Trinity College Dublin

Originating in romance and comedy, the marriage plot became a major element in the novel. In its classic versions the marriage plot permits the satisfaction of desire: of characters and readers alike. It may also be involved in the negotiation of complex moral choice and in the resolution of difficult social issues.  This course examines how the marriage plot functions across the history of the English novel. The first half of the course examines important 18th and 19th century examples of the marriage plot. The second half of the course asks how, in the social circumstances of the 21st century— including the availability of divorce and changed concepts of gender—novelists deploy or adapt the marriage plot.

The course examines a range of Yeats’s poetry, drama, and prose. Structured loosely around different phases of the poet’s career, seminars will emphasize key historical and cultural contexts, ranging from Yeats’s use of Irish myth and folklore through to his engagements with eugenic theory and global politics. They also attend to key question of poetics and ideology, including Yeats’s revisionary compositional practices, his use of poetic form, his attitude towards literary tradition, and how his work intersects with issues of race, religion, gender, and nation. 

The course is to build upon students’ knowledge and understanding of Modern Hebrew through regular in-class practice with reading, writing, grammar, and conversation skills. In addition to the completion of homework assignments included in the text and unseen. 
Students must have taken an elementary Hebrew class or equivalent. 

This course presents a thematic introduction to Irish art, architecture, and design in its broader international context. Subjects are connected across periods and styles – the focus not on presenting individualized summarized histories but rather considering how aspects of Irish visual history are connected and have evolved over time.

This course provides an overview of the basic approaches to the study of religion as a human phenomenon. As an introductory course it covers classical positions on religion; sociological, psychological, phenomenological, and anthropological approaches; and contemporary debates in the academic study of religion. On successful completion of this course, students are able to identify key approaches in the development of the academic study of religion; distinguish the methodologies of the disciplines investigating religion; characterize classical positions and their foundational concepts; relate theories to their historical, social, and philosophical context; and discuss the changing relationship of religion to society in different eras.