Asian Studies

This course examines modern Korean literature, history, culture, and society of the 20th and early 21st century. 

In this class, two instructors, Paie and Takagishi, will teach "Japanese culture" in an omnibus format.　
　
Paie’s classes introduce Shinto and Zen Buddhism, the foundation of the Japanese way of thinking and spirituality. The course provides an overview of Shinto; its origin; relationship with Japanese lifestyle, and tradition of festivals. In addition, the course makes the connection between Shinto and martial arts, introducing Sumo and Aikido as Shinto martial arts. Furthermore, the course provides an overview of Japanese Zen Buddhism – the culture, the history and thought of Zen words and Zen paintings. Students will have a zazen experience with a priest from Rinzai and learn the characteristics of Japanese culture through these experiences.　

Takagishi's classes focus on the themes, "Japanese culture around me," "pop culture," and "language." The life of the founder of Doshisha, Jo Nijima, is traced through the themes, “Japanese culture around me,” “Kyoto festivals and events,” “Japanese kimono and culture,” and the “founding spirit of Doshisha.” "Pop Culture" deals with "Japanese Manga and Anime" and "Japanese Popular Songs" traces the history of popular songs from the post-war era to the present. By studying the Kansai dialect and young people's language, which are used in the city and on campus as "languages," students will notice the differences from the standard language; learn about the mechanism by which young people's words are created, and the way of thinking of young people in Japan. Through the introduction to various aspects of Japanese culture previously mentioned, students will deepen their understanding of modern Japanese culture.

Culture is very much a combination of lifestyle and art. This course explores the development and transition of Japanese aesthetic in lifestyle from the prehistoric Jomon Period all the way to today, with special emphasis on the crafts and arts of Edo, Meiji, Taisho, and Showa eras. In Japan, there are fine arts, fine crafts, Mingei (the people’s arts and crafts), and design. The course examines the trends in art and lifestyle from ancient times; how traditional crafts and arts appeared in art history, and how Japanese arts and lifestyle transformed with the industrial revolution during the Meiji Era with a newly applied idea of “fine arts,” followed by the emergence of the philosophy of Mingei. The course finishes by discussing how art and crafts influence our everyday lifestyle; what it means to us today, and what you think will happen in the future.

The objective of this course is to understand how the roots of Otaku cultural activities in Japan have expanded internationally as one of Simulacra with creators and activists of the fields.  This course shares the history of “Otaku Culture” and its technology in Japan from three perspectives: 1) Potential of expression; 2) Application of digital content technologies, and 3) Breakthrough of “Otaku Culture” influenced by Trans-nationalization and Internationalization.  The course instructs on the creation process of media contents, games, and expressions for the next generation, especially learning and understanding technologies and methods on becoming “Otaku Culture creator and producers.”

This course offers a comparative, transnational study of the dramatic social, scientific, political, and cultural transformations that occurred in the two decades or so following World War II. By focusing on Japan's global moment in the 1960s, it includes some of the following topics: the Cold War and the Space Race, the reshaping of the Middle-East, the Cultural Revolution in China, decolonization in Africa, dictatorship and Liberation Theology in Latin America, the global civil rights movement, the New Right, the environmental movement, consumerism, counter-culture and the student protest movements that took place around the world.
 

This course examines multiple contexts of the Global Sixties in the collective efforts to map out the simultaneity of revolutionary transformation and conflict, while developing a methodological approach for researching and interpreting change from a variety of national/local perspectives. It particularly focuses on the travels of individuals who saw themselves as part of an international community of antiwar activists and antiracism causes.

This class also examines how actual interactions among people from Japan and other Third World countries inspired transnational identities and multiracial coalitions, challenging the political commitments and personal relationships of individual activists.

This course goes beyond the classroom to explore Tokyo, both past and present. Engaging in a variety of field experiences that deepen understanding of smaller communities and neighborhoods within the city, the course explores local customs and traditions, food culture, social institutions of daily life, environment and architecture, and more! The course aims to promote language and culture skills through field observations and task-based encounters with Japanese people. Important note: This course features several out-of-class field experiences during the semester.

This course explores different aspects and contexts of Chinese communication. The various contexts of Chinese communication include advertising, business, the press, social communication, regional usages, pop culture, translations, meaning of Chinese names, codeswitching and the use of Chinese dialects. 

This course analyzes a selection of works by Western writers and film directors from 1990s to the present, with the exception of Ishiguro’s short story) which are set in East Asia and/or contain characters from East Asia. It explores the answers to the following central questions: Is the portrayal of East Asian people and cultures in each of these works fairly accurate, or is it conforming to biased existing discourses? Are there correct and incorrect ways to present East Asia in literary and cinematic works?

The course aims to apply logical reasoning to our examinations of racial and cultural issues and to learn to think for ourselves, instead of allowing existing discourses to think for us.

This course focuses on current Japanese pop culture. You will learn Japanese culture, language and the Japanese way of thinking in the context of movies, manga and music. You will also see Japan from the past, present and future in a way that is both fun and educational.

The aim of this course is twofold. First, students will examine Japanese pop culture in an effort to gain a deeper understanding of “Modern Japan.” Second, Students will learn to better express themselves. International students will improve their Japanese skills, while Japanese students will polish their linguistic skills, allowing them to communicate in Japanese and English effectively.

This course has two main objectives. The first objective is to understand CSR, CSV and Sustainability based on the theory and the history, and the second objective is to think about what we should do from a corporate perspective to make society and the environment better for our time and the next generation.

The concept of Sustainability is constantly innovating. However, the fundamentals of what a company should do to ensure the sustainable development of the company, society, and the environment remain unchanged. The course aims to unravel the concepts that link corporations with society and the environment, such as CSR, CSV and Sustainability, along with their history. The course also considers what companies should do to improve society for the next generation, citing examples from Japanese and overseas corporations.