English

Literature is a cultural and aesthetic phenomenon that takes on many different forms in different periods, regions, and languages. In all of these forms, literature reflects in one way or another the society from which it emerges. This course focuses on the complex relations between literature and society and to write and speak about them in an academic way. The course considers the characteristics of narrative, interpretation, poetics, and textuality, and place literary texts and analyses in specific historical and cultural contexts. In this course students consider key literary debates via the analysis of different texts from a number of different perspectives in literary studies. Students learn to see literature as a cultural phenomenon and are able to reflect academically on ethical and aesthetic aspects of literature; become familiar with different theoretical and critical movements; know a number of case studies, in which literary texts have influenced ethical debates; are able to write and speak about these kinds of issues in an academic way; acquire a supra-lingual perspective on literature.

This course covers selected topics in Qur’anic Studies: history of the text or specific themes in the Qur’an (gender issued, relations with others, ethical or legal issues). The course offers an examination of the principal different Muslim and Western approaches and opinions relevant to the chosen topic, illustrated with reference to an appropriate selection of primary sources in translation and in Arabic.

This is the laboratory component and corequisite of the DIGITAL LOGIC DESIGN (host institution course number ECNG 2101) course. It covers experiments in digital design and experiments illustrating material of the main course including an FPGA-based project.

This course introduces the key insights, concepts, and debates of environmental sociology, with a particular emphasis on climate change, biodiversity, and other major ecological risks at stake in the so-called green transition. In doing so, the course provides the conceptual tools needed to understand, analyze, and critically-constructively engage with key questions of society-wide change towards sustainability: how much of it is currently happening across societal sectors and levels; how has it or is it currently being brought about; what shapes, conditions, or hampers more of it? To frame these questions sociologically, the course starts by reviewing debates on two contrasting diagnoses: the risk society diagnosis of Ulrich Beck and the ecological modernization diagnosis of Arthur Mol, John Dryzek, and others. At stake is the questions of the place of environmental concern, policy, and practice in late-modern social change. From here, the course delves into the main institutional vectors of environmental social change, covering in turn questions of: socio-technical change (green technological innovation, changing infrastructures); political-economic change (shifting modes of governance and politics, new circular market models); activism-driven change (environmental social movements, urban green communities); changing North-South relations (new globalized inequalities, climate justice activism); everyday practice change (emerging consumptions habits, new social distinctions and divisions); cultural value change (continuity and change in moral valuations of ‘nature’ in the Anthropocene). Throughout, focus is on understanding present-day environmental social change in light of historical experience, empirical findings, and key sociological theories (as well as, to some extent, insights from neighboring disciplines). This enables students to take stock of what near-future changes lie ahead. Alongside examining the various substantive dimensions of green transition, the course also discusses adequate methodological strategies affiliated with the different problem complexes and vectors of social change. Throughout, students work on aligning theoretical and empirical insights via their own case analyses.

Although this course focuses on Islamic and Muslim feminisms (in the plural) it also cover women’s experiences with radical Islam, masculinities, LGBTQ+ Islam, and similar phenomena. The course consists of five modules. The first module studies Muslim migration to Denmark and explores Islam in Copenhagen through a field study in which students do photo-journalism. The second module focuses on female and LGBTQ+ imams in Europe. In the third module, students read and listen to artistic productions by Muslim minority women and men in the form of novels, poetry, and music. As part of this module students do a semi-structured interview with either a Muslim or a non-Muslim on private and public perceptions of Islam. The fourth module investigates current Muslim civil rights organizations, and the final module focus on Muslim female piousness.

This course consists of further reading of Egyptian texts with an introduction to the new Egyptian language of the later periods of Pharaonic history. In order to introduce students to epigraphy, they are required to copy and study texts from the Cairo Museum. This is the fourth installment of the two-year sequence spent learning the signs, vocabulary, and grammar of Ancient Egyptian. Regular class attendance, active participation, and weekly assignments are crucial for grasping the material. Students are encouraged to familiarize themselves with the material before coming to class.

This module explores issues of music, text, and performance around the world, focusing on conceptions about the relationships between music as a form of text drawing connections between society and culture. The key debates within the discipline of ethnomusicology are viewed from an historical perspective, outlining their impact upon the development of contemporary ethnomusicological perspectives. As well as exploring the contemporary presence of music (incorporating traditional music, martial music, and other forms of music), this course addresses the historical trajectory of music in its socio-political context. The course consists of a lecture and ensemble/workshop format. Students with previous musical experience of all levels and no previous musical experience are welcome to apply.

This course provides an introduction to classical mechanics covering vectors, applications of Newton’s laws, conservation laws and forces, motion in a plane, circular motion, equilibrium and elasticity, rotational motion, simple harmonic motion, energy and power; mechanical and sound waves, temperature, heat and the first law of thermodynamics. Prerequisite: first semester of differential calculus.

This course examines mathematical concepts for stochastic calculus. The topics include: introduction to continuous time stochastic processes; definition and properties of Brownian motion; semimartingales; Stochastic integration; Itô (change of variable) formula; theorems for applications (e.g., Girsanov’s theorem).

This course develops presentation skills for speaking before academic audiences. Students practice writing to think through research and communicate thoughts by means of informative and appealing texts. This intensive course, designed as a series of interactive workshops, offers an opportunity to present and write in English within the student's own discipline and reflect on use of academic sources, AI literacy, presentation skills, writing habits, and writer identity. Students choose a research problem to investigate and follow the stages of researching and writing as two interlinked processes: focus the research question, conduct the literature review, collect the best evidence to argue for the importance of the research project. The course also provides an opportunity to read like a writer by analyzing model texts and sample texts written by peers to better understand rhetorical strategies and stylistic conventions of selected academic text types. Students practice presenting by preparing three 3-minute presentations based on secondary sources about the research question, delivered for a small group of peers. They also present for 7 minutes in front of the whole class to share their views, engage in a question-and-answer session, and hear feedback on their performance. Students also practice writing and giving feedback through drafting three sections of the research paper (extended definition of a key concept, literature review, introduction or discussion/conclusion), cite primary as well as secondary sources, and acknowledge collaboration with AI. Students exchange feedback on drafts with peers and receive comments from tutors in order to rewrite their texts for greater persuasiveness and clarity. The semester of reading, writing, presenting, and exchanging ideas with international peers from various disciplines allow students to become better academic communicators.