France

This course provides a critical overview of the functioning of intergovernmental organizations, with a specific focus on their relevance, role, and contribution in the face of a shifting global landscape. Through a series of case studies and scenarios, it introduces the broad notion of multilateralism and how to identify legal issues, analyze problems, and formulate an informed perspective on intergovernmental organizations.

This course offers an introduction to the major questions in the history of modern and contemporary art in the West, based on a historical and artistic panorama ranging from the Renaissance to the end of the 19th century. It addresses several themes and questions, including what art history is; what roles figure, movement, and nature play in representation in the West; what an artist and an art critic is; what place the museum and the market occupy in our relationship to art; and what the terms "modern art" and "contemporary art" mean. The course identifies the descriptive and critical terminology developed in France and abroad to comment on artistic productions, as well as the history of terms within the art world. It also mobilizes the fields of general knowledge in art history and archaeology to document and interpret an artistic production and an archaeological object.

The focus of this course is twofold: firstly, to study the nature of representations and the impact they have on our society through philosophy, cinema, literature, and art; and secondly, to develop a critical analysis of the image through aesthetics, political theories, cultural studies, and the philosophy of humor. It analyzes different scenarios of the image in order to circumscribe its "field of action," in particular, to understand the motives behind the objects of the representation, the impact on the spectators, and the socio-political consequences that they generate. The course discusses how technology facilitates the spread of images in our society and mirrors, to a certain extent, our way of life. It considers how, as means of communication, images convey our personal and public experiences on a daily basis, captivate our attention, influence our perception of the world, and, if images are to be considered representations, contain aesthetic and political components. 

This course analyzes U.S. foreign policy, primarily through the prism of American military power. It provides an overview of the major issues at stake regarding U.S. international action in a fragmented world. The course is divided into three main parts, each of which addresses specific questions. The first part focuses on the evolution of U.S. foreign policy, from the end of the Second World War to the post-9/11 period. The second part examines U.S. international strategy in its ideological dimension, through the major debates that surround it. Finally, the last part looks at the practice of American foreign policy and its major geopolitical challenges, particularly with regards to Russia, the Middle East, and China.

This course practices the methodology of textual analysis using an anthology of texts of different genres from the 16th to the 21st century. 

This course delves into the linguistic aspects and grammatical structures of the Spanish language. It explores phonetics, morphology, and syntax to develop a comprehensive understanding of Spanish linguistics. Emphasis is placed on analyzing the fundamental components of the language and examining how they contribute to effective communication. By studying the underlying principles of Spanish grammar, the course provides insight into its intricacies and evolution over time. A combination of theoretical discussions and practical exercises enhances proficiency in Spanish grammar and linguistic analysis.

This course considers the relationship between the noir genre and social criticism, particularly from the perspective of the Situationist International group which was active between 1957 and 1972. It compares texts from the Situationist International and several novels by Jean-Patrick Manchette, in particular Ô DINGOS! O CASTLES! (1972), one of the first novels of the writer, very marked by situationist themes (critique of architecture, play, merchandise); THE LITTLE BLUE OF THE WEST COAST (1976), which marks a shift towards a more perceptible formal research while continuing the critique of daily life alienated; and THE POSITION OF THE PRONE SHOOTER (1981), where social criticism seems to take a back seat in favor a return to the violent and very refined action novel.

This course in public economics analyzes the design of taxes and transfers. The first part of the course introduces key concepts in public economics. The second part is dedicated to the analysis of particular policies covering the environment and climate change, social insurance, redistribution, and capital and firms taxation. Course sessions include student presentations on actual policies in particular countries; for example, carbon taxes in Sweden, unemployment insurance in the United States, housing benefits in France, or corporate taxation in Germany.

This course investigates minorization, how it relates to categorization and differentiation, and to what extent minorization plays a role in mass violence and colonial situations. It introduces the concept of minorization, one of the fundamental questions in sociology for understanding the issues of today's society yet missing from the French university catalog, and its place in academic debate.

This course takes as its starting point the description of cultural places and moments in Qatar and the United Arab Emirates, whose role in both the building and the representations of the global stage has increased and diversified since the late 1990s. It then focuses on contributing to the definition of power in those political entities and understanding their place on the global stage through the lenses of political sociology.