University of Bologna

This course is part of the LM degree program and is intended for advanced level students. Enrolment is by consent of the instructor. The course examines Greek and Roman theatre as a whole (places of performance, festivals and dramatic competitions, poets and preserved works; directors, chorus, players; relationship with public and institutions; the different dramatic genres and their history) and develops a critical attitude towards the main issues concerning the Greek and Roman theatre. Course contents include dramatic performances in the ancient world, with a special regard to Athenian tragedy and its importance for the modern theatre, and Euripides and Alcestis.

This course is part of the Laurea Magistrale program. Enrollment is by consent of the instructor. The course is intended for students who have a strong background in sociological theory. The terms of reference for the theoretical part are based on Italy and in particular on Palermo, Sicily, and the Zen neighborhood. The course focuses on the concept of community both in socio-cultural and socio-spatial terms as well as the relationship between the concepts of community and social capital, with particular attention to the question of environment from an empirical point of view. Special attention is placed on the concepts of community and social capital at the general theory level, standard and non-standard research tools, advantages and disadvantages of empirical environment research that focuses on community and social capital concepts. The course is divided into three thematic modules. The first module introduces the concept of community, both as a reference to classical authors such as Tonnies, Weber, and Park, and as a socio-cultural and socio-spatial meaning. In the second module, using the above theoretical framework, the relation between community and social capital is considered in order to develop the connection between these two concepts and the neighborhood, in terms of urban sociology and in the light of recent acquisitions of neighborhood studies. A special section is also dedicated to the question of urban sustainability with particular reference to the relation between the concept of resilience and the neighborhood approach. The third module is dedicated to studies that explore the relation between poverty, neighborhood and social capital through the development of a mixed methods approach. This section also stresses the importance of the distinction between structure and culture in the study of urban poverty. Required reading includes: COMUNITÀ, CAPITALE SOCIALE, QUARTIERE by M. Castrignanò, LO ZEN DI PALERMO by F. Fava, CERCANDO RISPETTO by P. Bourgois, and I REIETTI DELLA CITTÀ by L. Wacquant. Assessment is based on a final oral exam that covers the assigned readings and the social research methodology and techniques discussed in the course.

The course is part of the LM degree program and is intended for advanced level students. Enrollment is by consent of the instructor. This course studies the legal foundations of the European System of Central Banks (ESCB) and the ECB mandate of monetary policy also in comparison with the Federal Reserve system and central banking in other relevant jurisdictions. Conventional and unconventional monetary policy instruments are considered in depth, also in light of relevant CJEU case law. Macroprudential supervision, lending of last resort and remits over financial stability are discussed in all their institutional and legal implications.

This course is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The aims of the course are: to make students familiar with feminist and queer theories and critiques of liberalism and liberal legal systems to the extent that they incorporate biases relating to gender and sexual orientation; to show how seemingly neutral legal norms are shaped by particular conceptualizations of gender, sexuality and sexual orientation; to introduce the debate concerning the partnership of feminism and multiculturalism and prompt a reflection on what constitutes gender (in)equality in a culturally diverse world; to familiarize students with the ways in which the law has contended with sexual difference, sexual orientation, gender-based stereotypes and the meaning of sexuality in European, transnational and international contexts. This course is designed to provide students with a critical understanding of the gendered structure of the law. Feminist and queer critiques of liberalism have challenged traditional ways of thinking about law and legal systems and have called into question some of the fundamental tenets of liberal democracy, such as equality, neutrality, justice, non-discrimination and universalism. These theories have highlighted how the law has created and reinforced gender roles, and how gender-related social and cultural constructs have shaped the balance of power and privilege in a liberal society. In this light, the course addresses a wide range of both theoretical and institutional problems, as well as thematic issues, pertaining to different areas of law, including citizenship, reproductive rights, marriage, sexuality, and violence. The course highlights how legal norms reflect gender-based stereotypes and how these impact the lives of people of different genders and sexual orientations. It also focuses on the increasing difficulties that multi-cultural societies experience in conceptualizing gender equality, examining contentious issues such as the regulation of religious marriage, and other gender-related “cultural clashes”. Module 2 tackles these issues in the context of Muslim societies, with a particular focus on Islamic feminism and Muslim women theologians, family law and women's political participation in predominantly Muslim countries.

This is part of the Laurea Magistrale program. The course is intended for advanced level students only. Enrollment is by consent of the instructor. The course offers a critical understanding of global health policy as a historical, political, and moral assemblage that deals with the consequences of global inequalities. The course addresses the issue of illness and suffering as the personal embodiment of broader social processes within local moral worlds embedded in historically deep and geographically broad social dynamics. The course focuses on the following issues: The cultural construction of the experience of illness, the social production of medical categories and the illness experience, the concept of embodiment and its theoretical outcomes, the concept of social suffering, and the anthropological contribution to the concept of global health.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. Students selecting the Italian subject area must select the course readings in Italian. The course examines gender studies (theories and methodologies) in diverse cultural contexts with specific reference to the analyses of the notions of identity and otherness, difference, and diversity. The course favors the capability to deconstruct these notions in diverse texts (theoretical, literary, and visual). The course presents case studies in which texts (literary and visual) are in dialogue with theories and methodologies of gender and postcolonial studies. The texts elaborate on the issue of gender, identity, difference, race, and politics of the body in the representations, transmissions, and elaborations of traumatic events in literary and visual texts (with specific reference to utopian and dystopian fictions). Lessons make reference to memory and trauma studies, dystopia, and science fiction within a gender and postgender perspective. The course elaborates on debates on the intersectionality of gender(s) and race in theories, and visual and literary texts, and to analyze issues related to utopia/dystopia/science fiction within a postcolonial and posthuman perspective. The main theoretical issues discussed by the course include critical theories and methodologies of gender and women's studies and queer studies; re-reading of the notion of identity, difference, and diversity; gender as a social construction; women’s and postcolonial re-visions of the symbolic and social order; the construction of sexual difference as a deconstructive strategy; re-writings of the body; French Feminism(s) and African American and Postcolonial responses; postcolonial and African American critical debates on the representation and deconstruction of the notion of gender and race. New politics of identity and difference; intersectionality of race and gender(s); and the interconnection of gender, ethnicity, and race in trauma and memory studies.

This course is part of the Laurea Magistrale program in semiotics. The course is intended for advanced levels students only. Enrollment is by consent of the instructor. The course introduces the theoretical and methodological foundations of the interdisciplinary field of gender studies. The course maps the genealogy and main contemporary debates in feminist, LGBT, and queer studies, with particular attention to the study of queer sexual cultures. The course analyzes some of the major topics within the transnational fields of gender and queer studies, from an intersectional perspective. The first lectures focus on the historical, social, and cultural construction of the sex/gender system in Modern Western culture, placing it within the processes of nation building, colonization, and racialization. The second part of the course is devoted to the history of feminisms, with a special focus on black, postcolonial, and decolonial feminisms. LGBTQIA+ knowledges and politics are also discussed along with queer theories and their pivotal role in reconfiguring the very categories of gender and sexualities. An analysis of queer and feminist posthuman perspectives concludes the course.

The course focuses on the principal facts and crucial questions regarding Italian art from the fifteenth century to the end of the eighteenth century. In particular, the technical methods that define style and form, iconography, and technique and the connections to the historical, social and cultural timeframe in which the works of art were produced. Students are expected to become familiar with the key themes and particularities of the period along with the ambitions of the artists themselves. Students are also expected to be able to identify and comment on the works of the most representative artists and movements of the periods. It begins with the life and work of Leonardo da Vinci and concludes with the careers of Antonio Canova and Jacques-Louis David. It focuses on artists, movements, and essential topics, and at the same time provides students with the tools for understanding and analyzing the works of art, in relation to their historical and cultural context, their style, iconography, and technique. Students are expected to complete the knowledge and skills acquired during lectures with the assigned background readings.