Comparative Literature

This course introduces the area of Czech fairytales as a genre within its broader historical, geographical, and cultural context. Furthermore, it describes and surveys the changes in the approach to fairytales within the development of scholarship about them. The course presents historical, psychoanalytical, and philosophical interpretations, as well as anthropological and religious types of theories, and biological and gender or feminist methods of their interpretation. The course respects the connection of the fairytale to other folklore narrative forms like legends, fables, and myths; however, it defines the fairytale as a specific genre. It includes topics such as ethical and moral principles in fairytales, gender and social roles, and historical and political influences on fairytale adaptations.

This course presents British and Irish literature through texts related to historical periods and major aesthetic currents in the history of Britain and Ireland. It provides tools for analysis, reading, and argumentation for written and oral expression. The course covers the methods of literary criticism and enriches literary culture through the reading of canonical texts. 

Visions of the end of the world have become common in the for the past decades both in literature and in popular culture. This course examines the narratives dealing with the collapse of civilization and the rebirth of a new society. How have novels and films in the post-World War Two era confronted the fears of social disintegration, ecological disaster, and technological cataclysms? What might these narratives tell us about the world in which we are currently living, which appears perched on the edge of drastic and possibly calamitous changes? The course analyzes novels by George Stewart, Kurt Vonnegut, and Lionel Shriver and views classic and recent films dealing with the end of the world, of humankind, or even of culture itself. Students analyze speculative fiction and develop their own ideas about the future by extrapolating from the narratives studied in the course.

This course provides a survey of the conflict between literary creativity and control by society, in a wide historical, European context. A series of case studies on controversial texts and authors are discussed in connection with the regulations imposed to suppress or regulate the distribution of these works. Official secular and religious censorship, the development of copyright, and protests against “inflammatory”, “blasphemic”, or “amoral” texts are studied through authors like Erasmus, Montaigne, Vondel, Spinoza, Stuart Mill, Nabokov, and Rushdie who used literary strategies to avoid censorship and repression, such as the use of metaphor, humor, satire, or hiding their name.

The course focuses on twentieth century Italian literature. This course examines wide areas of twentieth-century literary history, with special emphasis on the relation between literature and historical, social, anthropological, and more broadly cultural phenomena. Study is assisted by secondary literature and face-to-face instruction and covers close reading of the text as well as problems of form, structure, composition, and reception. Specific course topics vary from year to year. There are three different sections of the course offered each year, taught by three different professors, each course with different topics, reading lists, and syllabi. UNIBO students are assigned to sections based on their last name: A-D, E-M, N-Z; however, UCEAP students are free to choose the section they prefer. Refer to the UNIBO website for the course description for each section.

This course rests on the premise that the nineteenth century matters today, for it unleashed and solidified the main forces and ideologies shaping our lives as 21st-century global citizens: Capitalism, Marxism, Feminism, White Supremacy, Anti-racism, Environmentalism, etc. Course readings enable us to grapple with the complexity of this period as well as to rethink contemporary conflicts and crises: Is Whitman’s vision of democracy applicable today? What does the #MeToo movement owe to Charlotte Perkins Gillman? Do we live and work like Bartleby? What do we learn about freedom today by reading a slave narrative published 150 years ago? 

Take a cursory glance at recent critical work on Asian American Studies, and you'll notice immediately how often the term “Asian America” appears, as if such a formation actually exists. Less a claim to take actual territory from the United States than a broad appeal to grant Asians a place at the American table of citizenship and national belonging, the literature of Asian Americans can be productively read alongside persistent yet often divergent, even contested, visions of Asian America. This course is designed to trace one such trajectory in the creation and recreation of Asian America through literature. Paying special attention to the political, economic, and social constraints during the time of their production and reception, we will examine how Asian American literary work both reflected and transformed the social protocols of their day, and in doing so helped to reimagine what it means to be “Asian,” or “American,” and everything else in between.