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This course takes an interdisciplinary approach by introducing contemporary development issues in the Global South. It draws on literature from Political Science, Economics, History, and Sociology. The module explores and analyzes the intersection of politics, history, sociology, governance, and economics in relation to development in the Global South. It does so by investigating the influence of colonialism, governance, culture, institutions, conflicts, and external forces on the development trajectories in the Global South. Empirically, the course addresses important questions such as: What is the connection between colonial history and development in the Global South; Why have some countries within the Global South developed faster than others since the WWII; What has been the impact of institutions on development in the Global South; What has been the impact of natural resources on politics and development in the Global South; Are there forms of corruptions compatible with development in the Global South; What is the role of foreign aid and foreign direct investments in development, including the China-effect in the Global South? e module also introduces students to important political economy theories such as Neo-patrimonialism, Corruption and Clientelism, Developmental state, Decoloniality. It achieves all the above by offering space for a diversified body of literature and perspectives.
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This course provides an introduction to research methodology with an emphasis on experimentation. The goal of this course is to teach students how to turn an idea into a good research question and then turn that question into rigorous research studies. To do so, we survey a variety of basic and advanced research techniques, including experimental, behavioral, observational, survey, and physiological methods. Students participate in discussions to understand the applications of each class topic to their research interests. Finally, students design their own studies that utilize methodological approaches.
Topics include Having and testing ideas, Operationalization and issues of validity, Statistical power and correlational design: measurement construction, Experimental design, Repeated sampling, Survey, Unobtrusive measures and observation, Inducing and assessing emotions, Physiological methods, Dyadic and group designs, Meta-analysis and cross-cultural research, Presenting and publishing research.
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This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The student is expected to understand the functions and processes of transformations within the media industries and the innovations connected to new digital technologies applied to creative industries.
The digital revolution has fundamentally reshaped our world, transforming how we create, distribute, and consume everything from news and entertainment to social connections. This course is an in-depth exploration of the economic principles and models that govern this new landscape. The course is focused on two of the most important media industries, music and video. Each of them is introduced and analyzed in the value chain, all the relevant typologies of players, and how the technological evolution and the changes in consumer habits are influencing the markets’ dynamics and their structure.
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In this course, students design a social research project; understand the principles and assumptions associated with qualitative research; select and justify the most appropriate research method to answer particular research questions; discuss the advantages and disadvantages of various research methods; distinguish and apply suitable types of analysis to varying research designs; apply appropriate ethical standards to research design; and understand issues of power, inequality and exploitation in qualitative research.
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This course explores various facets of modern Japanese society and culture, including family, education, gender, work, and life cycle through readings and (feature) films. The course considers the relationship between cinema and society, critically analyzing a body of film texts from the contexts of their production and reception, and considers what one can -- and how one can -- learn about any society through its feature films. Each semester focuses on different themes.
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This course provides an introduction to the diverse and dynamic history of the United States. Through a range of historical approaches—including political, social, cultural, and foreign policy perspectives - students investigate the forces that have influenced the development of the United States. Themes such as popular culture, multiculturalism, the role of the state, sexuality, gender, race, religion, class, and varied identities are explored, alongside foreign policy, the presidency, and the evolution of America as a global power. The course provides a broad yet nuanced understanding of how power, politics, and different groups of people have intersected across different eras, equipping students with the analytical tools to engage critically with historical narratives and debates. The course is designed to encourage students to think critically about the forces that shaped American politics and culture and empower them to engage with debates about its past, present and future.
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This course explores various aspects of media ethics through the study and discussion of recent case studies, helping students build a universal foundation for ethical judgment as they encounter ethical dilemmas as media professionals or consumers. This course aims to help student better understand the ways in which media ethics affects our daily lives. Students develop their presentation and critical thinking skills through class activities such as group discussions. This course aims to engage students in some of the major issues in media ethics. Topics include Advertising Ethics, Public Relations Ethics, Journalism Ethics, Social Media Ethics, and AI and Robot Ethics.
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This course covers the properties and applications of maximum likelihood estimation (MLE), including its consistency, asymptotic normality, and efficiency, and applies these concepts to real-world statistical problems. Students analyze hypothesis testing frameworks, covering the Neyman-Pearson lemma, likelihood ratio tests, and their implementation for single-parameter and multi-parameter models and study the principles of sufficiency and completeness in statistical inference and use the factorization theorem to identify sufficient statistics for various distributions. Students also explore confidence interval construction methods, focusing on pivotal quantities, and evaluate their properties such as coverage probability and efficiency and we apply advanced inferential techniques to solve problems involving exponential families, sequential analysis, and decision-theoretic approaches, linking theory to practice.
Prerequisites: Mathematical Statistics I, Linear Algebra, Calculus
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This seminar investigates how different recent adaptations engage with the classical nostos epic. During the semester, students discuss the following reworkings of Homer’s Odyssey: Ethan Coen and Joel Coen’s film O Brother, Where Art Thou? (2000), Bernardine Evaristo’s The Emperor’s Babe (2001), Margaret Atwood’s The Penelopiad (2005), and Amor Towles’s The Lincoln Highway (2021).
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This course examines how the world's oldest liberal democracy has become such a vital and fraught force in the contemporary world. It focuses particularly on the peculiar 20th-century US histories of class, race, religion and global engagement.
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