. It deepens the ability to think critically and express thoughts through images and related texts by analyzing and interpreting experiences in Italian society. Through various photographic exercises and assignments, the course explores digital photography as a tool to interpret and narrate different aspects of the city and one's personal experience of and with it, reflecting on identity in a visual way. Lectures cover technical aspects related to shooting and editing, conceiving and amplifying projects, and addressing different audiences. The course also offers an overview on Italian and international photographers and different approaches in contemporary photographic practice. Classroom discussions, assigned readings, and photo responses, combined with the personal experience of the photographic medium, help to develop critical skills to understand how photographs work aesthetically and conceptually in various contexts, how they are used in contemporary society and culture, and how they become means of personal exploration.