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Discipline ID
51014742-2282-4ae4-803e-fc0fbff3c1c1

COURSE DETAIL

WEIMAR CINEMA
Country
Germany
Host Institution
Free University of Berlin
Program(s)
Free University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German Film & Media Studies
UCEAP Course Number
184
UCEAP Course Suffix
B
UCEAP Official Title
WEIMAR CINEMA
UCEAP Transcript Title
WEIMAR CINEMA
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

Based on brief introductions to film analysis and the history of the Weimar Republic, the course discusses a representative selection of films. In addition, the course also deals with academic texts on the films. During the seminar students analyze key scenes together as examples. Previous knowledge of film analysis is not required, but students are required to watch one film per week and read additional shorter texts.

Language(s) of Instruction
German
Host Institution Course Number
16918
Host Institution Course Title
WEIMAR CINEMA
Host Institution Campus
Host Institution Faculty
PHILOSOPHIE UND GEISTESWISSENSCHAFTEN
Host Institution Degree
Host Institution Department
Deutsche und Niederländische Philologie

COURSE DETAIL

THE CINEMATIC REPRESENTATION OF BERLIN IN GERMAN AND TURKISH MIGRATION FILMS
Country
Germany
Host Institution
Humboldt University Berlin
Program(s)
Humboldt University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German Film & Media Studies
UCEAP Course Number
118
UCEAP Course Suffix
A
UCEAP Official Title
THE CINEMATIC REPRESENTATION OF BERLIN IN GERMAN AND TURKISH MIGRATION FILMS
UCEAP Transcript Title
TURKSH MIGRANT FILM
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
This interdisciplinary course crosses and connects the academic fields of migration studies, film studies, and cultural studies. The first part of the course explores how the socio-political and socio-cultural phenomenon of Turkish immigration into Germany, immigrants, and diasporas are represented in German and Turkish cinema from the 1960s until the present. The second part of the course then gets more specific and approaches the representation of Berlin in these migration movies. In this course, students gain knowledge about film analysis, German immigration history, and theoretical concepts dealing with migration, diaspora, stereotype, culture, and identity. The labor migration from Turkey to Germany, which started in the mid-1960s, had an important socio-economic and socio-cultural impact on both countries' societies and influenced their film culture. German filmmakers began to feature the first guest workers' difficult lives in films such as Rainer Werner Fassbinder's KATZELMACHER (1969) and ANGST ESSEN SEELE AUF/FEAR EATS SOUL (1974). Later, German cinema began to cinematically capture the entire migrant family like in SHIRINS HOCHZEIT/SHIRIN'S WEDDING (1975, Helma Sanders-Brahms) and YASEMIN (1988, Hark Bohm). In the 1990s, second- and third-generation Turkish German directors such as Fatih Akin, Thomas Arslan, Ayse Polat, Yüksel Yavuz, and Aysun Bademsoy marked the end of the so-called guest worker cinema (Gastarbeiterkino) of the 1970s and 1980s and started to create a transnational and diasporic cinema featuring a culturally hybrid Germany. Turkish cinema dealt with this migration phenomenon even in more than 60 films alone between 1960s and 1990s. Berlin (especially Kreuzberg) has always been one of the favorite settings in all of these migration movies. The transformation of Berlin's first guest worker ghettos to culturally hybrid urban districts over the course of 60 years is very well reflected in all of these cinema cultures.
Language(s) of Instruction
Host Institution Course Number
2181314
Host Institution Course Title
THE CINEMATIC REPRESENTATION OF BERLIN IN GERMAN AND TURKISH MIGRATION FILMS
Host Institution Campus
Bologna.lab
Host Institution Faculty
Host Institution Degree
Host Institution Department
Berlin Perspectives

COURSE DETAIL

INTENSIVE INTERMEDIATE GERMAN II
Country
Germany
Host Institution
Technical University Berlin
Program(s)
Technical University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German
UCEAP Course Number
125
UCEAP Course Suffix
UCEAP Official Title
INTENSIVE INTERMEDIATE GERMAN II
UCEAP Transcript Title
INTENS INTRM GER II
UCEAP Quarter Units
8.00
UCEAP Semester Units
5.30
Course Description

This course for foreign students is designed to improve students’ language skills and vocabulary. Areas of focus include grammar, conversation, writing exercises, and listening and reading exercises. In addition, excursions are planned to introduce students to German culture. Students work with cultural and historical topics on an academic level and broaden their intercultural knowledge. They are introduced to independent learning methods and familiarize themselves with typical learning situations at German universities. In this class at the B2 level according to the CEFR, students further develop their (often subject-specific) vocabulary and command of grammatical structures as well as corresponding competencies in university-specific situations. The class takes intercultural and methodological aspects of foreign language learning into consideration, and students discuss specific aspects of German culture and society.

Language(s) of Instruction
German
Host Institution Course Number
Host Institution Course Title
INTENSIVE INTERMEDIATE GERMAN II
Host Institution Campus
Host Institution Faculty
Host Institution Degree
Host Institution Department
ZEMS

COURSE DETAIL

ADVANCED GERMAN SPECIAL TOPICS
Country
Germany
Host Institution
Humboldt University Berlin
Program(s)
Humboldt University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German
UCEAP Course Number
145
UCEAP Course Suffix
A
UCEAP Official Title
ADVANCED GERMAN SPECIAL TOPICS
UCEAP Transcript Title
ADV GER SPECL TOPIC
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
There are several different courses at the advanced level that cover specific topics within German language. Courses may cover: vocabulary, writing, presentation techniques, German literature, or German film.
Language(s) of Instruction
German
Host Institution Course Number
Host Institution Course Title
ADVANCED GERMAN SPECIAL TOPICS
Host Institution Campus
ZENTRALEINRICHTUNG SPRACHENZENTRUM
Host Institution Faculty
Host Institution Degree
Host Institution Department
Sprachenzentrum

COURSE DETAIL

EAST GERMANY’S SECRET POLICE AND CONTEMPORARY SURVEILLANCE CULTURE
Country
Germany
Host Institution
Humboldt University Berlin
Program(s)
Humboldt University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
Sociology History German
UCEAP Course Number
161
UCEAP Course Suffix
Q
UCEAP Official Title
EAST GERMANY’S SECRET POLICE AND CONTEMPORARY SURVEILLANCE CULTURE
UCEAP Transcript Title
E GER SECRET POLICE
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

What does it mean to live in a surveillance society? How does the digital age challenge questions regarding privacy, individuality, and freedom? When does surveillance as care tip over into surveillance as control? And how does the Stasi system of vigilance prefigure contemporary surveillance culture? This course on the one hand examines the impact of surveillance on society by looking at the multifaceted ways technologies, societies, and the arts interact; and on the other hand, reflects on surveillance in a totalitarian context while comparing observation techniques in the GDR with contemporary surveillance methods. The course also explores how surveillance is represented in contemporary literature, film, and popular culture. The course maps out important themes with regards to surveillance and its repercussions (e.g., visibility, identity, privacy, and control). The course provides an overview of the interdisciplinary field of surveillance and covers the latest research in the following major areas: 1. Relationship between surveillance, power, and social control; 2. Histories of Surveillance: GDR and the Stasi (especially in the context of Berlin) 3. The concept of privacy; 4. Surveillance in the arts and popular culture.

Language(s) of Instruction
English
Host Institution Course Number
42600022
Host Institution Course Title
EAST GERMANY’S SECRET POLICE AND CONTEMPORARY SURVEILLANCE CULTURE
Host Institution Campus
Host Institution Faculty
BOLOGNA.LAB
Host Institution Degree
Host Institution Department
Berlin Perspectives

COURSE DETAIL

JEWISH IDENTITY IN BERLIN IN THE 20TH AND 21ST CENTURIES
Country
Germany
Host Institution
Humboldt University Berlin
Program(s)
Humboldt University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
History German
UCEAP Course Number
161
UCEAP Course Suffix
F
UCEAP Official Title
JEWISH IDENTITY IN BERLIN IN THE 20TH AND 21ST CENTURIES
UCEAP Transcript Title
JEWISH IDNTY BERLIN
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
Over the twentieth and twenty-first centuries, Berlin has been home to a heterogeneous Jewish community, from “assimilated” German Jews during the Wilhelmine era, Jewish immigrants from Eastern Europe during the Weimar Republic, and people of Jewish heritage who suffered under and sought to flee from the Nazi regime to a small post-war Jewish enclave in a divided Berlin and a vibrant Jewish community after reunification that now draws thousands of others from around the world to the city as their elective home. Through selected essays, satire, newspaper reports, memoirs, poems, photographs and graphic novels, the course discusses how Jewish identity has been negotiated against the backdrop of Berlin's ever-changing socio-political landscape. In addition to mapping the literary terrain of Jewish identity in Berlin, it pays special attention to urban sites that have played an important role in this process. As a result, this course pairs written works with a physical exploration of the city to paint a more detailed picture of the readings. Each week, students are asked to visit a specific site to explore the spaces that feature in the texts or that provide important historical context for discussions. By scratching the layers of history in the city, students also look at their own identity as elective Berliners and how they inhabit this city as members of the international community.
Language(s) of Instruction
English
Host Institution Course Number
2181298
Host Institution Course Title
JEWISH IDENTITY IN BERLIN IN THE 20TH AND 21ST CENTURIES
Host Institution Campus
Bologna.lab
Host Institution Faculty
Host Institution Degree
Host Institution Department
Berlin Perspectives

COURSE DETAIL

CULTURE AND POLITICS IN THE WEIMAR REPUBLIC
Country
Germany
Host Institution
Free University of Berlin
Program(s)
Free University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
History German Anthropology
UCEAP Course Number
184
UCEAP Course Suffix
E
UCEAP Official Title
CULTURE AND POLITICS IN THE WEIMAR REPUBLIC
UCEAP Transcript Title
CULTR&POLTC WEIMAR
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description

The years from the founding of the republic in 1919 to the National Socialists' seizure of power in 1933 are among the most politically and artistically eventful in German history. While the young Weimar Republic initially struggled with start-up and legitimization problems, culture experienced a period of prosperity that has lost none of its fascination to this day. Expressionist film, Bauhaus, New Objectivity, and epic theater are just some of the cultural achievements of the Weimar Republic. However, the Golden Twenties came to an abrupt end due to the world economic crisis, which led to the collapse of the republic, which was to bring the National Socialists to power in 1933 and meant the end of all diversity. Using historical sources, various art forms, and scientific presentations, the seminar provides an overview of central aspects of the politics and culture of the Weimar Republic. Starting with an examination of the political background of the founding of the republic, the course deals with the above-mentioned aspects and social phenomena such as the "new woman" type.

Language(s) of Instruction
German
Host Institution Course Number
16917
Host Institution Course Title
CULTURE AND POLITICS IN THE WEIMAR REPUBLIC
Host Institution Campus
Free University of Berlin
Host Institution Faculty
PHILOSOPHIE UND GEISTESWISSENSCHAFTEN
Host Institution Degree
Host Institution Department
Deutsche und Niederländische Philologie

COURSE DETAIL

INTERMEDIATE GERMAN II
Country
Germany
Host Institution
Humboldt University Berlin
Program(s)
Humboldt University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German
UCEAP Course Number
110
UCEAP Course Suffix
B
UCEAP Official Title
INTERMEDIATE GERMAN II
UCEAP Transcript Title
INTERMEDIATE GER II
UCEAP Quarter Units
5.50
UCEAP Semester Units
3.70
Course Description

In the B2 level, students systematize, consolidate, and expand basic knowledge of lexis and grammar acquired in the basic and lower intermediate level. The development of academic work forms and techniques is becoming increasingly important. Course objectives include the improvement of the active and passive language use through the systematic expansion of the vocabulary as well as a focus on the training of oral and written skills. Further emphasis is given to the development of the language skills in everyday life as well as study-related situations in Germany. The B2 level is split into two courses, the B2.1 course covers the first half of the level and the B2.2 course covers the second half of the level.

Language(s) of Instruction
German
Host Institution Course Number
Host Institution Course Title
INTERMEDIATE GERMAN II
Host Institution Campus
Host Institution Faculty
ZENTRALEINRICHTUNG SPRACHENZENTRUM
Host Institution Degree
Host Institution Department
Sprachenzentrum

COURSE DETAIL

THE CITY IN GERMAN CONTEMPORARY FILM
Country
Germany
Host Institution
Free University of Berlin
Program(s)
Free University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
History German Film & Media Studies
UCEAP Course Number
167
UCEAP Course Suffix
D
UCEAP Official Title
THE CITY IN GERMAN CONTEMPORARY FILM
UCEAP Transcript Title
CITY IN GERMAN FILM
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
The course generates a wider understanding of the multiple relationships between the city and its visual representations by sharpening students' skills in close reading and critical film analysis. It explores a set of key issues from film, urban and art history, geography, and aesthetics. Films dealing with the Berlin contemporary to their production form the main part of the material studied, with comparisons to appropriate examples from German and European cinema. Grouped into main themes following a comparative approach, the films are introduced through student‘s presentations. Relevant theoretical and film references are discussed in class or small groups. Students learn to interpret cinematic conventions and to critically reflect on how cinema depicts everyday environments and reorganizes their perception, with writing practice as one focus of class work
Language(s) of Instruction
English
Host Institution Course Number
16846
Host Institution Course Title
THE CITY IN GERMAN CONTEMPORARY FILM
Host Institution Campus
PHILOSOPHIE UND GEISTESWISSENSCHAFTEN
Host Institution Faculty
Host Institution Degree
Host Institution Department
Deutsche Philologie

COURSE DETAIL

LITERATURE AND INSANITY
Country
Germany
Host Institution
Free University of Berlin
Program(s)
Free University Berlin
UCEAP Course Level
Upper Division
UCEAP Subject Area(s)
German
UCEAP Course Number
124
UCEAP Course Suffix
UCEAP Official Title
LITERATURE AND INSANITY
UCEAP Transcript Title
LITERATURE&INSANITY
UCEAP Quarter Units
4.50
UCEAP Semester Units
3.00
Course Description
In the history of the modern subject and its literary modeling, the observation of psychopathologies plays an important role. The development of an enlightened soul-learning in the late eighteenth century was accompanied by the emergence of independent forms of narration of insanity in magazines such as Karl Philipp Moritz's MAGAZINE TO THE EXPERIENCE OF SOUL KNOWLEDGE: (1783-1793) or collections such as Christian Heinrich Spieß' BIOGRAPHIES OF THE INSANE (1796), an archive of case histories which affected many medical and literary discourses of the time. There is a systematic spread of doubts about the stability of human reason to the poetic level in Romanticism. Authors such as Ludwig Tieck or E.T.A. Hoffman experiment with poetics of uncertainty in their stories by means of which the readers' knowledge about the course of the boundary between madness and reason, fantasy and reality, is called into question. As a literary motif, anthropological fascination and poetic challenge, madness remains virulent in the further nineteenth and early twentieth centuries. Whether in Georg Büchner (for example in his narrative LENZ) or in naturalism, whether in the Viennese Modern (Hofmannsthal, Schnitzler) or in the Berlin Expressionism (Döblin, Heym, Benn), in modern narration madness is always about experimenting with new forms of poetic representation, in which the different aesthetic programs of the authors and their handling of the changing medical-psychiatric knowledge are reflected in many ways. This seminar introduces students to the outlined constellations of madness and literature from the period around 1800 to about 1910, but also exemplifies later texts and films such as Ken Kensey's ONE FLEW OVER THE CUCKOO'S NEST (1962) or Rainald Goetz ' IRRE (1986).
Language(s) of Instruction
German
Host Institution Course Number
16669
Host Institution Course Title
LITERATURE AND INSANITY
Host Institution Campus
PHILOSOPHIE UND GEISTESWISSENSCHAFTEN
Host Institution Faculty
Host Institution Degree
Host Institution Department
Deutsche Philologie
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