American Studies

This course examines the major developments in United States history from the end of the Second World War to Watergate. The issues to be covered include the onset of the Cold War, McCarthyism, civil rights, the Cuban missile crisis, Vietnam, 1960s culture, Watergate, and the institution of the presidency. The roles played by key individuals, such as John F. Kennedy, Martin Luther King, and Richard Nixon, are explored. Declassified documents are used in analyzing some of these topics. The course develops students' basic knowledge of this era in American history, to hone their analytical skills, to develop their ability to examine documentation, and to heighten their ability to respond to historiographical debates. Students develop an understanding of the global impact of American politics, from the Vietnam War to the Civil Rights Movement, and compare international perspectives.

This course examines how changes in early 20th century American domestic politics shaped the way American colonialism was imposed and practiced in the Philippines. The objective is to explore this topic from a comparative perspective (comparing the American and British empires) and looking at colonial state formation from the lens of the Gilded and Progressive Eras. The course also focuses on two powerful institutions – the police and the law. Finally, the course looks out the relationship between the Americans and Filipino elites and the larger society in terms of the former’s quest to gain the support of Filipinos.

Barbie has been one of the iconic toys in US-American culture for decades. But what kinds of cultural messages do the dolls actually convey? How do they participate in debates about gender, 'race,' and class? About sexuality? Ability? Religion? Settler Colonialism? Ecological issues? How is this bound up with the process of their production and distribution – and the plastic waste they become when they are discarded? These are some of the questions we will discuss in class.

One of the key features of postmodernist thinking is the assertion of the fuzzy boundaries between reality and fiction: the realization that in everyday lives fictions, projections or hypothesis-building constantly interact with objects and facts of life (you can call this constructivist thinking); the realization that people’s identities are negotiations between social demands and imaginary projects; the realization that people’s senses of reality are heavily influenced by certain hegemonic (dominating) posits in terms of gender, labor (and consumption), media, race and ethnicity. Brian McHale has characterized the resultant tensions, as they are enacted in literature as “worlds in collision.” Cinema, as an art of montage and suturing, seems predetermined to enact these clashes. In this seminar we will explore the fuzzy boundaries discussing postmodern obsessions such as identities, surfaces, worlds, play, parody, high & low, consumer culture, media, gender performances and difference.

This course discusses politics, society, and culture through the history of the United States, focusing on the socially vulnerable in US. history. The course aims to see the United States from a broader perspective as well as multiple angles.

This course provides a broad survey of contemporary methods, approaches, and thematic concerns within the expansive and internally differentiated field of Critical Geography, emphasizing its stakes for grappling with a “long twentieth century” (in Giovanni Arrighi’s words) profoundly shaped by the rise and fall of U.S. hegemony. How might questions of space, time, and cartography need to be rethought, not only in the twilight of the historical period Henry Luce famously dubbed “the American Century,” but in light of the so-called Anthropocene, wherein the geological force of humanity threatens to unfold across a timescale that exceeds even human existence? How might a critical geographic imagination illuminate the uneven prospects and perils of this time of uncertainty and transition? In exploring such questions, we will engage Marxist, feminist, Black, Indigenous, postcolonial, posthuman, environmentalist, affective, and abolitionist geographical traditions, drawing on thinkers such as Doreen Massey, David Harvey, Ruth Wilson Gilmore, Natchee Blu Barnd, Neil Smith, Katherine McKittrick, Anna Tsing, André Mesquita, William Cronon, Dipesh Chakrabarty, and Lauren Berlant, among others.

Short stories are sometimes revised into longer texts. This can happen for various reasons, ranging from aesthetic refinements to commercial considerations (for instance, the 1950s trend to rework multiple science fiction short stories published in genre magazines into “fix-ups” so as to capitalize on an expanding book market). This seminar will address a selection of American short stories from the second half of the 20th century and their subsequent adaptation, expansion, or incorporation into novel or novel-like formats. Analyzing the individual texts and the changes they undergo from one version to the next will enable us to consider issues of form, genre, narrative, and intertextuality. Texts will include The Martian Chronicles (Ray Bradbury, 1950); Go Tell It on the Mountain (James Baldwin, 1953); Flowers for Algernon (Daniel Keyes, 1966); Tracks (Louise Erdrich, 1988), and Four/Five Ways to Forgiveness (Ursula K. Le Guin, 1995/2017).

Since at least the 1980s gender has been considered a "useful category of historical research." In this class we will use this lens in order to understand major events and developments in U.S. history. By focusing on gender as a relation of power in social contexts we will explore changing images of masculinity and femininity as well as mechanisms of inclusion and exclusion. In addition to that, we will also discuss intersectional connections to other categories of identification (e.g. race and class).

This course explores why it is that the coming of age narrative is such an enduring form in US culture. It covers a range of different modes, including autobiography, fiction, film, and music and crosses over the past two centuries to capture the varied historical experience of entering into adulthood within the United States. It has a particular interest in identities, selves, and experiences whose testimonies are antagonistic to the developmental objectives of the genre in its most canonical renderings. Students are also encouraged to reflect on their own experience at university—their own coming of age tale—in order to elucidate and theorize the central critical issues of the course. 

This course examines the complex richness of 'Americanness'. Divided into historically grounded modules (Race; Religion; Gender; Politics; Region), the course will approach each from a variety of angles: the historiographical, the literary, the cultural, the political, the cinematic. It will open lines of interrelation between historical and imaginary forms in the construction and ongoing redefinition of the United States.