American Studies

The course provides a survey of U.S. history and culture from the country's origins through the end of the 18th century. It examines concepts of diversity in culture, ethnicity, gender, and sexuality in the United States using a critical approach. Topics include: Indigenous American cultures; the meeting of cultures with the arrival of Europeans and African slave population; the Enlightenment and Great Awakening; the American Revolution and declaration of independence; formation of the national government (US democracy and the constitution).  

This course introduces students to current trends and discussions in American sociology. By looking at a variety of topics (exceptionalism, political sociology, constitutional framework, community, social capital, multiculturalism, religion, urban sociology, popular culture) students get an overall impression of the main developments in American society and how the social sciences have tried to analyze and understand them.

This course examines the cultural production of the 1960s in the United States, a period of enormous socio-cultural and political change. Topics include: New Journalism; the Civil Rights Movement; politicization of rock and roll; student protests; the Summer of Love; Vietnam; rioting in Chicago 1968; Hunter Thompson and the Hell's Angels; Tom Wolfe's Electric Kool-Aid Acid Test.

This course approaches Cinematic Chinatown intersectionally by situating it within cultural, social, political, and economic contexts, and addressing its relationship to racialized capitalism, labor, citizenship, identity, race, ethnicity, gender, sexuality, class, disability, inequality, globalization, transnationalism, diaspora, and colonialism, and intertwined with the production, circulation, and utility of Cinematic Chinatown as text, image, sound, space, artifact, technology, and discourse--Chinatown as a commodified sign. Key objectives include the analysis and critical interrogation of the function (social, political, economic, cultural, etc.) of Cinematic Chinatown within varying networks of power relations, the discussion of theoretical frameworks and concepts related to the representations of Chinatown within the field of cultural studies and media studies, a better understanding of the global flow and consumption of images and its effects on a planetary, globalized, transnational scale, and an understanding of how this affects our own imagination of Othered spaces here in Germany.

This course explores the history of the United States from the end of World War I to the present day. It is made up of four thematic sections which focus on: the state and political development; gender and sexuality; the US and the world; and race and ethnicity. Throughout, students focus on historiographical questions that occupy scholars and interrogate change and continuity in political and social ideology during the 20th and 21st centuries. As the course progresses students develop a keen understanding of the interconnected nature of these overarching themes in American life and use this to assess particular events or thematic issues in their broader context. By the end of the course, students have a solid factual understanding of the United States since 1920, a critical understanding of the historical processes that have shaped the country over the past hundred years, and the ability to construct more nuanced analyses of the US past and present.

This course focuses on understanding and analyzing the main changes and important aspects of American culture, society, politics, and history in terms of its influence on Japanese society.  Featuring Japanese academic writings, this course focuses on how Japanese academics have analyzed American cultural and literary topics. 

The first half of the semester features texts written before 1900 while the latter half focuses on stories published after 1900. The analysis of each text, along with its history and social context, fosters an understanding of several aspects of American society and culture. 

The new twenties of today bear more than a passing resemblance to the Jazz Age that F. Scott Fitzgerald so memorably chronicled. The role of literature itself, on the other hand, has in the meantime changed dramatically. At the centennial of the full arrival of Anglo-American literary Modernism (The WASTELAND and ULYSSES headline the literary milestones published in 1922) this seminar revisits Fitzgerald's oeuvre, guided by the central question: In what way does Fitzgerald, an author tied to a particular era like few others, speak to our own time and predicaments today? The course explores Fitzgerald's life and works in his own context first—against the social and cultural history of the interwar period—and then engage his novels and short fiction through a number of critical lenses and close readings, including Marxist and intersectional approaches (focused on class, race, and gender), ecocriticism, and affect theory, along themes ranging from addiction and celebrity, to masculinity and fascism.