German

In this course we want to explore together how German music changes and which historical contexts are reflected in popular music. We will look at selected artists and songs from German music history and discuss their cultural and musicological meanings. The course deals with German music history and its most formative works. The focus is on the period from 1920 to the present. The aim is to bring together historical developments with their manifestations music and to discuss which changes, especially in popular music, can be identified and analyzed musicologically. We will look at compositions, song lyrics and historical backgrounds in order to gain an understanding of the developments that led us to the forms of contemporary German music.

This course explores the grammar of German verbs - regular or irregular, separable or non-separable, active or passive, with or without prepositions. With verbs we live in different times, in yesterday and today, with verbs we also look into the future. But the verb also helps us to expand our vocabulary and make our style more versatile. The course is aimed at students who want to deepen their grammar knowledge and expand their vocabulary at the same time, based on the motto: (Almost) nothing works in the German language without a verb!

Ever since Berlin became the capital of the first German nation state in 1871, it has attracted the attention of German as well as international writers and has featured prominently in fictional as well as non-fictional texts. Observers and visitors from other parts of Germany and from abroad have described and commented on Berlin as the German capital and its political relevance for the nation as a whole, but also as a place that they saw as quite different and disconnected from the rest of Germany. Opinions on the city have always been divided: At different historical junctures and from varied angles, authors have looked at the city with awe and admiration, or with skepticism and bewilderment, highlighting its liberty, modernity, and vibrancy on the one hand, or its ugliness, authoritarianism, or chaos on the other hand. In this course, we will read short literary and journalistic texts by American, English, Swiss, Austrian, Dutch, Russian, and German authors, written between 1870 and 2023 (some originally published in English, some translated into English), describing and commenting on Berlin in imperial Germany, during the Weimar years, in National Socialism, in divided Germany, and since unification. Studying these texts, students will engage with relevant aspects of Berlin history, society, and culture, while reflecting upon the challenges faced with when reading texts from different periods and referring to historical events and figures. 
 

Berlin is a city layered with history: a palimpsest of ruins, reconstructions, and marks of the past, even of futuristic imaginations that are now history. These layers can seem romantic and invited the modern flaneur to imagine Berlin alongside other cosmopolitan and urban projection screens. But the multi-layered city also implies a casting aside, a covering up, digging up, and hiding. The ruins of Berlin tell a story of an injured city, whose wounds are variously exposed to lay the finger on the wound of historical reckoning, or plastered in a vain attempt to heal, or return to a state prior to injury, as artist Kader Attia put it about the city of Berlin. The city as a multi-layered palimpsest thus reveals psycho-affective and political strategies of future-making and heritage-mobilization. In this seminar, we trace and dig into the difficult, awkward, eerie, uncomfortable heritage of the city and speak to stakeholders involved in its transition: curators, activists, artists, citizens. The seminar will produce a modular book-case, which can be unpacked into a mini-exhibition, featuring students’ own profiled “difficult heritage” sites of the city with a brief problematization. These loose pages will be put together in a box to create a mobile, modular book-exhibition. Among the sites that may be visited are: Zionskirche, Gedenkstätte Berliner Mauer, Stasi Archive and headquarters, Humboldt Forum, Holocaust Memorial and the Sinti Roma Memorial, exhibition "looking back” at Museen Treptow-Köpenick. The seminar focuses on field visits with methodological exercises, which introduce students to diverse ways of doing research that they will build on to articulate their own research outcomes in a multimodal portfolio.

This course, which provides students with the resources needed to attain B1 level in the Common European Framework of Reference for Languages (CEFRL), is targeted at students who have completed German for International Mobility 3 (IM3), or have equivalent knowledge of the language. The course will help students continue their development of the four fundamental skills (listening, speaking, reading and writing), while introducing additional grammar points and vocabulary and expanding their awareness of German culture.

The language part of the course improves and develops skills and strategies to successfully handle uncomplicated oral and written tasks and social situations confronted during daily life in the German language area. From there the course moves to the first stadia of a higher level of understanding and discussing texts and topics in the cultural and social field. The cultural part of the course provides an understanding of various cultural aspects of German, Austrian, and Swiss society including German post-war cultural history and current topics of the German news. The classroom language is German. An Intermediate Low (IL) level of speaking and writing is required. 

From the Enlightenment up to the present Berlin has been a preferred home for poets, novelists, playwrights, journalists and creative writers of any kind. Their stories and visions are not only represented but shaped by the idea of the city. This course includes selected works of literature (and some works of visual art as well) written in different periods in Berlin. The works are contextualized by the dynamic and multilayered history of the city and are connected to the urban spaces of today. Excursions, readings and discussions help students gain insight into the rich cultural history and the current discourses in and about Berlin.

In this course, students practice writing simple texts and train grammar topics that are important for both casual and formal writing. The focus is on writing occasions from everyday private and student life (e.g. creative writing, notes, emails). Students also prepare a short essay at the end of the course. The grammar topics that are covered are based on the students' texts. Students' willingness to write short texts on a regular basis is therefore important.

This course for foreign students is designed to improve students’ language skills and vocabulary. Areas of focus include grammar, conversation, writing exercises, and listening and reading exercises. In addition, excursions are planned to introduce students to German culture. Students work with cultural and historical topics on an academic level and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the A1 level according to the CEFR, students learn basic vocabulary and grammatical structures as well as corresponding competencies in university-specific situations. The class takes intercultural and methodological aspects of foreign language learning into consideration, and students are introduced to German culture and society. The A1 level is split into two courses, the A1.1 course covers the first half of the level and the A1.2 course covers the second half of the level.