Comparative Literature

This is a special studies course involving an internship with a corporate, public, governmental, or private organization, arranged with the Study Center Director or Liaison Officer. Specific internships vary each term and are described on a special study project form for each student. A substantial paper or series of reports is required. Units vary depending on the contact hours and method of assessment. The internship may be taken during one or more terms but the units cannot exceed a total of 12.0 for the year.

Literature is a cultural and aesthetic phenomenon that takes on many different forms in different periods, regions, and languages. In all of these forms, literature reflects in one way or another the society in which it emerges. This course connects the complex relations between literature and society and teaches how to write and speak about them in an academic way. The characteristics of narrative, interpretation, poetics, and textuality, and place literary texts and analyses in specific historical and cultural contexts are considered. Questions are considered via the analysis of one novel from a number of key theoretical perspectives in literary studies, such as narratology, memory studies, and reader-response theory. 

This course examines works of Mediaeval and Tudor drama.

This course centers around medieval literary texts and traditions: pastoral tales, lyric dialogues, the characters of the berger and her lover, the intervening and often violent interests of the chevalier. Texts are studied as social as well as literary documents; they are treated in the original Old French as well as modern translations. Manuscripts are consulted online as primary source material. Themes covered include the role and the voice of the female characters, their sexuality, as well as the treatment of sexual violence and the implication of this cultural dialogue.

This course analyzes the overlap between literature and painting at the end of the pivotal 19th century. It studies the representations of the artist Emile Zola, the process and the system of creating at the time, the aesthetic and social circumstances at play, and the emergence of modern painting. The course considers, as a means of understanding this phenomena, the exchanges between literature and visual art, notably analyzing ekphrasis and the "tableau en texte."

This course explores the interplay of parody, rewriting, and intertextuality in eighteenth-century British fiction and will examine how authors of the period and beyond engage with each other's works and with broader cultural contexts and norms. Through close reading, analysis, and discussion students will gain an understanding of the evolution of the novel form and its relationship to other forms, texts, and contexts.

The extensive independent study field research paper produced by the student is both the centerpiece of the intern's professional engagement and the culmination of the academic achievements of the semester. During the preparatory session, IFE teaches the methodological guidelines and principles to which students are expected to adhere in the development of their written research. Students work individually with a research advisor from their field. The first task is to identify a topic, following guidelines established by IFE for research topic choice. The subject must be tied in a useful and complementary way to the student-intern's responsibilities, as well as to the core concerns of the host organization. The research question should be designed to draw as much as possible on resources available to the intern via the internship (data, documents, interviews, observations, seminars and the like). Students begin to focus on this project after the first 2-3 weeks on the internship. Each internship agreement signed with an organization makes explicit mention of this program requirement, and this is the culminating element of their semester. Once the topic is identified, students meet individually, as regularly as they wish, with their IFE research advisor to generate a research question from the topic, develop an outline, identify sources and research methods, and discuss drafts submitted by the student. The research advisor also helps students prepare for the oral defense of their work which takes place a month before the end of the program and the due date of the paper. The purpose of this exercise is to help students evaluate their progress and diagnose the weak points in their outline and arguments. Rather than an extraneous burden added to the intern's other duties, the field research project grows out of the internship through a useful and rewarding synergy of internship and research. The Field Study and Internship model results in well-trained student-interns fully engaged in mission-driven internships in their field, while exploring a critical problem guided by an experienced research advisor.

This course examines the manner in which modern Japanese literature reflects issues of concern in Japanese society, among them discrimination, family life, the ageing population, war, disaster, identity, gender, and sexuality. Students will read a range of translated Japanese literature including fiction, non-fiction, academic articles, and short-form literature (i.e. poetry, short stories) written from the early twentieth century to the early twenty-first century. Students will also engage with material written about Japan by non-Japanese writers (i.e. news articles, academic articles etc.). 

This course focuses on an analysis of French literary, philosophical, and critical texts and how they overlap, concerning notably the "woman question" in its 17th century incarnation. The central text is Molière's LES FEMMES SAVANTES (1672) play. Supplemental texts include excerpts from Descartes and Poulain de la Barre. Central philosophical and literary themes include notions of the body (socially, medically) and the spirit as well as the self-determination of women, socially and literarily.

The course is an exploration of the nature of the German fairy tale as a literary genre and institution. It examines its historical origins in the late 18th century, its cultural significance for Germany, the formalistic elements and thematic features developed in the German fairy tale over time and its dissemination in literary and pop culture in the contemporary world.