Italy

The millennium following the collapse of the Roman Empire saw the development in Europe of a radically new form of civilization now called "medieval." With its nuns and monks, knights and nobles, troubadours and artists, plagues and famines, crusades and cathedrals, and cities and castles, the Middle Ages left an indelible mark on the western world. Rome, the city of the Popes, played a key role in medieval western civilization and was the center of a long-lasting tradition of pilgrimage to the apostles' and martyrs' relics preserved in its many churches. This course is intended as a broad survey of medieval culture and history with a specific emphasis on Rome. The course takes advantage of the city's abundance of medieval monuments and works of art: mosaics and paintings, sculptures, and religious architecture, which are analyzed in comparison to the artistic production of the rest of Europe, the Byzantine East, and other cultural contexts such as the Islamic world. The reading of relevant historical and literary texts completes the course.

This course is intended to develop the linguistic skills of students who have completed the first year of Italian. It reviews basic grammar structures with emphasis on exceptions; it enriches vocabulary, reading comprehension, and argumentative skills on different kinds of texts, improving comprehension and conversation through the discussion of contemporary issues proposed by the instructor. Students approach longer and more complex argumentative texts of which they are asked to identify the main points. They comment on articles or reports on contemporary issues in which authors express points of view and opinions. In oral tests and group discussions, students are asked to take a critical stance on given texts, debating pros and cons of different points of view. They also research various aspects of Italian daily life, interviewing Italian people and reporting back to the class. They can understand discussions on concrete and abstract topics and follow conversations between native speakers. All four abilities (writing, speaking, listening, reading) are developed, also with the support of authentic audiovisual materials such as Italian movies, short videos, tv programs, and songs. The course uses a communication-based approach: students engage in daily role-plays, group activities, games, and class discussions. Out of class activities are designed to take advantage of the opportunities for interaction and language practice, as well as immersion in Italian culture, that the city provides.

This course is designed for students interested in an in-depth exploration of the artistic production of Italy from the 14th to the 16th centuries, with a special focus on Florence and its social, political, and devotional context. Starting with the Gothic, the course follows the development of different forms of art – painting, sculptures and architecture – up to the middle of the 16th century, thus covering the period known as the Renaissance. The course analyzes how the recovery and study of ancient sources and the work of contemporary humanists inspired and stimulated painters, sculptors, and architects. For the analysis of the Early Renaissance and its continuity with and renovation of Medieval art, special emphasis is placed on such figures as Giotto, Ghiberti, Donatello, Brunelleschi, Masaccio, and Fra Angelico. Moving on to the High Renaissance in the second part of the course, the works of Botticelli, Leonardo, Michelangelo, the young Raphael, and Giorgio Vasari are considered in the light of the Medici family political rule and artistic patronage. Through lectures, class discussions, and frequent site visits, the course aims at training students to study works of art in their original context, to recognize iconographic features and subjects, and distinguish the different styles and techniques used by the artists.

This is a special studies course that involves an internship with a corporate, public, government or private organization, arranged with the Study Center Director or Liaison Officer. The special study projects generally involve teaching a mini-course on American culture (literature, music, art, or history) and/or English as a second language in a local school or private organization under the supervision of an experienced teacher. Internships vary each term and are described on a special study project form for each student. A substantial paper or series of reports is required along with actual lesson plans. Units vary depending on the contact hours and method of assessment. The total units for the academic year cannot exceed 12.0. Pass/no pass only.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course provides critical and cultural awareness in contemporary Italian literature and civilization. Literary texts are analyzed as open shapes, focusing on the relationships between tradition and cultural legacies. The course discusses a corpus of selected prose works through comparative analysis and practice on different methods of interpretation. The topic of the spring term of the 2018-2019 academic year is: Italian Noir. The course aims to present contemporary noir representations, such as transmedia narrative examples that incorporate entertainment experiences on multiple multimedia platforms. Noir has been compared to the Italian realist novel, for its search for the representation of the reality and its ability to describe the dark aspects of a social community. The course highlights the features that allow the “noir all'italiana” genre. The analysis of the production shows how the traditional genre is resumed or reconfigured in texts confronted with a cultural production increasingly dominated by visual culture. In different ways the case studies reflect on how other media, and the relationships with them, give rise to an inquiry into the Italian society that portrays literature as civil engagement. Required readings: ROMANZO CRIMINALE by De Cataldo, LA FEROCIA by Nicola Lagioia, IL SOGNO DI VOLARE by Carlo Lucarelli, CATTIVI SOFFETTI by Daniele Brolli, CINACITTÀ by Tommaso Pincio, NARRARE AL TEMPO DELLA GLOBALIZZAZIONE by Roberto Rossi, and CRIMINI E MISFATTI LA NARRATIVA NOIR ITALIAN DEGIL ANNI DUEMILA by E. Mondello. The course is based on traditional lectures with student participation in discussions. Students are invited to present specific materials of some of the texts and authors. The course also includes the use of audiovisual materials, and a guest lecture series on specific topics related to course topics. Assessment is based on a final oral exam whose aim is an evaluation of the student's critical and methodological ability. Students are invited to discuss the texts on the course and must demonstrate an appropriate knowledge of the bibliography in the syllabus.

This course explores human rights as embedded in specific historical circumstances, and looks at their codification in international law as the product of heated political debates. The first part of the course examines the topic from a historical perspective. Students trace the genealogy of the concept paying particular attention to its continuity or discontinuity with respect to the notion of natural law, and focus on the birth of the “human rights regime.” The second part of the course involves the examination of specific case studies. In the third and final part of the course students look at critical readings of human rights as possibly an instrument for “Western hegemony,” or as inadequate in other ways.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course covers the basic information necessary for understanding the complexity of modern Archaeological Museology: from knowledge of the scientific subject of Museology to Museum Practice. The course focuses on topics including the history of museology: from the “archetype” of museums in the ancient world to the “relational” museum today; the question of the role of media in museums today; experimental archaeology and ethno-archaeology in connection with archaeological preservation and enhancement; the question of archaeological parks designed to create interest and foster critical debate; and archeological tourism: management and culture. Students submit a case study that focuses on a specific museum, exhibition site, or archaeological park, or is an analysis of a specific theme related to the course. Case study outlines are provided during the course. The course includes two visits to local museums at the end of the scheduled class lectures. Assessment is based on a final oral exam covering course materials and a discussion of the case study. Students in Art History can take the course for under the Art History subject area in consultation with the instructor. In this case, students concentrate on the history of museum exhibits that focus on art objects such as paintings, ceramics, and even jewelry. Topics covered include museum architecture, history of museums, museums and cultural heritage, management of museums, and marketing of museums and exhibits: museum tourism.

This course introduces advanced issues of the Psychology of Music. Whenever possible, the course introduces the application of the concepts of psychology of music in the everyday life. The course highlights the positive aspects of music listening (e.g., inducing a positive mood, relaxation, etc.) and the positive aspects connected to musical practice (e.g. better memory skills, spatial skills, etc.). The course is divided in two parts. The first part of the course includes an overview of acoustics, music theory, methodology, and physiology as linked to music psychology. The first part of the course provides the necessary tools to understand the literature of auditory perception and psychology of music. The course discusses topics including basic concepts such as sound, sound waves, acoustics, sound in music and music theory, methods of psychology of music, anatomy and physiology of the auditory system, and loudness and absolute threshold; as well as psychology of music topics including music training in hearing loss and aphasia; psychoacoustics and mp3; music and cognition: Mozart effect, background music and cognition, music talent and cognition, and the cognitive abilities of musicians and non-musicians; pitch: illusions, pitch coding of simple and complex tones, musical intervals, harmonic, melodic, consonance, the representation of pitch, amusia, and absolute pitch; and music as a universal language: music perception in infants and animals. The course requires a strong background in the main concepts of cognitive psychology such as perception, attention, memory, learning, and intelligence, and a solid methodological background as a prerequisite.

This course is divided into three parts. The first part covers Dante, topics include the evolution of the Latin language; an overview of medieval Romance literatures; Italian lyric poetry before Dante; Dante’s life; and Dante’s VITA NOVA (selected passages), DE VULGARI ELOQUENTIA, CONVIVIO, INFERNO (selected cantos), PURGATORIO, and PARADISO. The second part of the course discusses Petrarch, topics include his biography within the historical and cultural context; literary production (in Latin and Italian); his multifaceted relationship with the Roman Antiquity and the Christian doctrine (selected readings from THE SECRETUM and THE SENILES EPISTLES); in-depth study of RERUM VULGARIUM FRAGMENTA with attention on its genesis, structure, contents, and features; and Petrarch’s legacy and impact on the Italian language and literature, and on the early-modern Western literary production. The last part of the course discusses Boccaccio, topics include his biography and literary production (Italian and Latin works); his intricate links with eminent predecessors (both Dante and Petrarch); in-depth study of the DECAMERON with focus on its genesis, structure, themes, and features; Boccaccio’s erudite, humanistic, and lyrical texts; his multifarious relationship with women and the varied ways in which he depicted them; and Boccaccio’s impact on later authors. This course is taught in a degree program which introduces students to knowledge of Italian language throughout the degree. The first year of instruction in this degree begins in English and then gradually shifts to Italian by the third year. Because this course is taught in the first semester of the first year of the degree, the course is mostly taught in English with some Italian and is appropriate for students who do not speak Italian.

This is a special studies course with projects arranged between the student and faculty member. The specific topics of study vary each term and are described on a special study project form for each student. The number of units varies with the student's project, contact hours, and method of assessment, as defined on the student's special study project form.