France

This course examines the complex articulation between cinema and country of origin in a historical perspective. It questions to what extent these country-specific categories (e.g. Italian cinema, French cinema, German cinema) not only express national specificities but also construct them. It does so in particular from the stereotypes conveyed or constructed by the films of a given period or even a given gender; stereotypes that other films can, on the contrary, attach to or have fun deconstructing. The course uses examples from French, Italian, American, and German films.

This course provides a socio-historical approach to studying and analyzing the construction of social policies from the end of the 19th century to the beginning of the 21st century. It demonstrates how the construction of social policies is the result of a combination of factors that follow one another over time, leading to more or less slow transformations marked mainly by the "administration" of society. With this in mind, the course stresses the importance of the various configurations and coalitions of social and institutional actors (public and private) that succeeded one another over the period; the variability of politico-administrative systems, political regimes, and governance; and the changes in the frame of reference for public action. The challenge is to study both the process of the emergence of these policies (public assistance, social protection, and social insurance) and, more generally, the welfare state, as well as the new forms of political regulation of society (through, for example, the question of the progressive regulation of the state). It also focuses on the different levels of action, from local and municipal to transnational and national. The course also imparts the methodological and conceptual tools needed to carry out original research on these issues.

This course studies works (mainly literary) from prehistory to try to better understand the power of attraction that this still so enigmatic period in the history of man exerts on the imagination and to explore, particularly from the daydreams and fantasized representations that unfold there, what that they say about us more than about our distant ancestors. The course also provides an opportunity to address, from the texts studied, specifically literary questions, through for example those of genres and registers, the construction of the story or writing resources. Part of this course is devoted to the study of works of youth literature to discover the vision of prehistory that they offer.

This course concerns the “Indo-Pacific” space, which has both a geographic and a geostrategic dimension. The course questions these different representations of space, their political use, and the related cooperation policies, at the intersection of military and development issues.

This course on environmental justice examines how environmental processes and policies interact with race, class, gender, and indigeneity to differentially affect people's exposure to environmental harm, and their ability to participate in environmental decision-making. It analyzes environmental injustice in relation to histories of colonialism, as well as contemporary processes of globalized capitalism. The course engages in case studies, discussions, and group projects, fostering a critical view on reconciling localized justice struggles with planetary environmental crises.

This course provides an introduction to and covers the basics of oenological analysis (principles, implementation, uncertainties, applications).

This course provides an exploration of the relationship to Eastern European Jewishness, both secular and religious, from the end of the 18th century to the present, marked by profound social, economic, political, and cultural transformations. The complex relationship between all of them reflects on the evolutions of Jewish singularity, paradigmatic to other minorities. This interdisciplinary course introduces a modern encounter between Jews, societies, and States, both in culture and politics, including the consequences of the Holocaust and its legacy in the present. It offers a precious key to understand the diversity of contemporary debates on singular versus universal rights, traditions versus modernity, rural versus urban cultures, religiousness versus secularity and beyond that, the condition of modernity in Europe. Olga Tokarczuk's Nobel Prize-winning book, THE BOOKS OF JACOB, is the focus of reflective, historical, and creative work throughout this course. The creative cartographies produced are presented to and potentially commented on by the author.

This course provides a conceptual and historical approach of nations, states, and nationalism in Europe from the late 19th century to the present. It examines the transnational dimension of European political frameworks and considers current political issues in the light of European history. The course fosters analytical distance and questions the nation-centered view of the world, familiarizes with the academic debates on nation-building and nationalism, and examines the historical processes and steps that have led to the success of the national category.

This course explores the current state of play in EU platform regulation and the societal developments to which it responds. It covers the most important current issues in platform governance, including topics such as harmful social media content, platform labor, competition in digital markets, and the “platformization” of media and culture. It also explores and analyzes how EU law is responding to these issues, in areas such as data protection and competition law as well as sector-specific regulations targeting platforms, like the just-passed Digital Services Act. While the course focuses on legal issues, a legal background is not essential, as the focus is on how the EU is aiming to address concrete policy issues rather than on technical/doctrinal questions. The course encourages thinking in a critical and interdisciplinary manner. Rather than simply attributing social changes to technological developments, it encourages thinking about how platform companies' technology and business practices interact with and influence broader social and political trends. To this end, class sessions focus on discussing the assigned reading and helping students formulate and share their own opinions on each week's topics.

This course studies French-Spanish filmmaker of Luis Buñuel, in particular his final and probably most productive period which was mainly French. Accompanied by screenwriter Jean-Claude Carrière, his faithful sidekick, the father of Spanish cinema drew his inspiration from several of the great French novels of the preceding decade. This course explores one of them, LE JOURNAL D’UNE FEMME DE CHAMBRE, to reflect on the specific work of adaptation characterized by varying degrees of difference from the original.