American Studies

The course introduces students to the extraordinary range of American poetry in the first half of the 20th century, which includes, for example, the radical experiments of Gertrude Stein, Ezra Pound, Mina Loy and William Carlos Williams; the conservative modernism of Robert Frost; the European-oriented neo-classicism of T.S. Eliot and H.D.; the cerebral playfulness of Marianne Moore and Wallace Stevens; the political daring and earnestness of Muriel Rukeyser; the marriage of avant-garde irreverence with a democratic openness to popular culture (cinema, jazz) represented by Langston Hughes; or the subtle social, sexual and racial awareness to be found in the work of Gwendolyn Brooks.

This course explores the long history of oratorical performance in the USA, from presidential speeches to University debates, from Native American orature to political activism. In so doing, students are introduced to the necessary tools to understand and critique the rhetorical choices of a range of speakers; to analyze the specific historical and cultural factors that give rise both to the speeches they encounter and the rhetorical choices of their delivery; and to a range of key historical and political events in the life of the USA as well as the range of activists and advocates that give voice to them.

This course offers a study of the history and cultures of the United states from its origins to the end of the 18th century. Topics include: indigenous cultures; the meeting of different cultures-- European arrival and African slaves in the American colonies; the cultural and political context of the 18th century.

This course is part of the Laurea Magistrale degree program and is intended for advanced level students. Enrolment is by permission of the instructor. Students master a variety of North American literary productions in relation to their cultural, social, and technological realities. Students learn to appreciate literary productions as part of complex, trans-media, and inclusive contexts. Course topics vary each term. For the most up to date course topics, access the University of Bologna Online Course Catalog. The fall 2023 course topic is on “Counterecycling: Science Fiction and Cognitive Pollution.” Through an assessment of traditional North American Science Fiction stories (and media adaptations), this course investigates whether using (in fact reusing) this genre traditional literary language helps to truly understand new complex phenomena or whether, instead, it induces cognitive pollution, therefore inhibiting our ability to observe. Recycling is certainly a useful action for the environment, but recycling literary language is not necessarily useful for seeing the limits and potential of a situation, especially where ontological levels are confused through a shared semantic. Among the themes discussed are: inventing the future: literature and technology; the evolving semantics of Science Fiction; the evolving semantics of Technology; environmental explorations: from cyberspace to metaverse; and artificial or artful Intelligence.

This seminar explores several different historical approaches to the abolition of slavery in North America. Abolitionism, centered in the North, was led by social reformers, such as William Lloyd Garrison, founder of the American Anti-Slavery Society; and writers like John Greenleaf Whittier and Harriet Beecher Stowe. Black activists included former slaves such as David Walker, Frederick Douglass, and free Blacks alike. In the South, black activists of the Underground Railroad helped slaves escape to the North, Canada, and Mexico. Former slaves ran this secret organization like Harriet Tubman, free African Americans, and white supporters who facilitated the flight of roughly 40,000 people over two decades. At about the same time, religious abolitionists such as the Gileadites took up armed resistance and fought during “bleeding Kansas” against the interests of the slaveowners. The Civil War ended slavery officially, but its effects on the American nation linger on until today.

When thinking of US-Japanese history, the words usually coming to mind are Pearl Harbor, Hiroshima, Nagasaki, or Okinawa. But beyond their violent clash in World War II, both countries share a fascinating historical relationship dating back to the 1850s. This seminar introduces the major events, developments, and dynamics that have shaped this relationship from the mid-19th century until the Cold War. The course investigates issues of diplomacy, trade, migration, war, and cultural transmission to show how closely the histories of both countries have been intertwined and shaped by one another.

This course explores some of the relationships between ethnicity, migration, imperialism, place, race, technology, and modernisms in US artistic and literary culture from the turn of the 20th century through to the 1930s. The period under question includes cultural responses to the fallout of late 19th-century governmental Americanisation projects; competing claims for the ‘new’; responses to the Great Depression and New Deal state interventions; and the development of an American modernist aesthetic avant-garde. Students focus on four points of activity: New Mexico, the Mid-West, Paris, and New York. In each case students look at written texts within an interdisciplinary approach that learns from looking at painting and photography, journalism and the world of ‘little magazines’, new styles of dance and, of course, jazz.