Trinity College Dublin

The course focuses on W.B. Yeats as a playwright and as a theorist of the theatre, combining an intensive focus on Yeats’s own work in the first half of the course with a more expansive consideration of the ways in which Yeats provides us with a way of reading subsequent Irish theatre in relation to recent work in the second half. Hence, the course combines the study of Yeats’s theatre and dramaturgy with consideration of recent work in the Irish theatre, including productions of plays currently running at the time of the module. It considers both the work of Yeats, and of more recent dramatists, not only as literary texts, but as performance pieces.

This course explores modern Middle East and North Africa and the societies and cultures through regionally and historically focused investigations. It continues with an exploration of historical and contemporary European and Western interventions and perspectives on the Middle East, and how these have impacted the region.

This course introduces key social, cultural, and religious aspects of Jewish thought and practice from antiquity to our own time. This course focuses on Judaism as a major world religion that has shaped Western Civilization. Rabbinic textual traditions that underpin Jewish religious thought—especially the Mishnah, Talmud, and Midrashim—are explored. Calendar, festivals (esp. Day of Atonement, New Year, Festival of Booths, Passover, Hanukkah), and rites of passage (e.g., birth, circumcision, Bar/Bat Mitzvah, marriage, divorce, death) are studied both within the classroom as well as, when appropriate, in visits to local Jewish synagogues and museums. Contemporary Jewish movements and the history of their traditions come into view along with their different beliefs and practices (e.g., kashrut, Sabbath, worship, prayer).

This course looks at the idea of "wildness" in children’s literature. The first half of the course examines landscape wilderness as it appears in a range of different children’s texts, from Ingalls Wilder’s canonical American text Little House in the Big Woods to Nicki Singer’s environmentally/themed Island. The second half of the course focuses on depictions of wildness associated with childhood, from Emily Hughes’ picture book Wild, to David Almond’s The Savage. Throughout the course students problematize the idea of wilderness, both in connection to the landscape and to the child. Students consider the long-standing connection between the child and nature, and how this might impact on the broader understanding of childhood. 

The emergence of technology requires the study of how history, science, economics, sociological effects, materials, sources of power, climate, and human ingenuity, all play a part in the development and adoption of new technologies. This program of study gives students an introduction to a wide range of technologies and exposes them to new concepts and helps them to question established “truths” regarding the linkages between basic science, research, and the mechanisms involved in the emergence of new technologies. The course is invaluable for students who want to become entrepreneurs because it familiarizes them with new technologies and makes them aware of the many factors that underpin the successful development and adoption of new technologies.

To what extent does our study of Irish small presses and little magazines enable us to "take the pulse of a particular period," as Frank Shovlin puts it? How much credence should we give to the claim, leveraged by Robert Kiely, that Irish "small-press publishers provide some inkling of the real dissent" within cultural discourse? In this course, students engage with the full operational remits of a diverse range of presses and publications blending archival research with close textual analysis in search of answers to these kinds of questions. Given this mixed methodological approach, the course focus alternates from week to week: between book-historical sessions on individual presses and publications operating across various periods since 1950, and sessions centered on close reading the literary products of this small-press labor against the many social, political, and economic issues to which they respond in each case. Students look at an array of archival documents, manifestos, written editorials, paratextual materials, and other ephemera pertaining to each of the presses and publications under scrutiny, in order to understand their diverse material and aesthetic circumstances. 

If historians generally agree that Europe experienced far-reaching intellectual and cultural change during the 18th century, they rarely agree about the nature of that change or how to interpret it. This course introduces students to some of the major interpretations of, debates about, and approaches to the history of the Enlightenment in 18th-century Britain, France, Germany, and Italy. It asks students to engage with original sources (in English), alongside the historiography of the Enlightenment, and to come up with their own responses to that still troubling question.

This course provides students with knowledge of the fundamental concepts, principles, processes, and rules of public international law as well as a more in-depth knowledge of selected areas of the law. This course covers different aspects of general international law, including the sources of international law, statehood and international legal personality, the law of international responsibility, and dispute settlement. It also examines more specialized areas of public international law, with a focus on jurisdiction, immunities, the use of force, and human rights, land and sea, and the environment. The course addresses theoretical debates and uses practical examples of international law in action, many of them relating to contemporary events in international relations.

This course introduces the dramatic performance traditions of the ancient Greek world. Focusing on Athens, students study ancient plays as literary texts and performance scripts and explore elements of poetics, the production of drama such as performance venues (theatres, festivals, games) and the conventions and practicalities of staging, as well as drama’s civic and religious contexts, historical development, and value as source of cultural information. Students critically discuss the content, themes, and structure of the studied plays. Students analyze extracts from and aspects of the studied plays. Students situate the studied plays in their performance contexts and comment on the relevance of these contexts for their understanding. The course also explores the significance of ancient drama for the audiences of selected later restaging, translations, and adaptations, from antiquity to the present day.

This course explores the relationship between literature and technology. It begins by formulating an understanding of writing itself as a technology – that is as a cultural practice involving dedicated tools invented at a specific historical juncture (to be contrasted with spoken language, as a human universal). This encourages students to examine literature as a product of various writing technologies – from manuscript, to print, to typewriting, to a variety of electronic forms of textual production and presentation. How these modes of production can influence the form and content of literature are explored, as are the strategies used by authors to represent these different varieties of text within literature itself. Students consider the role of standardization in literature, and how and why a variety of writers have chosen to step outside the usual written standard. They consider the integration of images with text and discuss the semiotics of different forms of text.