English

This course explores the origins, contemporary manifestations, strategies, impacts, and responses to extremism in Europe and the Americas, with a focus on right-wing examples. It examines the political, social, and cultural dimensions of these movements. The course also distinguishes extremism from related phenomena such as populism and nationalism, explores the motivations and ideologies behind extremism, and assesses the consequences for democracy and social cohesion in these regions. The course begins with a brief introduction to the definitions and distinctions surrounding extremism. In Section II, it takes a closer look at how extremism has developed in contemporary European and American contexts. Section III focuses on analyzing extremist ideologies and discourses, including propaganda and online strategies, through various case studies. Finally, in Section IV, it reflects on the social and political impacts of extremism, as well as the responses from governments and civil society. In terms of methodology, the course is taught through lectures, cross-sectional analysis, group discussions, and the use of primary and secondary sources alongside case studies. 

This course explores the central question: How does our environment — natural or built — affect our mind, behavior, and brain? In a time of rapid environmental change, with expanding urbanization, shrinking green spaces, rising climate anxiety, and evolving relationships with technology, understanding the connection between environment and mental processes is more crucial than ever. Students examine what makes environments beneficial to our brain and wellbeing, how surroundings shape cognition, whether one can design cities that support mental health, and what happens in the brain when one feels connected—or disconnected—from nature. The course traces the history and key theories of environmental neuroscience, introduces sensory perception and environmental stress, and investigates the impact of both natural and urban settings on mental health. Through lab visits, neuroimaging case studies, and a hands-on research project, students actively engage with current research. Grounded in three core pillars—interdisciplinarity, research-driven inquiry, and reflective engagement—this course encourages students to draw on diverse methods, collaborate on original studies, and consider their own experiences of space and place as they explore how neuroscience can inform real-world environmental design and policy.

This course explores the intersection of climate change and other contemporary global environmental challenges and the future of the Mediterranean. Students gain an understanding of Mediterranean geographies, environments, and societies, along with past and future climate trends. The course examines the potential impacts of 21st-century climate change on ecosystems, human well-being, and social systems. The course provides an analysis of similar ecosystems across the globe that face climate-related challenges, and of the national and transnational policies that are or are not in place not only in the Mediterranean basin but also in locations such as in California, Australia, Chile, and South Africa.

Key topics include the fundamentals of climate science, relationships between human and natural systems (such as water supplies, agriculture, public health, and biodiversity), and the law, politics, and societal debates as pertain to possible solutions to reduce the magnitude and impacts of climate change. By studying these issues in the context of Sicily, students develop insights into global climate challenges and localized responses. The course also provides a historical perspective on Sicily’s environmental and social changes over time. Students explore how the region's long history of cultural and political shifts has shaped its environmental practices and adaptation strategies. Additionally, the course addresses the growing issue of climate-induced migration to Sicily, examining its impacts and the region’s ability to adapt to these growing population movements.

This project focuses on exploring Berlin through analog hand drawing, and then using drawing and model making methods to design and construct a small building project. The course offers participants an in-depth knowledge of the design professional's important tool of hand drawing, a skill that equips them for their studies and later professional work. It begins with the basics of hand drawing to establish a foundation and then moves on to apply drawing to observe, analyze and design the environment. Students learn drawing forms such as perspective, isometry, section, pictogram, and others. The subject of analysis is the city of Berlin, the city fabric, micro urban situations, and the Design-Build project site. The Design-Build part of the project focuses on the realization of a small building project for a special community in Berlin. The students develop an idea from the design stage to the built project. An examination of the context and discussions with the clients and users form the basis for the final design. In a competitive design workshop, the best and most feasible solution(s) are selected and developed. In collaboration with the users and under the guidance of a craftsman, the design is built and inaugurated. The community is the client for this Design-Build project. They actively participate in guiding the project from the design phase to on-site construction. This project is carried out in an academic environment, engaging in interdisciplinary collaboration between students of various disciplines and the community. Through designing and building together, the students gain insights into the world that the people they are designing for are facing, with the goal of making students more sensitive to the social, cultural and ecological implications of their work. The challenge is to integrate "low-cost" and "high efficiency" requirements with considerations for sustainability, aesthetics, appropriateness, participation, and education. In order to profit from the high potential of these small-scale projects, the focus has to be the quality of the space that is created. This course primarily takes place off campus, with the drawing sessions happening throughout Berlin and the construction activities conducted on-site.

This course teaches the function and organization of the animal cell and its components. From the molecular level up to and including the functioning of cells in the tissues of living organisms. In the first part of this course, the central dogma of molecular biology is discussed. DNA replication, transcription, translation, and its regulation. Using bioinformatics, the complex genome and the regulation of gene expression is reviewed. In the second part cell function is discussed, such as protein sorting, membrane transport, signaling pathways, the cell cycle, and the cooperation of cells in tissues. For example, apoptosis, cell-cell contacts, and tissue renewal by stem cells are covered. Attention is paid to situations in which these processes no longer function properly, such as in cancer. Participants are required to independently reads the book chapter by chapter. After each chapter, a sequence of e-assessments, lectures, assignments, and response lectures is followed. Starting after a short e-assessment the teacher, a specialist in his field, discusses the information of the chapter in a seminar. To get a deeper understanding of the content in the chapter, students make assignments in small groups of 4-5 students. Hereafter the teacher is available to discuss the answers to the assignments and to clarify any misconceptions in a response lecture. The current use of the knowledge from the textbook is exemplified during a journal club, where groups of students present a Cell paper. The topic of the papers is current literature on cancer research. Attendance during the tutorials and journal clubs is mandatory. In addition, the individual self-assessments are also part of the effort requirements. Entry requirements include successful completion of MBLS-101 (Cell Biology) or an equivalent level 1 course in Molecular Cell Biology. Recommended: MBLS-202 (Molecular Biology & Biochemical Techniques)

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. The course is divided into 2 modules. Module 1 builds on empirical analysis from current diplomatic practices, and module 2 is a historiographic-based course. 

The program for module 1 is as follows:
1.  The evolution of the functions of the professional diplomat;
2.  Bilateral relations: construction of privileged partnerships;
3.  When a dispute freezes the bilateral relationship: the case of the Italian Marines;
4.  Multilateralism today;
5. Conflicts, prevention, the fragmented world in which we live;
6. The consular function: at the service of Italians abroad;
7.  Economic diplomacy: the new functions of public support for internationalization;
8. Economic diplomacy: the Farnesina as an "Agency" for the promotion of our Country. Nation Branding and integrated promotion;
9. Economic diplomacy: the path from export to internationalization that many companies still have to complete and some to consolidate;
10. A glance to the future: the role of the professional diplomat in the years to come.

Module 2 focuses on the interplay between diplomacy and international economic relations from a historiographic point of view. It covers a period that spans from the immediate aftermath of WWII to the early XXIst century. This module explores a set of case studies that pertain to the diplomatic, economic, and political transformations of the international system as it emerged since the start of the Cold War. Classes are organized as follows:
1. XX century diplomacy;
2. Bilateral relations.;
3. Diplomatic discords;
4. The origins of multilateralism;
5. Failed agreements;
6. Migrations and diplomacy;
7. The history of the European Economic Community (I);
8. The history of the European Economic Community (II);
9. The web of international economic organization between the Cold War and the early-post Cold War era;
10. Diplomatic and economic challenges in the early XXI century.

The objective of the course is to provide students with insights from economic theory which are relevant to applications in managerial decision making. The emphasis is on applying microeconomics ideas to solve problems. Topics include consumer theory, production, market structure, monopoly, oligopoly, pricing, game theory, bargaining, auctions, and asymmetric information.

This course introduces students to the visual arts and to the questions and knowledge that they generate. Looking at a variety of artwork across different periods and media (painting, sculpture, graphic arts, photography and film, digital arts, video, etc.), and discussing some key themes/questions pertinent to artistic research and practice, this course advocates an understanding of the visual arts as a specific way of thinking about the world, knowing reality and acting upon it. This course encourages students to critically investigate a set of key issues, including: the status of the image and of representation; the nature of artistic creativity; the significance and implications of critical analysis; interpretation of the visual, particularly in relation to modernity. The course requires students to engage with a diverse range of secondary literature (historical and critical essays, biographies, literary texts, philosophical essays, etc.). This course combines traditional frontal teaching (lectures) with seminar-based activities. When possible, the course will also comprise on–site visits to relevant art collections, institutions and/or exhibitions. Visual analysis and critical thinking play a central role: image or text–based exercises are assigned throughout the course. Students are expected to participate in class discussions.

This course is part of the laurea magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. Students develop a critical approach to the diffusion and use of digital technologies. They are expected to acquire a preliminary knowledge of the historical context of these innovations to strengthen their understanding of the challenges posed by digitization. Students consider art as a field in which these technologies are both applied and criticized. By the end of the course, students are able to evaluate the variegated cultural and political imaginaries that are contributing to shaping digital innovations.

The course is articulated into the three parts. First, the course frames a political genealogy of the digital technologies, highlighting the philosophical issues they pose. For this reason, a brief history from the birth of internet to the success of platform capitalism and the expectations on artificial intelligence are presented. Then, the discussion focuses on some of the main cultural paradigms about technological innovations (Californian Ideology, Transhumanism, Accelerationism, etc.) to analyze the way they frame the relationship between the "digital" and the “human”. The last part is more collaborative and interactive with guest experts facilitating a workshop on art curatorship and digital technologies, and students presenting their response papers to course topics.

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