University of Bologna

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on the history of Iran and Central Asia from the arrival of Islam to contemporary times. Special attention is placed on the methodology of historical research, and the treatment of historical themes in original and autonomous ways. Students are encouraged to evaluate sources and to know how to orient themselves with regards to specialized bibliographies. Emphasis is placed on how to prepare and communicate knowledge and how to make valid judgments in the historical field. The course is intended as a general introduction to the history of Iran and Central Asia in the Islamic period. Single historical periods are, broadly speaking, indicated below. Students are warmly encouraged to focus on specific thematic topics and to carry on, if possible, with further readings according to their personal interests. Basic historical periods covered: the Islamic penetration in Iran and Central Asia; the Mongol and Timurid periods, Iran and Central Asia under "Turkic" dynasties; the Safavid period and the formation of the so called "national state" in Iran; the contemporary condition of Caucasus and Central Asia and the relations of Iran with Ottoman Empire and Moghul India; contacts with Western countries: missionaries, diplomats and travelers; Iran under the Pahlavis, Caucasus, and Soviet Central Asia: "Cold War" challengers; the present-day situation: a "non-exotic" approach.

The course offers an introduction to contemporary philosophy and language and focuses on the nature of truth through an analysis of the main philosophical theories regarding truth as well as issues related to the value of truth, relativism, and the debate on post-truth. The course includes traditional lectures, slides, quizzes on the e-learning system, and experiments with peer instruction methods (Kahoot software). Assessment is based on a research paper and a final oral exam on lecture notes, the required readings, and the research paper.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. Students acquire the fundamental knowledge in history of Medieval art and develop the necessary skills to familiarize themselves with the artistic production of the period. Students analyze some of the main works of the history of Medieval art using specific methodologies and compare these appropriately. The first part of the course focuses on the study of artistic phenomena and their development with particular attention to the mendicant orders (Franciscans, Dominicans and Augustinians). Attention is paid to the material aspects, techniques, form, and function of the works of art (architecture, paintings, frescoes, illuminated books) in relation to the liturgy, architecture, accesses, and pilgrimage routes. The second part of the course focuses on monographic terms of the spatial and decorative restitution of one of the most significant European monuments: the basilica of San Francesco in Assisi.

The course focuses on pathology and general causes of disease. Topics covered include genetic diseases and disorders, cell and tissue injury, the body's reaction to injury, physiology of the immune system and immunology, oncology, cardiovascular pathology, acute inflammation, environmental pathology, neoplasia, antigen capture and presentation, and antigen-antibody reactions. The course has both a lecture and laboratory component. The lab deals with histopathology analysis of virtual slides, hydropic and fatty change, coagulative and colliquative necrosis, acute inflammation, tissue repair and scar formation, chronic inflammation (TBC and foreign body granuloma), hypertension, atherosclerosis, and neoplasms (benign and malignant neoplasm). Assessment in the course is based on an oral examination of course materials and readings.

The course discusses the main aspects and trends of the world economy during the 20th and early 21st centuries. At the end of the course students understand the origin of the most important economic institutions and the features of the economic cycles so far experienced by the world economy. Topics addressed in more detail include the failure of the command economies, the construction of the European Union, the evolution and transformation of financial systems, globalization, and the regulation of the labor market in different countries.

This is a graduate level course that is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. This course covers basics concepts in the history of Italian cinematography. In particular, the course tackles a number of common focal points that link cinema with the history of Italian culture (method of representation, cultural industry, relationships with other expressive forms). The class starts with an analysis of the concept of “national cinema” for better understanding both the focus and the approach adopted by the lecturer in presenting the Italian case study. After this methodological introduction, the class investigates the history of Italian cinema from the silent era to nowadays. In doing that, Italian films are analyzed both as art form and as economic good. The aim of the class is twofold. On the one hand it investigates an historical path in order to retrace the evolution of Italian films in terms of style, aesthetics, themes, etc. On the other hand, it detects relationships between Italian films, Italian history, Italian art forms and Italian cultural industry. The investigation of Italian film history is supported by the analysis of some films which are particularly important for understanding key-periods and key-genres of Italian film history. The films are: MA L'AMOR MIO NON MUORE (1913) by Mario Caserini, CABIRIA (2014) by Giovanni Pastrone, OSSESSIONE (1943) by Luchino Visconti, LADRI DI BICICLETTE (1948) by Vittorio De Sica, RISO AMARO (1949) by Giuseppe De Santis, LA STRADA (1954) by Federico Fellini, DIVORZIO ALL'ITALIANA (1961) by Pietro Germi, PER UN PUGNO DI DOLLARI (1964) by Sergio Leone, BLOW-UP (1966) by Michelangelo Antonioni, PROFONDO ROSSO (1975) by Dario Argento, CALL ME BY YOUR NAME (2017) by Luca Guadagnino, DOGMAN (2018) by Matteo Garrone. The course is structured in lecture/seminars led by the teacher. Sessions are accompanied with power point presentations, video clips, and film screenings. All students are required to attend the class, the screenings and to actively participate in class discussion.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. Globalization has led to a broad transfer of policy making authority from the domestic to the global sphere. This power shift has facilitated review by global authorities of domestic decisions, but it has also shielded many global policy making processes from domestic monitoring and reviewing mechanisms. The course examines the roles of domestic courts and institutions, global tribunals and arbitration panels, global monitoring bodies and other global organizations, private organizations and NGOs in responding to the accountability gaps and opportunities created by globalization. Topics include: presentation and discussion of the different theories on the opposite trends described as internationalization of Constitutional law and “constitutionalization” of International Law; presentation and discussion of four national Constitutional law categories which have changed due to the globalization of political and judicial decisions: popular sovereignty; rule of law; the role of the Parliament; the role of the Constitutional court.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on how economic thought has evolved over time and introduces students to a critical comparison of the contributions of the principal schools of economic thought: the classical, the marginalist revolution, and its application to the theories of general and partial equilibrium, and the current macroeconomic debate between the neo-classical and the Keynesian school. The course highlights specific theoretical contributions in the field of economic thought and key economists in the international economic debate. Economic thought is analyzed in relation to both its philosophical foundations and political implications and the contexts from which it emerged. The course is centered on the different visions and schools of economic thought that have evolved over time and their ties to the social, political, economic, and philosophical dimensions of their times.

This course is part of the Laurea Magistrale program and is intended for advanced level students only. Enrollment is by consent of the instructor. This course analyzes mass culture in Italy, including the creation, production, circulation processes, and use of the social meanings. Students learn to analyze the phenomena and processes of contemporary life such as its means of communication (new and old media), consumption and production of cultural heritage (music, paintings, newspapers, books, etc.), connections between cultural processes, and social inequalities and the organizational bases of media and artistic communication, the wide range of different forms of consumption, production, organization, financing, and evaluation of cultural heritage and objects. The course teaches how to recognize various phenomena linked to communication and analyze these from an interdisciplinary perspective. The first section of the course focuses on the theoretical state of the art. It reconstructs and defines core concepts from the academic fields of cultural sociology as well as media and cultural studies. It builds a conceptual tool-kit to analyze the socially constructed and historically rooted – yet contested and changeable – meanings of the notions of “Italian”, “Popular”, and, especially, “Culture(s)”. The second section presents the results of various empirical research projects on Italian popular cultures carried out over the last two decades. In particular, it focuses on Italian cultural icons, visual culture, and popular music. It applies the conceptual tool-kit outlined in the first section to a variety of cultural objects and case studies, in order to explore, among others, such issues as the crucial role of increasingly digital media in the process of production, circulation and consumption of popular culture; the role of popular culture and media rituals in the construction of (trans-)national identity; the relationship between popular culture and national politics in Italy.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on the basic concepts of Criminology as they apply to the relationships between migration, deviance, and social control; the “new” prevention of crime in urban settings; and the sociology of social control and punishment. The course highlights the sociological theory of crime and punishment and in particular the relationship between such theories and the broader framework of migration in the European Union. What is the connection between processes of European unification (legal, political, economic and social) and migrants' criminalization -- in the two aspects of criminalization, i.e. migrants' participation in criminal behavior, and the construction of migrants as criminal subjects? Theories discussed include the ecological theory of the Chicago School, differential association theory, the theory of anomie, labelling theory, and the theories of “everyday life.”