German

Students further expand their listening, reading, speaking and writing skills with authentic texts and communication situations in the fields of everyday life, popular science, culture and society, and literature.

This course invites students to explore and critically reflect upon the current state of German cinema since the year 2000 in a European context. The course is divided into two segments: the first introduces students to historical, cultural and critical paradigms pertaining to the current situation of European cinema; the second focuses on films produced in Germany. The course addresses film and authorship; art cinema and popular cinema; the concept of national cinema and world cinema; the formation of history, memory, and cultural identity in film; film production; and film culture. Students are introduced to a number of key German and European films from the last two decades. They acquire knowledge of theoretical discourses and critical concepts relevant to understanding and appreciating formal aspects of European cinema, and to examining contemporary German films in relation to their historical and cultural contexts. Film screenings are part of the course.

This course for foreign students is designed to improve students’ language skills and vocabulary. Areas of focus include grammar, conversation, writing exercises, and listening and reading exercises. In addition, excursions are planned to introduce students to German culture. Students work with cultural and historical topics on an academic level and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the B1 level according to the CEFR, students further develop their vocabulary and command of grammatical structures as well as corresponding competencies in university-specific situations. The class takes intercultural and methodological aspects of foreign language learning into consideration, and students are introduced to German culture and society in more depth.

Based on brief introductions to film analysis and the history of the Weimar Republic, the course discusses a representative selection of films. In addition, the course also deals with academic texts on the films. During the seminar students analyze key scenes together as examples. Previous knowledge of film analysis is not required, but students are required to watch one film per week and read additional shorter texts.

This course for foreign students is designed to improve students’ language skills and vocabulary. Areas of focus include grammar, conversation, writing exercises, and listening and reading exercises. In addition, excursions are planned to introduce students to German culture. Students work with cultural and historical topics on an academic level and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the B2 level according to the CEFR, students further develop their (often subject-specific) vocabulary and command of grammatical structures as well as corresponding competencies in university-specific situations. The class takes intercultural and methodological aspects of foreign language learning into consideration, and students discuss specific aspects of German culture and society.

What does it mean to live in a surveillance society? How does the digital age challenge questions regarding privacy, individuality, and freedom? When does surveillance as care tip over into surveillance as control? And how does the Stasi system of vigilance prefigure contemporary surveillance culture? This course on the one hand examines the impact of surveillance on society by looking at the multifaceted ways technologies, societies, and the arts interact; and on the other hand, reflects on surveillance in a totalitarian context while comparing observation techniques in the GDR with contemporary surveillance methods. The course also explores how surveillance is represented in contemporary literature, film, and popular culture. The course maps out important themes with regards to surveillance and its repercussions (e.g., visibility, identity, privacy, and control). The course provides an overview of the interdisciplinary field of surveillance and covers the latest research in the following major areas: 1. Relationship between surveillance, power, and social control; 2. Histories of Surveillance: GDR and the Stasi (especially in the context of Berlin) 3. The concept of privacy; 4. Surveillance in the arts and popular culture.