University of Lyon 2

This course centers around medieval literary texts and traditions: pastoral tales, lyric dialogues, the characters of the berger and her lover, the intervening and often violent interests of the chevalier. Texts are studied as social as well as literary documents; they are treated in the original Old French as well as modern translations. Manuscripts are consulted online as primary source material. Themes covered include the role and the voice of the female characters, their sexuality, as well as the treatment of sexual violence and the implication of this cultural dialogue.

This course analyzes the overlap between literature and painting at the end of the pivotal 19th century. It studies the representations of the artist Emile Zola, the process and the system of creating at the time, the aesthetic and social circumstances at play, and the emergence of modern painting. The course considers, as a means of understanding this phenomena, the exchanges between literature and visual art, notably analyzing ekphrasis and the "tableau en texte."

This course focuses on an analysis of French literary, philosophical, and critical texts and how they overlap, concerning notably the "woman question" in its 17th century incarnation. The central text is Molière's LES FEMMES SAVANTES (1672) play. Supplemental texts include excerpts from Descartes and Poulain de la Barre. Central philosophical and literary themes include notions of the body (socially, medically) and the spirit as well as the self-determination of women, socially and literarily.

This course focuses on the question of public policy in education. It examines what it means to evaluate educational public policies and studies the large international actors in educational politics.

This is a tutorial to the lecture course INTRODUCTION TO ART HISTORY. This course offers an introduction to the major questions in the history of modern and contemporary art in the West, based on a historical and artistic panorama ranging from the Renaissance to the end of the 19th century. It addresses several themes and questions, including what art history is; what roles figure, movement, and nature play in representation in the West; what an artist and an art critic is; what place the museum and the market occupy in our relationship to art; and what the terms "modern art" and "contemporary art" mean. The course identifies the descriptive and critical terminology developed in France and abroad to comment on artistic productions, as well as the history of terms within the art world. It also mobilizes the fields of general knowledge in art history and archaeology to document and interpret an artistic production and an archaeological object.

This course is specialized for international students. This class studies typological variations between languages spoken in different areas of the world whose linguistic roots are diverse. It examines the similarities and differences between these languages and how they show in several conceptual fields (spatial relations, movement, sensory perception); the link between language, culture, and cognition; as well as the effects of typological variations on the way we conceptualize our experiences with the world around us. This course draws on linguistic, anthropological, and cognitive studies carried out in different languages and cultures around the world.

This course offers an introduction to the major questions in the history of modern and contemporary art in the West, based on a historical and artistic panorama ranging from the Renaissance to the end of the 19th century. It addresses several themes and questions, including what art history is; what roles figure, movement, and nature play in representation in the West; what an artist and an art critic is; what place the museum and the market occupy in our relationship to art; and what the terms "modern art" and "contemporary art" mean. The course identifies the descriptive and critical terminology developed in France and abroad to comment on artistic productions, as well as the history of terms within the art world. It also mobilizes the fields of general knowledge in art history and archaeology to document and interpret an artistic production and an archaeological object.

This course practices the methodology of textual analysis using an anthology of texts of different genres from the 16th to the 21st century. 

This course is specialized for international students. It offers a contemporary history of political ecology in France, from the mid-19th century to present day. The course covers how the environmental issue has gradually become more and more political and cultural over the years, and how historiography has tended to favor the hypothesis of a delay in the emergence of this issue in France, in contrast to the situation in the United States. After recalling the main historical milestones (the creation of national parks in the United States, the National Trust in Great Britain), it looks at the first forms of identifying and safeguarding areas identified as "natural," using the example of tourism and the protection of remarkable sites. The course discusses how this process developed and amplified in the twentieth century, as industrialization and urbanization increased, with experiments such as allotments and debates on the return to the land; and finally, in the last third of the twentieth century, intellectual and popular movements took up environmental issues (Friends of the Earth, Larzac movement) and helped place them on the public agenda. The course reflects on the convergences and tensions as seen from the cities or from the countryside, by linking two historiographical traditions: urban and environmental history, and rural and agricultural history.

This is a tutorial for the course LITERATURE OF THE ANGLOPHONE WORD: SHAKESPEARE. It focuses on close readings of two Shakespeare plays: one tragedy, HAMLET; and one comedy, AS YOU LIKE IT.