COURSE DETAIL
This course introduces students to narrative using the moving image. It encourages students to reflect critically on issues of form and representation in relation to their own work. Students learn key processes and techniques involved in film production: research, scripting, camera, sound, and editing.
COURSE DETAIL
This course provides a study of the elements, systems and construction processes of mise-en-scéne in film and television. Topics covered include: models, styles and movements; art design (lighting, framing, camera movements, artistic direction); dramaturgy and direction of actors; film editing resources; staging and sound space.
COURSE DETAIL
COURSE DETAIL
This course provides an introduction to script writing including an understanding of the process and challenges involved in finding creative ideas and developing them, as well as developing story structure, acts, plot points, and character arcs. It discusses traditions in the schools of scriptwriting and the scriptwriter's toolbox. Students learn how to analyze professional scripts and how to pitch ideas. Students are expected to have completed previous coursework in film/media studies.
COURSE DETAIL
COURSE DETAIL
In this course students will study the aesthetic and political aims of South Korean cinema since 1960. By analyzing individual films, considering historical contexts, and reading texts in film theory, we will attempt to understand how cinema proposes new ways of being and relating to others within the context of a rapidly globalizing Korea. Filmmakers to be discussed may include Kim Ki-young, Im Kwon-taek, Park Kwang-su, Hong Sang-soo, Bong Joon-ho, Jeong Jae-eun, Park Chan-wook, and others. Issues to be covered include: the ethics of neoliberal capitalism, the spectacle of cinematic violence, morality and film genre, and the critique of melodrama. Assessment: Quiz(20%), Midterm (30%), Final(50%)
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
COURSE DETAIL
This course provides a general overview of the history of cinema and the various perspectives through which it can be seen. Spanning from the 1890s to the 2000s, the course covers a wide variety of eras by focusing on specific films that each represent the time in which they were filmed.
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