Comparative Literature

This course engages critically with the relationship between visual culture, written narratives and modern life in selected works produced in Latin America from the late 19th century to the 1930s. In order to create a dynamic space for critical debate, the primary bibliography features short pieces – short stories, chronicles, essays, poems – and various types of images such as illustrations from periodicals, paintings, photography, and cinema. The wide range of texts and images to be discussed includes representative works from Argentina, Brazil, Cuba, Mexico, Peru, and Uruguay.

This course introduces students to the avant-garde literary and artistic movement called surrealism that developed across Europe in the early part of the 20th century. Beginning with an examination of the first theories of surrealism which were written in France, the course looks at the movement’s influence across European media before ending with a discussion of the movement’s continuing international development. This course compares surrealism across national boundaries and literary and artistic disciplines. The emphasis of the course is on the interrelation of different media employed by surrealist practitioners, including but not limited to prose, poetry, periodicals, film, painting, and photography. 

This course examines ancient myth in literature (poetry, drama, historiography, and other genres) and art. It explores different ways of interpreting myths and seek to understand the meaning of myths in their contexts. Prominent themes include creation, gods, heroes, sex/gender, violence, and civilization.

The 20th century was marked by the clash of ideologies—fascism, Nazism, communism—and unprecedented violence. Its literary history, in turn, was shaped by bold formal experimentation (modernism) and the emergence of voices from regions and groups previously underrepresented. Through literature, particularly the novel, the course examines how writers grappled with this apocalyptic century. The novel, with its focus on individual experience and narrative complexity, provides a unique, non-ideological lens to engage with reality and history. It studies it through works by Dostoevsky, Conrad, Virginia Woolf, Kafka, Kundera, Garcia Marquez, Achebe and others.