Germany

Since the middle of the 19th century, realistic movements in the visual arts have claimed to show 'real life'. However, this is not about the deceptive illusion of a particularly natural representation, so that one could confuse the image with the model. Rather, a new understanding of the objects worthy of images and the political functions of art is emerging, which not only aims to provide information about reality, but also actively participates in it. The representation of 'real people' and social reality can coincide with the stylistic devices of factual documentaryism as well as with the melodrama and drastic nature of the description, the use of fantastic-magical elements or the artistic processing of everyday objects. The seminar examines and questions various varieties of this understanding of art (e.g. European realism in the 19th century, New Objectivity, Magical Realism, American Realism, Socialist Realism, Nouveau Réalisme, Capitalist Realism, New Leipzig School, Neo-Realism in China). with regard to continuities and changes in demands and means in the respective representation of 'reality'.

Old English was the language spoken and preserved in written texts up to the mid-eleventh century CE in the regions of the British Isles. It developed from the languages spoken by Germanic peoples coming to Britain from the continental mainland and presents the earliest precursor of Modern English. This course focuses on Old English texts written in verse, exploring their themes, styles, meanings, and the challenges of dealing with a language surviving only in a small number of often unique and damaged manuscripts. Texts read include heroic poetry, such as Beowulf, elegies, as well as Old English versions of Biblical texts. The focus of the readings is on the question of how such texts portray concepts of gender, how they construct but also deconstruct gender roles, and how they relate to gender theory in the 21st century. Students are introduced to the grammar and pronunciation of Old English and use their knowledge to work with the original texts alongside Modern English translations.

In this course we will study code-switching, the alternation between two or more languages (or two or more varieties of a language) within the same discourse. We will relate code-switching to both individual and societal multilingualism, investigate the phenomenon from a structural perspective as well from sociolinguistic and psycholinguistic perspectives, see how theories of code-switching have developed over time, and apply a variety of theoretical perspectives to the analysis of examples of code switching involving a variety of language pairs.

Dao 道 (sometimes written Tao) means path or road and extends to mean methods and principles. It has a broad range of usage across different schools, most obviously philosophical and religious Daoism. In this research group, we will be reading and discussing selections from the foundational texts of Daoism, the Laozi (also known as Daodejing) and the Zhuangzi, and their direct historical and current reception. We will read texts of both religious and philosophical Daoism. Reading suggestions from participants are welcome. This research group is open to interested bachelor’s and master’s students of all disciplines. Prior engagement with Chinese philosophy is welcome but not required, as we will be starting with the foundational texts.

This course introduces students to the description, analysis, and interpretation of popular music. We will focus mainly on the music of popular music, exploring (1) how it is structured, patterned, and organized, and (2) how it achieves its effects. We will consider various stylistically relevant musical features, such as form, melody, harmony, timbre, rhythm, and sound design. Students will build their skills in identifying and describing salient features in popular works, and they will learn to produce their own critically informed close readings of individual popular songs. We'll also look at ways others have modeled these skills. A wide range of musical styles will be discussed, though the course is not intended as a historical survey.

This course regards autotheory, autoethnography, and autofiction as critical methods, modes of inquiry, and forms of representation in anthropological research. Against the background of debates around positionality, students will learn and explore how the self even when intimate, vulnerable and ambivalent can be a public archive; that it offers a rich mode for thinking through our affective embroilments in the world. We will discuss how writing can embrace but also respond to issues of belonging, experiences of class and queerness, racial or gendered difference, de/coloniality and so on. We will read works that call into question the sharp divides between academic and other forms of writing, theory and poetry, ethnography and fiction. The course is designed to be interactive and workshop-oriented. Participants will engage in short writing exercises in class and will be encouraged to draw on their own experiences of life and learning in research.

This course offers a study of terrorism from ancient times to the present. The course examines the changing understanding and definitions of political violence from ancient times to the September 11th attack in 2001. The course reviews research methods and approaches by examining relevant studies of terrorism definitions and concepts. Terrorism is discussed in relation with freedom, human rights, and security.

Scottish folk tales have always been haunted by ghosts, witches or the devil – and these creatures haunt Scottish literature up to this day. One of the most persistent is the Doppelgänger. It has always been fascinating to writers, but it certainly reached a peak in the nineteenth century. In this period of high moral standards and utilitarian business acumen, questions of how to distinguish between good and evil became more and more pertinent to society – and incidents where moral categories collapsed were as much feared as a financial break-down. In this seminar we will start with the most famous pair, Robert Louis Stevenson's Dr Jekyll and Mr Hyde, before looking at their successors in Emma Tennant's Two Women of London and J.K. Rowling's Harry Potter and the Philosopher's Stone. We will also trace their history on film.

While potential urban green space accessibility is being discussed widely, specific barriers that affect accessibility are often under-estimated. They are not equal to limited or uneven accessibility nor are they exclusively related to physical settings. Rather, the variety of barriers and their complex interactions including people’s perception, personal conditions, and institutional frames make this subject fuzzy and difficult to operationalize for planning purposes. Given the importance of barriers for decision-making of people, this class will conceptualize different barriers on realizing recreational benefits of urban green spaces within the frame of environmental justice. Studying multidimensional barriers allows for a more comprehensive understanding of individuals’ decisions in terms of accessing recreational benefits and a discussion of planning responses. Based on theoretical insights and local examples, the focus will be on qualitative and quantitative assessments methods for studying barriers, as well as on potential planning pathways for mitigating or minimizing barriers.

This seminar introduces students to a series of crucial texts in the development of radical theories of the politics of sexuality. Taking its title from Gayle Rubin's seminal 1984 intervention into the field, this seminar takes seriously her challenge to use the politics of sexuality – pleasures, desires, transformations, and the regulations thereof – as a point of departure from which to reconsider the ways we make and understand our world. Beginning with Rubin’s essay as a guide to our general approach, the seminar will then focus around five main points of departure: firstly, gay liberation and its discontents; secondly, queer challenges to those politics around both infectious disease and gender; thirdly, sexuality in women-of-color feminism; fourthly, queer theory’s move from queer lives as its object of inquiry to a nebulous ‘queering’ as its mode of analysis; and finally, the reintegration of queer theory and materialist analysis. Throughout, we will be attentive to our location in Berlin and to how manifestations of sexual politics in Berlin are similar to and different from those articulated in the canonical texts in the field. Students will leave with a broad sense of the evolution of and relationship between activist and academic debates about sex and sexual politics, and will be able to apply these theoretical insights and approaches to the analysis of a broad variety of research questions in the study of political theories, actors, institutions, and conflicts.