Comparative Literature

Jenny Erpenbeck’s Go, Went, Gone, published in German in 2015, is a politically charged novel about the situation of African refugees in Berlin. Richard, an older German with a GDR background, gets involved with, and befriends, a number of African refugees at a protest camp on Oranienplatz in Kreuzberg. A former Classics professor who was recently forced into retirement, he empathizes with the refugees, who are not allowed to work under German asylum laws. Richard researches their plight and helps them with administrative and everyday tasks, even giving piano lessons to one of them. After a break-in at Richard’s house, he and his friends question their own prejudices and attempt to learn from the experience. The novel serves as a starting point for the exploration of the political and human rights issues surrounding the situation of African refugees in Berlin. Some additional materials are provided to round out the discussion.

This seminar examines the close relationship of textuality, storytelling and subjectivity in three canonical modernist texts: Joseph Conrad, Heart of Darkness; James Joyce, A Portrait of the Artist as a Young Man; and Virginia Woolf, To the Lighthouse. Students study the period of Modernism and the distrusts and questions of the claim of human reason to be a reliable means for understanding and controlling the world. Key topics include narrative strategies within a newly structured world, textual experiments as empowering spaces for the shaken subject, and textual patterns emphasized in order to compensate for the loss of a more tangible world order. Additionally, the texts focus on textual representation served as a 'hyper-realist' depiction of the chaotic state of decay whereas story telling provided a potential panacea in a world devoid of meaning. 

This course examines Existentialism and Phenomenology in terms of their unique and considerable contributions to the Western, and particularly French, aesthetic tradition. Students examine views on art by some of the best-known modern theorists to gain understanding of the philosophical issues motivating French aesthetic thought at the end of the 19th and beginning of the 20th Centuries. The course then covers a shift from a broadly existentialist view of literature to one influenced by the growing structuralist movement and reviews philosophical investigations of the arts in relation to theories of perception.  

This course provides basic knowledge of the culture of the Viking Age, such as it is presented in contemporary sources and in interpretations and applications from the past two centuries with a special focus on how this culture has gained considerable importance then and in modern times, in the Viking homelands, and the surrounding world. The course provides skills in interpreting, understanding and discussing certain contemporary sources both written (Old Norse literature, rune inscriptions, chronicles) and archaeological, and to analyze the nature of Viking culture's depiction in high and popular culture in fiction, film, media, monuments and cultural-political contexts with a certain emphasis on its relationship with the romantic tradition. The course highlights how the modern spread of Viking culture has been marked by academic and political disagreements.

This course offers a comparative approach to fairy tales that highlights their transnational circulation and their contributions to shaping European values from the late 17C to the present. The course will give students a powerful sense of the hybridity and fluidity of cultures and of the way tales are appropriated to consolidate national, social and gender identities. By studying fairy tale adaptations in different media (including film), students will develop new techniques of interpretation. And by writing a fairy tale for our times, students will stretch their imagination and creativity. This course is well suited to students of Comparative Literatures and Cultures and of Modern Languages, as it will build on and stretch your understanding of how cultures function and interact. More broadly, this course will also be of particular interest to students interested in the cross-fertilization between cultures and nations in the history of Europe.