German

Students further expand their listening, reading, speaking and writing skills with authentic texts and communication situations in the fields of everyday life, popular science, culture and society, and literature.

In this bridge class on the A2/B1 level according to CEFR, students learn to understand sentences and frequently used expressions related to areas of most immediate relevance (e.g. basic personal and family information, shopping, local geography, employment). They study to communicate in simple and routine tasks requiring a simple and direct exchange of information on familiar and routine matters. Students work to describe in simple terms aspects of their background, immediate environment, and matters in areas of immediate need. In addition, students learn to understand the main points of clear standard input on familiar matters regularly encountered in work, school, leisure, etc. They deal with most situations likely to arise while traveling to an area where German is spoken. Students learn to produce simple connected texts on topics that are familiar or of personal interest. They acquire skills to describe experiences and events, dreams, hopes and ambitions and briefly give reasons and explanations for opinions and plans. Topics are taken from Berlin and German history and culture and also include politics as well as intercultural topics and current events.

On the basis of historical sources and overviews, this seminar presents the most important German protest movements. While the first part focuses on the great protest movements of the second half of the twentieth century, the second part is devoted to contemporary protest movements. Our special interest is the media support of the protest and the critical questioning of keywords like "Wutbürger".

The course focuses on German reading comprehension skills of basic level written texts (A1 on the CEFR) related to international studies and related areas.

This course for foreign students is designed to improve students’ language skills and vocabulary. Areas of focus include grammar, conversation, writing exercises, and listening and reading exercises. In addition, excursions are planned to introduce students to German culture. Students work with cultural and historical topics in everyday situations and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the A2/B1 level according to CEFR, students review and learn basic grammar points and are systematically introduced to basic vocabulary, and they also consolidate and systematically build further basic grammar points and vocabulary. All four skills are developed and applied to everyday situations and some study-related situations.

This course provides an overview of the history of German literature from the 18th to the 21st century. Starting from the knowledge that the psychological sensitivities of an age are reflected in literature, and supported by reading and discussing representative texts, e.g. from Johann Wolfgang von Goethe, Heinrich Heine, Franz Kafka, Bertolt Brecht or Ferdinand von Schirach, the focus of the seminar is based on the following topics: the desires, demands, and utopias found in the literature; the influence of developments of the history of thought, social upheavals, and technological innovations on literary expression; the interplay between art, music, and literature; the ability of fiction to inspire social changes; and the ways in which respective authors incorporate literary legacies into their own works. A valid and living impression of literary development from the classical period to the present is provided through texts, and also through film clips and field trips. For instance, the course includes a visit to the Deutsches Historisches Museum and students obtain deeper insight into the art of the Romantic period with a tour through the Alte Nationalgalerie.

Berlin is a multi-cultural city with a diverse cultural life. The seminar presents this transcultural landscape connected to Asia. Starting with the fascination of collectors and travelers to Asia in the Barock period of the 18th century and the establishment of cabinets of curiosities, collections and material culture has lend contemporary relevance to ethnography, art history and anthropology. Asian collections and architecture presented in Berlin are confronted with the very colonial contexts from which substantial parts of them hail, giving contemporary relevance to the history of their origins. As issue today are questions of cultural heritage, cross-cultural methods and opening-up to non-western research, discourses, Arts and Asian communities.

In no other city did the Cold War materialize itself more concretely than in Berlin. Set in the emblematic capital, this course offers students a glimpse of the Cold War, understood as both a stable bipolar system of spheres of influence in the European theater, and a dynamic, largely unstable, environment of power struggle (and resistance) in the so-called 'Third World'. Particularly in the Global South, superpower interference facilitated, exacerbated, and fueled internal conflicts, often leading to bloody proxy wars – which nevertheless allowed local actors to internationalize their greed and grievances. These conflicts might have seemed far away from Berlin – the quintessential 'frontier city' –, but the block confrontation had important consequences here as well. The Cold War’s lingering effects make its study essential to understanding the present. From the perspective of a free and reunited Berlin, students will have the unique opportunity of both studying and experiencing the past under the Iron Curtain, which divided the world, the country, and the city – and made, back then, Humboldt University the scientific center of the GDR, with its extensive networks to the Soviet world, only a mile away from the Berlin Wall.

The labor migration from Southern European countries to Germany, which started in the mid-1950s, had an important socio-economic and socio-cultural impact on the countries’ societies and influenced their film culture. German filmmakers began to feature the difficult lives of ‘guestworkers’ in films such as Rainer Werner Fassbinder’s Katzelmacher (1969). In the 1990s, second - and third – generation Turkish-German directors such as Fatih Akın and Thomas Arslan marked the end of the so-called ‘guestworker cinema’ and started to create a transnational and diasporic cinema featuring a culturally hybrid Germany. Berlin (especially Kreuzberg) has always been one of the favorite settings in all of these migration movies. The transformation of Berlin’s first ‘guestworker ghettos’ to culturally hybrid urban districts over the course of 60 years is very well reflected in all of these cinema cultures. This interdisciplinary course crosses and connects the academic fields of migration studies, film studies, and cultural studies. In the first part of the course, we will explore how migration, immigrants, and diasporas are represented in cinema. The second part of the course then gets more specific and we approach the representation of Berlin in these migration movies.

Berlin is called the most sexually open capital of Europe today. In clubs, bars, workshops and festivals, a broad range and mix of sexual orientations are created in different and also crossing scenes and sex-positive spaces. Homosexual, transgender, tantric, polyamory, sex-positive and BDSM-oriented persons meet and celebrate and create new sexual techniques and lifestyles in so-called sex-positive spaces. The government of Berlin has already recognized the economic dimension of the liberal sexual culture. What does liberal sexual culture exactly mean? What kind of historical roots are important to analyze, e.g. the anonymity of the big city, the homosexual movement and the golden twenties? What was and is avant-garde and when does it turn into commerce? Four sub-items will structure the seminar: Sex-positive spaces, LGBTQI+ and Gender-Fluidity, Kink and Tantra, alternative porn films and literature. Excursions and interviews with experts will be part of the seminar. We will work with texts and films, and students will develop their own research question and project.