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This course introduces the basic concepts, analysis methods and related economic issues of individual economics. The scope of individual economics is mainly the consumption and production behavior of consumers and manufacturers in the market. In other words, it discusses the operation of demand and supply in the market and the determination of market prices. This course also explores the role of government departments in the market. For example, in the face of rising international crude oil prices, does the government need to control the rising prices of domestic oil products? Does the government charge tuition fees for college students, or regulate or subsidize it?
Through the analysis tools of individual economics, the course explores many issues of concern to the public, including public health, public health, poverty, unemployment, crime, education, marriage, childbearing, population aging, regulation, environmental protection, and international trade.
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This course establishes a basic understanding and experience of Chu Bamboo Calligraphy. Since the Chu silk scrolls were unearthed from Changsha Tsukuro in 1942, and the Japanese calligrapher Imai Reisetsu devoted himself to it, Chu bamboo slips of the Warring States Period have been unearthed one after another at Baoshan, Guodian, Shangbo, and Tsinghua. The study of Chu bamboo slips has flourished, starting from the history of calligraphy. From the perspective of calligraphy, its glyphs are novel, its ink marks are bright, and its research and copying are unprecedented. It is full of a free and casual atmosphere, and it has finally become an independent and important new field in calligraphy learning and research.
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Through the course, students should accomplish the following learning objectives:
(1) Understand the various sources of financing start-ups can get at different stages of development.
(2) Be able to interpret and analyze three financial statements of start-ups.
(3) Prepare financial plans using appropriate methods;
(4) Use various valuation methods to value assessment of start-ups;
(5) Able to write a business plan.
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This course uses a thematic approach to select relevant original texts from the Confucian classics (including the Four Books, the Five Classics, the Analects of Confucius, and Mencius, and when necessary, the broader classics - the Thirteen Classics). The course aims to gain an appreciation for the beauty of Chinese characters and a deeper understanding of Confucianism and Chinese culture through reading these works.
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This course teaches Chinese myths and legends. Students will gain insight into the prototypes of myths of various ethnic groups, as well as the historicization and legendization of myths, and thus form an understanding of the national spirit of the Chinese nation.
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This course covers the professional skills required for theater production management and marketing. At the same time, through practical simulations and theater company visits, students enhance their abilities in performance planning and execution. The teaching content includes the planning and coordination of performance projects, budget preparation, and writing of business plans; subsidy submission to public and private sectors, application for performance venue schedules, recruitment of performance staff, budget control, marketing and publicity, ticketing, public relations sponsorship, and relevant administrative affairs, etc. Onsite visits to theater troupes introduces core values and management methods of the performance team's operation.
This course also features professionals related to performing arts production or administration to speak to the class and share their practical experiences.
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This course introduces and studies Kun Opera singing: voice, articulation, four-tone pattern, musical phrases, breath tone, vocal emotion, rhythm and frustration, etc. It also teaches an understanding and practical learning of Kun Opera body movements, including basic joint flexibility training, basic stage steps and lower body training, cloud hand (circle) training, and basic movements of fans and water sleeves. Finally, the course teaches Kun Opera "Performance," guiding students to understand how to apply the "stylized" basic movements of opera to the "drama" fragments: in the coordination of hand, eye and body steps, body rhythm and rhythm; among them, the use of eyes is the focus of this stage.
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The teaching and discussion scope of this course starts from the pre-Qin and Han Dynasties and then proceeds to the Tang and Song Dynasties. The discussion of this course starts with the concepts of body and mind and essence, energy and spirit in Taoism and Taoist thought as the main axis. Mainly through the reading of secondary materials studied by scholars, the course conducts thematic discussions and reflects on the relevant issues involved.
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This course attempts to guide students to understand various aspects of Taiwan's modern art history through reading papers, historical materials, and actual inspections (appreciating works and on-site inspections). The course initially focuses on the transplantation and establishment of the art system in Taiwan. First, the course briefly explains the process of transplanting the concept and system of "art" to East Asia and introduces the art exhibition as the most important art exhibition in Taiwan's "art" system. The course starts from the perspective of "people" and tries to understand the representative artists and their creations related to "Taiwan" by reading papers and historical materials while analyzing them in different contexts and research perspectives.
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Mathematical logic is a fundation of mathematics and computer science, and foundation course for the students of mathematics and computer science. The content of this course includes propositional logic, first-order (predicate) logic and basic mathematical systems.
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