Celtic Studies

The course focuses on Gaelic song and its role in society. The approach is thematic, and the areas to be addressed include song and sense of place, religion, the emigrant experience, the role of the township bard, and community and labor. The aim is to show how song interacts with the community. Performance is emphasized, and the course draws on recordings housed in the School of Scottish Studies Archives at the University of Edinburgh as well as on live sung examples.

This course focuses on early (i.e. pre 12th-century) Irish saga literature in which a variety of texts, mainly from the Ulster, Mythological and King cycles, are read in translation and discussed in class. 

This course examines the practice of folk medicine in Ireland, in the past and in the present. Irish popular tradition includes a great richness of material on this subject, encompassing a wide range of healing agents and media, from botanical remedies to prescribed rituals and actions, and from specific locations to particular individuals who were credited with special powers. The importance of ritual behavior will be examined, as will the position of the healer in the community. The course looks at what we might learn about the dynamics of popular tradition, and the ways in which popular tradition functions, from an examination of folk healing practices. The remarkable resilience of many such practices is also explored. 

This course offers the opportunity to learn the basics of Gaeilge (Irish, or “Irish Gaelic”), Ireland’s first official language. In addition to acquiring core skills, students also explore cultural topics in their linguistic context.

This course introduces students to critical scholarship in Irish popular music, drawing on writings in ethnomusicology, cultural geography, popular music studies, and Irish studies. Particular emphasis is given to histories of popular music styles and performances from 1960 to the 21st century examining key canonical figures within Irish popular music and significant recordings/events heralding new Irish identities. Topics for discussion include regional and transnational Irish music scenes; musical hybridity; gender and Irish popular music; Irish popular music and LGBT; Irish popular music in literature and visual media; and marginalized ethnic voices in Irish popular music. 

Old Irish is the Celtic language of Ireland between ca. 600 and 900 AD. It has an exceptionally rich and varied literature. Celtic is one of the most complicated languages in the world. It is the parent of the Modern Gaelic languages of Ireland and Scotland. This course offers an introduction to Old Irish grammar as well as a first survey of medieval Irish saga literature. Students translate short texts from the Táin Bó Cúailnge, ‘The cattle-raid of Cooley'.  At the end of this course, students can answer questions relating to the basic grammatical structure of Old Irish; translate simple Dutch/English sentences into Old Irish; translate a simple short Old Irish prose text into Dutch/English in a limited amount of time; answer questions regarding the contents and literary themes in some early Irish tales; and list and explain some of the most common theoretical approaches to early Irish literature.

Tales and tellers are core to the narrative art. Within the framework of folkloristics different genres of narrative are described, and their traits discussed. International Folktales and Legends create the corpus under examination. Irish examples of folk narrative are analyzed individually, and then are set within the framework of folkloristic theories. Similarities and differences between oral and literary narrative are illustrated, and the influences of folklore on the literature of Ireland are also discussed. By the end of this course, students are well acquainted with the standard reference works concerned with the cataloguing and analysis of oral narrative, and are versed in various theoretical approaches to the subject - such as psychoanalysis, functionalism, formalism, structuralism, and ethnography.