Italian

Semester 1 classes explore the specific relationship between language and culture. Students analyze linguistic texts, poems, still images, film, and longer literary texts in order to understand how these objects are shaped by their own particular "language." In semester 2, the focus shifts to the analysis of forms of reading under the themes of space and the city, cultural translation, and misrepresentation and misinformation in the Italian context. Seminars focus on Italian language-specific and area-specific material that relate to the themes covered in lectures.

In the last twenty years, historians have turned with ever more urgency to food as a key for understanding culture. Italy is particularly interesting in this respect. Food is one of the pillars of modern Italian identities: the result, in part, of a conservative and resilient society and, in part, of the vagaries of Italian community life since the 1850s. Many Italian ‘staples’ from pasta to olive oil, from ice-cream to wine, from pizza to risotto also have instructive back-stories that offer insights into Italian culture and Italian history. The course has two aims: first, to achieve a proper understanding of the last two centuries of Italian (food) history – the period of ‘unity in diversity’ with a particular focus on the pre-Second-World-war period; and second, to get a handle on contemporary food culture. The course will employ both a historical and an ethnographic approach. Most weeks will have one lecture and one seminar and most readings will come from two books: one sociological and one historical. There will be between 500 and 600 pages of reading over the semester. There will be a number of tastings. 

This course considers the unique aspects of Italian media and how it impacts and influences everything from cultural heritage to politics. Students explore Italy's eccentric media characters, from right-wing Matteo Salvini and chauvinistic Silvio Berlusconi to the tweeting, headline-making Pope, and consider how seriously Italians take what they get from the press. This course explores the historical development of Italian media from the "Acta Diurna" bulletins sent from the Roman Forum through phases of Fascism and national terrorism, all the way to the digital age. Students play documentarian by following the media treatment of an Italian news topic of their choice, ranging from culture, fashion, or food to gay rights, climate change, politics, or the economy, in order to fully understand how the media shapes public perception and vice versa. Topics include the media treatment of the Vatican, the Mafia, gender issues and sexism, fashion, food, cultural heritage, and the economy. Students also consider how Italy stacks up against media in the United States and the United Kingdom in terms of press freedom, transparency, and infotainment (the melding of news and entertainment).

This is an introductory Italian language course offered to visiting students who are at the University of Galway for one semester only.

The course offers an introduction to Italian culture and history and focuses on both the city of Bologna and Italy as a nation. The course emphasizes basic knowledge of crucial aspects of the Italian cultural heritage across different disciplines and an awareness of the complexities of Italian history and society. The course is interdisciplinary in nature with weekly guest lectures on a variety of topics. The course is graded pass/no pass only.

This course builds on and rapidly expands control of basic grammatical structures and vocabulary. Students consolidate their ability to negotiate basic survival situations in the target language and learn more advanced grammar concepts, especially with attention to the past tenses. They understand sentences and common expressions related to areas of most immediate relevance (e.g. very basic personal and family information, shopping, local topography, employment). They complete routine tasks requiring a simple and direct exchange of information on familiar matters. They describe in simple terms aspects of their background, environment, and matters in areas of immediate need. They talk about their family, living conditions, present or recent, and past work and school activities, and personal experiences. They are able to expand learned phrases through simple re-combinations of their elements. All four abilities (writing, speaking, listening, reading) are developed in the class, also with the support of authentic audiovisual materials such as Italian movies, short videos, tv programs, and songs. The course uses a communication-based approach: students engage in daily role-plays, group activities, games, and class discussions. Out of class activities are designed to take advantage of the opportunities for interaction and language practice, as well as immersion in Italian culture, that the city provides.

This course completes the elementary level of Italian, affording the opportunity to expand conversation, writing, and reading skills while consolidating knowledge of more complex grammar structures. Students understand the main points of clear standard input on familiar matters regularly encountered in work, school, leisure time, etc. They deal with most situations likely to arise whilst travelling in an area where the language is spoken. They learn to produce simple connected texts on topics which are familiar or of personal interest. They describe experiences and events, dreams, hopes and ambitions, and briefly illustrate opinions and plans. Students expand their Italian vocabulary and improve their mode of expression in the language. They are aware of the significant differences that exist between uses, customs, behaviors, and values of the community in which they live. They also master essential rules of courtesy and etiquette of the hosting country. All four abilities (writing, speaking, listening, reading) are developed in the class, also with the support of authentic audiovisual materials such as Italian movies, short videos, tv programs, and songs. The course uses a communication-based approach: students engage in daily role-plays, group activities, games, and class discussions. Out of class activities are designed to take advantage of the opportunities for interaction and language practice, as well as immersion in Italian culture, that the city provides.

This course provides students with a sound basis for communicating effectively and accurately in Italian.  Emphasis is on the fundamentals of listening, speaking, reading, and writing.  “Real-life” activities expose students to day-to-day contexts likely to be encountered outside the classroom environment reinforcing grammatical structures learned in class and increasing functional skills. Students review and complete the study of Italian grammar and are exposed to a broad spectrum of language to reinforce their written and spoken skills. In addition, students are able to read texts of a certain complexity, to give clear descriptions on various topics, and to develop their ideas. They produce clear and articulated texts on a wide array of topics and express opinions on current events, explaining pros and cons of the various options. They are engaged in individual reading, class discussion, and analysis (both written and oral) of contemporary literary texts. Out of class activities are designed to take full advantage of the city of Florence and provide opportunities for interaction and enhancement of language skills, as well as immersion in Italian culture.
 

The aim of this course is to help students review and learn advanced structures of Italian grammar and vocabulary and to explore contemporary aspects of Italian culture. The course is strongly focused on communication: students learn the language they need to interact with Italian speakers in real-life situations. Students can understand a wide range of complex, longer texts, and recognize implicit meaning. They can express ideas fluently and spontaneously without much obvious searching for words expressions. They use language flexibly and effectively for social, academic, and professional purposes, and they produce clear, well-structured, detailed texts on complex subjects, showing controlled use of organizational patterns, connectors, and cohesive devices. Readings, homework, and in- and out-of-class activities are designed to help students expand their knowledge of Italian language and grammar. At this level, students are considered proficient users who can handle a wide range of elaborate ideas, and communicate fluently and spontaneously on personal, work-related and academic topics. They can demonstrate an understanding of the diversity of Italian culture within the broader framework of global perspectives in a multicultural world. All four abilities (writing, speaking, listening, reading) are developed, also with the support of authentic audiovisual materials such as Italian movies, short videos, TV programs, and songs. The course uses a communication-based approach: students engage in daily role-plays, group activities, games, and class discussions. Out of class activities are designed to take advantage of the opportunities for interaction and language practice, as well as immersion in Italian culture, that the city provides.

The course has 2 parts A and B. Students must take both parts. No partial credit is possible. Students who complete a paper on a pre-approved topic are awarded 1 extra quarter unit per part. Maxim units for this course are 12. (6 units per part.) The course focuses on 20th century Italian literature with special attention to sociological, anthropological, and philosophical questions. The course highlights general notions in critical theory and textual analysis including formal, structural, and compositional elements as well as the question of reception. Special attention is placed on a selection of modern and contemporary literary texts related to Italian and European traditions. The course examines topics including like animated magic, music in 20th century Italian literature, and the presence of music: structural, thematic, and stylistic elements. Course Part A focuses on poetry, including works such as THE FLAME by Gabriele d'Annunzio, LYRICAL FRAGMENTS by Clemente Rebora and Frammenti lirici, WAR VARIATIONS by Amelia Rosselli and Variazioni belliche, and THE WALL OF THE EARTH, THE FREE HUNTER, and THE COUNT OF KEVENHÜLLER by Giorgio Caproni. Course Part B focuses on prose, including works such as A PRIVATE MATTER by Beppe Fenoglio, and A POSTMODERN WEEKEND CHRONICLES FROM THE EIGHTIES by Pier Vittorio Tondelli.