English

This course facilitates the exploration of the construction of childhood and youth in Irish writing. Students have the opportunity to analyze texts written for adult readers as well as texts written for children. The course examines texts through the lens of "childhood and youth," and students are introduced to a series of subject areas including myth, folklore, community, education, history, postcolonialism, race, ability, genders, and sexualities. With a focus on texts from the 20th and 21st centuries, discussions are positioned within the context of broader cultural debates and incorporate a number of theoretical approaches. 

This course examines a range of African American-authored texts, including films, from the 18th century to the present to consider the relationship of race and writing, and the ways African American cultural expression contributes to and interrogates American cultural history. Issues covered include enslavement and freedom, and segregation and Civil Rights.

Why are some books considered classics while others are hardly read at all? How is the idea of the classic linked to debates about history, representation, excellence, and taste? This course answers these questions through in-depth, guided readings of a small number of major texts that have, at one time or another, been celebrated for their classic status. It considers whether literary classics must be difficult, innovative, representative, or popular; how they shape our judgements about literary tradition and value; and why they remain implicated in debates about sexuality, race, national identity, and class.

This course examines creative writing. Exploring the theoretical and practical dimensions of developing a personal creative writing practice, the course emphases writing as a mode of intellectual, historical and aesthetic engagement with the contemporary.

This course offers students the opportunity for an extensive study of one of the most important writers of the 20th century: George Orwell. Students study the representative sample of Orwell’s writing across a variety of forms and subjects, looking at Orwell as a novelist, a journalist, a memoirist, a social theorist, a political thinker and writer, and an essayist and cultural critic. 

This course examines the golden age of English theater, involving a detailed study of a selection of tragedies by Shakespeare and his contemporaries. The theatrical emphasis of the course is intended to help students respond to the plays as theatrical artifacts and not merely as literary texts.

This course examines the deeply intertwined relationship between literature and the city. On the one hand, the rise of the modern metropolis saw the production of new literary modes as writers responded to changing social and economic relations, new opportunities for self-fashioning and cultural exchange, as well as experiences of exploitation, segregation and exclusion. On the other hand, the literary imagination itself has produced indelible urban worlds and underworlds, from James Joyce’s Dublin, Virginia Woolf’s London or Claude McKay’s Marseille, to novels, short strories and speculative fictions that reimagine Singapore, Melbourne or Johannesburg. Reading widely across twentieth- and twenty-first-century literary geographies, students will engage with different genres of city writing – poetry, short story, novel, and graphic novel -- as well as read theoretical texts that explore key concepts such as the production of space, the flaneur, space and gender, the imperial/colonial metropolis and the global city.

The course situates Chaucer’s exceptionally diverse canon within the literary and historical contexts that produced them, while also considering how archival discoveries and fresh theoretical approaches make possible new understandings (or at times misunderstandings) of the medieval author and his works. Given the increasingly diverse and global readership of Chaucer’s work in 21st centuries, it is unsurprising that these works elicit such varied and often contradictory responses. As readers of Chaucer in the 21st century, students are encouraged and supported to develop their own voice and critical skills, and it is not expected that they have extensive previous experience with medieval literature. 

This course explores the cultural impact which selected high-profile true crime narratives have had upon works of literature, non-fiction, popular literature and film. It explores the various ways in which certain real life crimes have inspired a range of cultural responses. The course incorporates weeks on classic non-fiction true crime texts as well as works of memoir, film, literary fiction and popular fiction which have been inspired by real-life cases. Additionally, students engage with the current true-crime podcasting landscape and other true crime media. 

In this course, students are introduced to a range of modernist authors from a variety of contexts and working in various genres and modes, including poetry, fic on, and the essay.  They learn how to recognize and articulate different conceptualizations of literary modernism from the early 20th century to the present. Students articulate the differences and interrelationships between some of the key figures of literary modernism across a range of cultural contexts. Students explore the debates regarding the multiple possible ways of defining literary modernisms. They gain a clear sense of how literary modernisms fit in within the literary histories of English, European, and US American literature.