Art History

This course introduces Greek art and architecture in the period 2500-50 BC. In the context of abroad chronological survey, the focus is on three main themes: the relationship between Greek art and society; addressing current problems in Greek art history, reception of Greek art and contemporary society; and extensive training in visual analysis and the different lenses to look at Greek art. Through images, videos, and 3D models, but also through museum visits to the British Museum, students engage in detailed and in-depth object analyses and discussions.

This course studies and examines Chinese Buddhist art from historical and cultural perspectives to explore its origin, evolution and influence. The course also studies the transmission of Buddhism as well as its transformations through the investigation of the various art treasures found along the Silk Road. A study of these archaeological artifacts, religious monuments, and art and sculpture from the area reveals the fascinating story of the development of Buddhism from India to Central Asia and eventually to China, Korea and Japan. Assessment: short essay with 2,500-3,000 words (50%), 2 short quizzes (10%), presentation (25%), attendance and participation (15%)

This course provides a study of the international art trade. Topics include: the international art market; international art auctions; international art loans; black market; international thefts of works of art; illegal export of works of art.

This course discusses the works of Pablo Picasso within the framework of their historical context. It examines his immediate and contemporary influence on art of the twentieth and twenty-first centuries. 

The course is about Dutch art – with an emphasis on painting. Since the Middle Ages, the Netherlands has played a pivotal role in the history of European art and culture. Dutch and Flemish artists were the first to use oil paints, the first to visually document the lives and cultures of ordinary people, and the first to produce art for a free market. Painters such as Van Eyck, Brueghel, Bosch, Rubens, Vermeer, Rembrandt, Van Gogh, and Mondrian are counted among the great masters of history. Their art embodies qualities that are believed to be typical for the country, such as a devotion to truthfulness, attention to detail, and a love of textures. But there were many more artists whose works are still considered among the most important in history – if only because they were the first to notice the mundane things nobody else had paid attention to, such as the beauty of a still-life or the wonders of a cloudy sky. From the late Middle Ages through the Renaissance and the Baroque to the modern era, Dutch artists have tried to come to terms with ever-changing principles and conceptions regarding the world around them and have been constantly improving techniques to visualize it. The results of their efforts are the subject of this course. The course mostly follows a chronological order. In the first lecture, the (religious) significance of art in the Middle Ages, the Renaissance, and the Baroque is introduced. In the following lectures, students are given an overview of the development of Dutch art from the Middle Ages to the modern era. The course includes tours to various museums in Mauritshuis and the Hague.