Free University of Berlin

This course provides an overview of the development of film in Germany from World War I through the end of the National Socialist period. The course includes examples of popular, experimental, and documentary filmmaking in addition to close readings of works that belong to the canon of German film. The course introduces students to the fundamental elements of film and analysis; fosters a critical understanding of how film functions, both as entertainment and as an art form; and explores the developments within German film in light of specific historical and cultural frameworks. Students become aware of the complicated issues involved in defining unified national cinema, and the inherent pitfalls in ready conceptions of German cinema.

This course introduces students to the politics, governance, and ethics of sustainability and examines major current global challenges divided into economic, political, and environmental issues. Climate change is only one of many environmental issues facing  the planet, but due to its importance and overwhelming impact, it is given the main focus of this course. The course not only looks at the science behind and consequences of global warming, but also studies the two pillars of the global climate governance: the IPCC (Intergovernmental Panel on Climate Change) and the UNFCCC (United Nations Framework Convention on Climate Change). The analysis of the UNFCCC process further leads the course to review the Paris Agreement from 2015. The course discusses how effective it can be in dealing with one of the biggest threats of the 21st century and whether it can still achieve its goal of limiting global warming to “well below 2°C/1.5°C”. A special session is devoted to technological, political, social, and economic solutions to environmental issues. 

The course explores questions such as do people – as purported by some – need to replace capitalism and stop economic growth in order to prevent further environmental destruction? Or is there a way to move towards a “green growth," and utilize the benefits of the free market to increase environmental protection? This discussion leads the course to the question of what the future will look like. Will people continue to cross planetary boundaries and endanger the capability of different ecosystems? Or will the 21st century witness a major shift away from fossil fuels and environmental destruction to a more sustainable economy? The discussions in the class are complemented by at least two field trips and possibly a visit of a guest speaker.  

This course is about Berlin, and the story of its tumultuous and epoch defining twentieth century. This history is examined through various lenses: the biographies of individuals; the words of writers who bore witness to the vertiginous social, political, and physical changes the city underwent; and buildings and monuments whose physical construction, destruction and reconstruction reflected the ideological turmoil and conflict of twentieth century Berlin. Famous Berliners covered include the murdered Communist leader Rosa Luxemburg, the artist Käthe Kollwitz, the actress Marlene Dietrich, the Nazi filmmaker Leni Riefenstahl, the adopted Berliner David Bowie, and the famous East German dissident musician Wolf Biermann. The contextualized stories of these individuals offer a unique perspectives politically, artistically, and socially into the tumult and struggle that marked their times in the city. These figures occupy a range of different positions as Berliners, as radicals, as artists of resistance to or collaboration with Nazism, and Communism, as drifters and exiles whose stories reflect Berlin's unique position in the twentieth century as no man's land, frontier, a city adrift in the sands of Central Europe. In a similar way, the course examines the words of writers who bore witness to the extremism and societal upheaval that marked twentieth century Berlin. From the witnessing of Roth and Isherwood to life in Weimar and Nazi Berlin, to the social and political commentary by Christa Wolf and Peter Schneider on the moral struggles of life lived on different sides of the Berlin Wall, the course assesses their writings in their historical contexts. Finally, the course covers the story of places in Berlin whose physical building, destruction, and rebuilding can be situated in the wider systems of ideology, power, and social relations that so cataclysmically defined the physical landscape of Berlin after 1933. In this, the focus is on the story of Potsdamer Platz, the Palace of the People and as an opposite postscript to Berlin's twentieth century, the Holocaust Memorial in Mitte. Structured largely chronologically, the course works with films and novels whilst building on a clear historiographical base provided in class seminars. The teaching is augmented by physical excursions into Berlin to trace the stories encountered and class discussions form the basis for a seminar paper that students are required to submit at the end of the course. This history course approaches the story of Berlin through the reflections and refractions of individual humans' lives who struggled upon the immense stage of a city at the very symbolic and literal heart of the catastrophes of the twentieth century.