University of Bologna

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrollment is by permission of the instructor. The course focuses on gender studies (theories and methodologies) in diverse cultural contexts. Notions of identity and otherness, difference and diversity are analyzed with specific reference to the politics of the body. The course intends to favor the capability to deconstruct these notions in diverse texts (theoretical, literary, visual). 

This course covers literary texts, with specific reference to speculative fiction, and discusses diverse politics of the body in black feminist, postcolonial, decolonial, posthuman, and trans* studies. In particular, the course tackles the historical and discursive construction and "framing" (J. Butler) of the non-human: how it has been culturally appropriated; but investigates also different forms of resistance as well as transversal and transcultural (and trans-species) forms of alliances, questioning the possibility of imagining an episteme that expands the very category of the human, not only to those subjectivities that have never had complete access to it (R. Braidotti), but also to a series of new "bodies" that have never been associated with the idea of human, and therefore of life.

This is a graduate level course that is part of the Laurea Magistrale program. The course is intended for advanced students only. Enrolment is based on consent of the instructor. The course focuses on particular phases of Italian film history, following movements, themes, trends, and genres that have characterized the transnational paths of Italian films, from the silent era to contemporary cinema. Through the analysis of Italian films that have been internationally distributed, the course detects the elements that may have contributed to their international success or failure. The course focuses on the following films: GERMANIA ANNO ZERO (GERMANY YEAR ZERO, Roberto Rossellini, 1948); CRONACA DI UN AMORE (STORY OF A LOVE AFFAIR, Michelangelo Antonioni, 1950); LA CIOCIARA (TWO WOMEN, Vittorio De Sica, 1960); DJANGO (Sergio Corbucci, 1966); MIMÌ METALLURGICO FERITO NELL'ONORE (THE SEDUCTION OF MIMÌ, Lina Wertmüller, 1972); and NICO, 1988 (Susanna Nicchiarelli, 2017). The course uses methods from reception theory, production and distribution studies, and textual analysis. The course considers the evolving characteristics of the film distribution system, the differences and nuances between distribution and circulation, and between local, national, and transnational scale. The course investigates the evolution of film scholarship on Italian popular cinema, as well as Italian films' most exportable traits and what have defined them throughout the history of Italian cinema.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course focuses on some of the main aesthetic traditions of the past century. Students acquire the conceptual and methodological tools enabling them to analyze the key issues that are central to the contemporary aesthetic debate, according to a mainly theoretical and problematic approach. The new paradigms provided by the theory of mind suggest today a remodeling of the notion of the aesthetic experience starting from a reconsideration of the traditional conceptions of perception and expression. Merleau-Ponty's thought considered a turning point in the passage. The course aims to examine this phenomenological reflection by comparing it with current outcomes that also derive from cognitive sciences and studies on evolutionism that can contribute to shedding new light on the particularity of the aesthetic dimension.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. At the end of the course, students are able to: identify and critically analyze the major research traditions and theories in the study of collective violence; distinguish the major forms of collective violence, identifying the causes and dynamics; link theory with empirical analysis on the subject of collective violence. The course examines different types of collective violence, including violence occurring in civil wars, instances of state repression, mafia and gang violence. The course is divided in three sections. The first section explores classic types of “political violence” (such as civil wars, revolutions, and terrorism) looking at their origins and dynamics. The second section deals with violence perpetrated by states (such as repressions and genocides) and violence that occurs within states that does not challenge their existence or regime (such as that perpetrated by organized crime and gangs). The third section looks at the organizations that “produce” violence, and namely at insurgent and mafia groups, discussing their emergence, their internal functioning, their relations with violence, and their demise.

This course is part of the LM degree program and is intended for advanced level students. Enrolment is by consent of the instructor. The course focuses on the main interdisciplinary theoretical, methodological, and technical tools of the historical-religious studies that deal with religious pluralism in urban contexts in the Modern and Contemporary Ages. The course focuses on different source materials to highlight and describe how religions create their worldviews and interact with the broader cultural, economic, and material context. The aim of this course is to investigate the relationship between religion and urban life, focusing on the theme of religious diversity, as it is organized and present in different urban contexts. A historical journey through different cities offers several different urban examples of how religion contributed to shape the environment, how religious interactions and encounters were established and negotiated, and ultimately how religious conflict and interactions might determine the future of cities.

This course is part of the LM degree program and is intended for advanced level students. Enrolment is by permission of the instructor. The objective of this course is to provide an advanced-level overview of the institutions, policies, and politics concerning economic governance in the European Union (EU). The course examines the process of European economic integration; the formulation, adoption, and implementation of the main economic policies in the EU, and the impact these policies have on member states. The course covers a variety of topics, including an overview of the institutions and policy processes in the EU economic governance; theories of European integration, and EU governance and political economy; Single Market and competition policy; Economic and Monetary Union; governing finance in the EU and internationally; the political economy of Brexit; the financial crisis, the sovereign debt crisis, and the EU response; and the EU's economic responses to the pandemic.

The course examines the theoretical and methodological tools to understand and analyze human language in its complexity and in its various manifestations, i.e. languages. At first, human language is contextualized within the larger set of semiotic phenomena, and the main models of linguistic and non-linguistic communication will be compared. The course then defines the concept of natural language, within a broader perspective taking into account the world's languages and their variation in time and space, and focuses on the concept of linguistic diversity. The diversity of languages is the background during the middle part of the course, where various levels of linguistic analysis are explained and demonstrated using examples from Italian and other European and non-European languages. The course addresses phonetics, phonology, morphology, vocabulary, syntax, semantics, and pragmatics. In light of the different levels of analysis addressed, the course proposes possible typologies and taxonomies with which to organize linguistic diversity, and concludes by discussing the concept of linguistic universals.

The course has 2 parts: A & B. Students must take both parts. Students who complete a term paper on a pre-approved topic are awarded 1 extra unit. Maximum units for the course are 8. Part A covers types of comics from the 13th century to the 16th century. Part A is dedicated to comic in literature. The first part focuses on Boccaccio with in-depth studies on the DECAMERON, and the second part is dedicated to the reading of Machiavelli. Part B discusses poetry and theater in the 18th and 19th centuries. Part B discusses Goldoni, Pascoli, and an in-depth study of Dante's INFERNO in the context of poetry.