Comparative Literature

This course provides an in-depth look at how French history and culture influenced French literature. It utilizes textual analysis and brief history lessons to contextualize literary movements. Poems and passages are critically analyzed for historical accuracy, biases, et cetera.

This course focuses on two classics in English literature: OLIVER TWIST by Charles Dickens published in 1838 and JANE EYRE by Charlotte Brontë published in 1847. Both novels focus on the hero and the heroine’s struggle in a hostile world. The course is based on close analyses of extracts of both novels and weekly presentations on the context. The last four sessions closely analyze the movie adaptations (OLIVER TWIST (2005) starring Barney Clark and JANE EYRE (1996) starring Charlotte Gainsbourg).

This seminar studies literary and artistic production during the Modernist era, seen as a period of crisis that is both a moment of rupture and a critical moment in the field of art and literature after the First World War. It covers Picasso’s Cubism; Bartok’s and Stravinsky’s music; Diaghilev’s Russian ballet; and the European literary scene including Virginia Woolf, James Joyce, and D. H. Lawrence in Great Britain; and Marcel Proust and André Gide in France. The course also examines this new literary “modernity” in American fiction, including Dos Passos’s 1919 (1932), Hemingway’s THE SUN ALSO RISES (1926), and F. Scott Fitzgerald’s TENDER IS THE NIGHT (1934). Each novel provides an opportunity to study the tension between satiric representation and formal experimentation, or the “creative violence” characteristic of Modernism. The second part of the course looks at how modernist writers engage with ordinary life and objects, not only from a phenomenological standpoint as they explore the sensible aspect of subject/object relationships, but also from a political one underwritten by gender and economic considerations. The course considers how numerous, sometimes uncanny, encounters with daily matter in modernist fiction are not only critical in the characters’ existence but also of the materialistic and consumerist turn of 20th century society.

This course provides an introduction to European fairytales within a historical, geographical, and cultural context including European folk genres such as myth or legends and a close focus on Czech fairytales. The course describes and surveys the changes in the approach to European fairytales within the development of scholarship about them. It presents sociohistorical, psychological, or anthropological interpretations, as well as biologically based and gender or feminist methods of their interpretation. The course topics include ethical or moral principles in fairytales, gender and social roles, and historical and political influences on fairytale adaptation.

A literary and philosophical inquiry into such themes as selfhood, nothingness, name, namelessness, reality, Karma, yin-yang, and so forth through examination of great literary and philosophical writings in the East Asian tradition. All works are read in English translation. Topics covered include: Taoist thought and literature, Confucian thought and literature, Buddhist literature, the origins of East Asian thought, search for cultural archetypes, Confucian ideology in crisis, and modernity in modern Korean and Chinese fiction.

This course examines the major developments in the field of Postcolonial Theory. The course starts with Said's observation that colonialism affected both the colonizing countries as well as the colonized peoples. As such, Postcolonial Theory provides a variety of methodological tools for analyzing literature and culture that are of special relevance in the age of globalization. Students focus on the development of a postcolonial consciousness, the implication of literature and other cultural forms in the colonizing process, and as forms of resistance. Students become familiar with all major issues in the field of Postcolonial Studies and acquire a number of theoretical perspectives that apply to the interpretation of literature and other forms of culture.

This course explores the idea that just as English painting is renowned for its representation of landscape, poetry in Britain and Ireland has been shaped by the nature of place. The course looks at a variety of 20th-century poetry from the standpoint of its complex engagement with place. Students examine topics such as poetry and landscape; poetry, the country, and the city; poetry and the idea of England (the “spiritual, the Platonic, old England,” as Coleridge called it); insularity and post-imperial retrenchment; travel and the foreign; and what Seamus Heaney has called “the place of writing.”