Women’s & Gender Studies

This course is designed for students wishing to clarify and advance their career goals through an 8-week internship in Thailand. It provides a structured learning environment to help students make the most of their internship experience. While there are no regularly scheduled class meetings, internships are conducted under the close academic supervision of the School of Global Studies at Thammasat University. An assigned internship coordinator provides oversight and guidance for the duration of the internship. The course requires a minimum of 288 total work hours. 

This course explores love and sexuality in Italian culture from circa 1350 to 1650. From the verses of Petrarch, to the writings of Ficino, Leone Ebreo, Aretino, and poems by Marino, love and sexuality were theorized and represented in the treatises, poetry, paintings, and sculptures of this period. Mainly on-site in the churches, palaces, and museums of Rome, this course considers the poetic, social, and visual aspects of the topic in an interdisciplinary study that examines both word and image. The course begins with Michelangelo's SISTINE CEILING and its reflection on the fall of Adam and Eve with their subsequent awareness of their sexuality. Following Leo Steinberg's theory about the sexuality of Christ, students explore the theology of nudity in Christian art as well as the “amor dei” (love for God) or mystic marriage through Baroque sculptures such as Bernini's SAINTS IN ECSTASY. The second part of the course focuses on the more secular, sensuous, and even lascivious aspects by considering the revival of ancient classical culture. Central to this evolution is the METAMORPHOSES by Ovid and the themes deriving from the many commentaries on it such as, unrequited love through Bernini's APOLLO AND DAPHNE, rape though Bernini's ABDUCTION OF PERSEPHONE, and love for the self through Caravaggio's NARCISSUS. The course concludes with exploring socio-historical, gendered topics such as marriage, courtesans, male virility, female chastity, homosexuality, androgyny, and hermaphroditism through a variety of art objects.

This course explores the main approaches to the interdisciplinary study of gender and provides grounding to major feminist debates in the field. It examines the development of feminist social and political thought from the 1960s onwards and relates theory to "real life" issues and debates. Topics include gender and power, feminist debates on equality and difference, masculinities in the military, gender and technology, feminism and multiculturalism, and post-feminism. 

Ranging from work in the nineteenth century to contemporary anthropological studies, this course analyzes evolutionary, psychological, materialist, structuralist, socio-linguistic, and reflexive approaches to understanding gender behavior and gender stratification. The course explores how anthropological data from around the world is crucial for questioning widely held assumptions about men and women in contemporary societies. Therefore, it examines the processes and practices of the construction of the categories of “woman” and “man” in different cultural and historical contexts. By presenting ethnographic and historical accounts of gender variations and how they are currently understood and displayed, the course reveals the social and cultural forces that have created changes in sex/gender systems. It pays particular attention to the ways in which categories of gender/sexuality are deployed in various discursive regimes such as nationalism, modernism, colonialism, and globalization.

The aim of this course is to provide basic knowledge about current racialized formations of gender, citizenship, and migration. Social, economic, political as well as cultural dimensions of citizenship and migration are addressed. The course engages with key theoretical debates in the field, in particular postcolonial and feminist conceptual investigations of citizenship, (non)belonging, and migration.

How can we understand gender in the contemporary world? How is gender constructed in different contexts and what are the material consequences? How can gender analyses empower us to act as agents of personal and social change? This inter-disciplinary course provides an overview of the major issues at stake in the study of gender relations from a broadly social science perspective. It introduces students to gender studies as a theoretical field of investigation, examining key concepts and debates in the field. Students will explore issues of power, inequality, intersectionality, change and resistance through contemporary examples of 'doing gender' around the world. In doing so, this course equips students - as 21st Century graduates - with awareness and understanding of global inequalities based on gender, race, class, and sexuality, as well as basic tools to undertake gender analysis.

History—both the actual physical materials that help historians establish a timeline of events of the past and the imaginings contemporaries have of those events—is a crucial part of feminist and gay rights activism. This course analyzes feminist organizing in the U.K. and gay rights organizing in the U.S. from two perspectives. First, it delves into specific historical moments that have created significant cultural and political reverberations, such the 1969 Stonewall Riots in New York and the Greenham Common Women's Peace Camp from 1981. Second, it examines how those events and others become parts of the storytelling used by the feminist and gay rights movements as tools to advance their demands in specific national contexts. From this dual articulation, the seminar examines the relationship between the past and the present as well as the stakes that this reciprocity has for advancing or hindering social progress. Students engage in independent and original research as they learn to engage in historical archival research and think about these issues from the perspective of apprentice scholars.

This seminar studies the successes of LGBTQI rights activism globally with an in-depth focus on issue areas that afford a broad overview of international LGBTQI policy. The first section of the course focuses on the new theoretical frameworks in political science, sociology, and international relations that deal with sexuality and LGBTQI issues. In the second part of the course, an examination of global aspects of sexuality and LGBTQI issues allows students to look at how LGBTQI rights arrive in the diplomatic arena, and how they affect international organizations' policies. In the third section, case studies from various parts of the world are discussed through the lenses of the international developments in LGBTQI issues. The main objective is to make students understand and criticize the increasingly important role LGBTQI issues play in international relations and development policies.

While the pursuit of happiness is an ideal present in many Western cultures, for the French, happiness takes various forms: a certain joie de vivre, an appreciation of life’s simple pleasures, and an affinity for companionship. Why is it, then, that France is consistently ranked as one of the least happy countries in Europe according to the National Institute of Statistics and Economic Studies (INSEE)? The French may be known as contentious grumblers who are prone to flights of melancholy and often embroil themselves in gloomy philosophical reflection. And yet, the deeply-ingrained cultural desire to live a full life and find happiness is undeniably a major concern for the French. This course explores representations of happiness in French cultural production, with an emphasis on the city of Paris. Through the study of socio-cultural and historical events as well as critical, literary, and cinematic texts, students explore how the concept of happiness manifests itself in unique ways throughout recent history and in diverse social worlds. From the nineteenth century to the present, happiness has taken many forms: material seduction, consumer delight, everyday bliss, personal independence. The course explores how authors and filmmakers encourage us to reflect on a deceptively simple question: What is happiness and where can we find it? Is happiness to be found in the people and things that surround us, or are we to find it within ourselves?

This course examines French films from the birth of cinema in 1895 to the more recent creations celebrated at the Cannes Festival. The course studies selected avant-garde and popular films and explores how film narratives can reflect historical and social conditions in France during a given time. The following periods are discussed: Early cinema (the Lumière brothers, Alice Guy, Méliès); the Golden Age of French classical cinema (Renoir); the “New Wave” (Varda, Godard); the “Cinéma du Look” (Besson); “Heritage Cinema” (Claire Denis); and the challenges of Globalization (Sciamma). The course also covers several film genres, from the birth of the fantastique to the influence of the film noir on New Wave cinema. Students explore the cross-cultural interactions between French cinema and foreign films and how French cinema as an art form has had a deep impact on international cinema. Films and readings are supplemented by site visits. Most of the films chosen for this class were shot in Paris and reveal the city's different faces, going from the romanticized version in Agnès Varda's film or Claire Denis' grittier version.