Trinity College Dublin

Students learn how the scientific analysis of fossil bones and stone tools, combined with the study of modern and ancient genetic codes, can be used to unlock the hidden history of our species. In this course, students discover the relative strengths and weaknesses of different kinds of data, and the sorts of questions that a scientific approach can (and cannot) answer. Students learn to be able to explain how an understanding of our past can provide unique insights into topical issues such as diet, human health and disease, migration, "race," language and national identity.

This course focuses on early (i.e. pre 12th-century) Irish saga literature in which a variety of texts, mainly from the Ulster, Mythological and King cycles, are read in translation and discussed in class. 

To write a letter – whether a formal, public composition or a private letter to a friend – is to create an image, consciously or unconsciously, of oneself as writer and of ones relationship with the letter’s recipient. In this sense, Roman letter-writing can be seen as a partial equivalent of interaction via social media in our contemporary world. This course explores aspects of self-presentation through published and unpublished letters and other media of communication surviving from the Roman world. Students read the correspondence of two major literary figures – Cicero and Seneca – alongside rare examples of written exchanges from ordinary people in Roman Antiquity.

This course builds students’ understanding of the causal mechanics underlying conflicts across a variety of settings and periods, the character of the violence in these conflicts, and the prospects for resolution. Drawing on major theoretical approaches to the explanation of violence, students apply these theoretical frameworks to an empirical examination of political violence in a range of periods and settings, including Rwanda, Sri Lanka, Syria, Ireland, Sierra Leone, and others. Students explore how and to what extent the major approaches in the scholarship explain the reality of conflict in different regional, cultural, and historical contexts.

This course is devoted to a close reading of Maurice Merleau-Ponty’s PHENOMENOLOGY OF PERCEPTION. The central concern of the course is to understand Merleau-Ponty’s importance for contemporary philosophy as well as cognitive science.

This course explores how memoir has developed as a literary form in Ireland. The claustrophobic relationship between the stories of the nation and the individual has been a commonplace since at least the 1920s, when the Blasket Island autobiographies were at once held up as a model for the new Free State while also recording a way of life that was to quickly vanish. Beginning with an introductory session which establishes how this relationship has developed since then, this course examines the form of the memoir as a way of negotiating the relationship between the individual and society in Ireland, north and south. It asks students to critically examine the forms and themes by which we are called to remember the past century, and to investigate the contexts in which Irish memoir has been written and received.

This course examines Western perspectives on the Middle East and North Africa. What are the origins, presuppositions, and theoretical foundations of these? Having examined Western perspectives, students are given the opportunity to hear the views of undergraduates in universities throughout MENA region. How do Western interventions and perspectives look from their point of view? Students critically examine Western perspectives on MENA and learn to assess the societal impact of Western interventions, beginning in the 18th century up until the present. Students explore the themes of refugee crises; war and genocide; law and human rights; gender; and national, religious, and ethnic identities of the region. 

The course equips students with an understanding of (1) the marketing concept, (2) important strategic marketing decisions for business, (3) emerging trends in marketing, and (4) the relationships and tensions that exist between marketing practice and society. Students are first introduced to important concepts underpinning marketing practice; consumer behavior, segmentation & targeting, branding, marketing communications in a digitalized world, and the marketing mix.

The course focuses on the variety of ways in which, since the mid-1800s, women writers from the United States have made use of non-realist genres and modes within short fiction as a means of both protesting and celebrating women’s positioning in what was still a self-consciously new and ostensibly utopian nation. It introduces students to the imaginative and discursive breadth displayed in texts produced by female writers prior to the 1970s. In doing so, the course explores the developments and continuities in fantastic fiction by women writers from the American Civil War, though the fin-de-siècle period, and into Modernism and its immediate aftermath. In this way, the course problematizes rigid periodization, in particular by highlighting the formal innovation and conceptual range of writers who employ a range of fantastical genres to explore issues from racism and oppression to infidelity and financial ruin, from science and the senses to the very nature of reality itself.

This course offers the opportunity to learn the basics of Gaeilge (Irish, or “Irish Gaelic”), Ireland’s first official language. In addition to acquiring core skills, students also explore cultural topics in their linguistic context.