Humboldt University Berlin

This course introduces students to applied collection research in a museum context. It focuses on collection research, including object-based methodologies, archival approaches, participant observation, material culture ethnography, and multispecies perspectives. Throughout, the emphasis is on linking theory with practice across a variety of object-based contexts, and encouraging students to think critically about individual and group contribution. Students learn about production processes to engage with the ethical and interpretative choices underpinning current museological practice, as well as to develop and defend their own curatorial decisions.

Since January 1993, Ciudad Juárez has stood out for the high number of murdered women. It is at the beginning of this decade and in this city that the term "femicide" is generated: the violent death of women due to machismo or misogyny. Through different texts and media students investigate different aspects of this issue, as well as terminology, machismo, the economy, and drug trafficking in Mexico. 

What does it mean to live in a surveillance society? How does the digital age challenge questions regarding privacy, individuality, and freedom? When does surveillance as care tip over into surveillance as control? And how does the Stasi system of vigilance prefigure contemporary surveillance culture? This course on the one hand examines the impact of surveillance on society by looking at the multifaceted ways technologies, societies, and the arts interact; and on the other hand, reflects on surveillance in a totalitarian context while comparing observation techniques in the GDR with contemporary surveillance methods. The course also explores how surveillance is represented in contemporary literature, film, and popular culture. The course maps out important themes with regards to surveillance and its repercussions (e.g., visibility, identity, privacy, and control). The course provides an overview of the interdisciplinary field of surveillance and covers the latest research in the following major areas: 1. Relationship between surveillance, power, and social control; 2. Histories of Surveillance: GDR and the Stasi (especially in the context of Berlin) 3. The concept of privacy; 4. Surveillance in the arts and popular culture.

This course introduces the subfield of urban anthropology through the lens of politics, protest, and collective action that claims a right to the city. It explores how urban life is the setting and substance for the production of political agency, how the city is a medium of political communication, and thus how it constitutes a repository of dynamic but unstable political possibilities. The course takes a performative approach to city-making, in which the urban—what it means, what it is—is continually brought into being through the actions and arguments of its denizens, from Ultra football fans and disenfranchised workers to favela dwellers and guerilla artists. In particular, the course explores how the urban sensorium (the sounds, smells, and sights of the city) is a site of social and political intervention.