French

This course consists of weekly lectures accompanied by readings and film viewings outside the classroom. Each week, it studies and explores a different writer, literary genre, or event pertaining to the French Revolution through a rhetorical and literary lens. Authors include Victor Hugo, the Chenier brothers, Michelet, and Chateaubriand.

This course takes a close look at contemporary French society and its social policies beginning with a brief, historical-critical look at the emergence of the welfare state and the safety-net state. Next, four fundamental areas of society are explored: social action and the critical role of the not-for-profit sector; the educational system and its effects on social standing; the problem of the ring of disadvantaged zones around French cities as emblematic of the French malaise; and the values held by French and European youth. Finally, a comparative look at the American model will provide an opportunity to analyze the prospects and issues facing French society. The course highlights the effects of pressures such as global economic liberalism on the specific institutionalized relations that exist between French citizens and culture, work, education, immigration, and other facets of life and society.

This course engages with the architectural and pictorial inheritance of France. It focuses on the architecture of Bordeaux and the region of Aquitaine during the 18th century. The course studies urban and countryside architecture, sculpture, painting, and decorative arts.

This course offers an in-depth study of methods of French essay, dissertation, and synthesis. The course analyzes methods of argumentation and organization and explores issues of rhetoric, technique, organization, and documentation. It also examines language and presentation format to assist students with the preparation of final assignments for upper-division courses. Students have weekly written assignments and oral presentations. The course uses various documents on French contemporary society and literature.

This course examines concepts of contemporary Spanish literature and the process for translating the works from Spanish to French. 

This course, the fifth in our intensive summer language program sequences, with its contiguous course FR56A, is roughly equivalent to the fifth and sixth quarters of French language instruction on students’ home campuses. FR56A and FR56B provide students who have completed more than a university-level first-year French course or its equivalent the opportunity to expand and improve their speaking, listening, reading, and writing skills, as well as expand their cultural knowledge of the French and Francophone world. The course is based on a presentation of intermediate-level forms of grammar, an expansion of students’ basic working vocabulary, and practice of oral and written communicative skills. Placement in this course is determined by students’ previous experience and the results of a language assessment taken prior to arrival. Course material includes: MOTIFS: AN INRODUCTION TO FRENCH, by K. Jansma, Heinle, 5th Edition, 2011, and RÉSEAU: COMMUNICATION, INTEGRATION, INTERSECTIONS, by J.M. Schultz and M.P. Tranvouez, Prentice Hall, 1st Edition, 2010. Through the FR56AB sequence course, students gain the ability to communicate in spoken and written French and develop a understanding of intermediate French grammar points and a working vocabulary of information on French and Francophone culture including family structures, the distribution of household chores, housing, health, politics, the education system, leisure activities, the arts, multicultural society, and vernacular French. Following the 56AB course sequence, students should be able to use all the verb tenses of high-frequency regular and irregular verbs including reflexive verbs, use the indicative, imperative, conditional, subjunctive and infinitive moods, as well as use subject, stressed and object pronouns, articles, expressions of quantity, prepositions, possessive and demonstrative adjectives and pronouns, negative and interrogative expressions, relative pronouns, hypothetical sentences and the passive voice at the high-intermediate level. Students apply aspects of French grammar (such as verb tense, mode and conjugation) to written and oral communication, engage in conversations in French on familiar topics and express their basic everyday needs, and discuss themes presented in contemporary French culture and society. Students are required to do individual and group presentations; read, understand, answer questions and discuss selected literary and journalistic texts as well as multimedia material; write summaries, dialogues or skits, as well as produce 2½ - 3 page compositions. Additionally students are encourage to reflect upon basic cultural differences as reflected in a variety of French and Francophone contexts, such as varying levels of familiarity/formality, etiquette, cuisine and dietary habits, family structures, commerce and the professional world, etc., as well as in cultural products such as film, performances, news, and music. Assignments include class participation, small group and pair work, role play, games, individual and group presentations, written exercises, grammar, dictation, presentations of cultural products such as songs, films, audio texts, a variety of short and simple texts on cultural perspectives, and writing activities.

This course presents the aesthetic changes and new artistic currents experienced in French painting in the 19th century. It provides an introduction to and analysis of neo-classicism with the presentation of two artists: David and Ingres; romanticism seen through the works of Géricault and Delacroix; realism in France through the study of works by Courbet; the impressionists presented first by the influence of Manet, then by the analysis of works by Monet and Renoir; and post-impressionism through the presentation of four precursor painters of the 20th century painting movements: Cézanne, Seurat, Van Gogh, and Gauguin.