Sweden

This course provides a theoretical introduction to microscopy, with an emphasis on fluorescence microscopy. Topics include theoretical principles of confocal microscopy and the use of deconvolution in microscopy, an overview of different types of advanced research microscopes as well as imaging methods that are not based on optical microscopes; preparation and optimization of both fixed and live samples for microscopy; microscopic visualization of cellular structures and physiological functions with fluorescent markers; and a theoretical introduction to digital visualization, with an emphasis on fluorescence-based methods and digital imaging. A practical project includes the preparation, documentation, and analysis of microscopy specimens with an oral and written presentation.

The course deepens previous knowledge in quantum mechanics and teaches students to handle typical problems in different fields such as atomic, nuclear, solid-state, and elementary particle physics. Topics include formulation of quantum mechanics in terms of general state vectors and operators, algebraic treatment of harmonic oscillator, angular momentum and spin, perturbation theory, identical particles, and outlook on many-body quantum physics.

This course gives an outline of the historical development of Swedish society from prehistoric times to the present. Important periods and developments, such as the Middle Ages, the Great Power Period, and the nineteenth century mass emigration are highlighted. Special emphasis is put on the twentieth century, including Sweden's security policy and the emergence of the welfare state. Specifically, Swedish political history is discussed in an international context (Scandinavian, European, American and Global). This course is a module within the SWEDISH CULTURE course.

The course focuses on the consequences of media in armed conflicts and the importance of armed conflict for the media, in both historical and contemporary perspectives. The course provides tools to analyze and understand different cultural, social, and technical aspects of the relationship between the media and armed conflicts.