Comparative Literature

This course approaches historical and contemporary exoticism in European culture from an interdisciplinary perspective. It examines imaginations of the foreign in literature, from antiquity to the present; the visual arts; as well as various media such as film, opera, and architecture. The course also considers historical foci, such as the connection between exoticism and colonialism or exoticism and racism. In addition to approaches from art history, aesthetics, literary studies, film studies, media studies, and cultural studies, the course discusses methods from postcolonial studies, critical race studies, and intercultural studies in order to gain a theoretically trained view of imaginations of the non-European “Other” in art and culture. Course readings include excerpts and full texts from different periods by Western European and Northern American authors: Euripides, THE BACCHAE; Bernardin de Saint-Pierre, PAUL AND VIRGINIA; Thomas De Quincey, CONFESSIONS OF AN ENGLISH OPIUM EATER; Edgar Allen Poe, LIGEIA; Thomas Mann, DEATH IN VENICE; Karen Blixen, THE SUPPER AT ELSINORE; David Henry Hwang, M. BUTTERFLY. It also analyses paintings by Henri Rousseau, Paul Gauguin, and James Tissot, and studies operas by Mozart and Puccini.

Paris inscribes on every street corner a page of France's history. Its cobblestone streets record centuries of struggle, offering a narrative of this history. Writers, chroniclers, and later filmmakers have picked up these narratives and turned them into eternal works of art. The historian of today, retracing this past, has turned them into sites of memory. This course uses literary texts and films as well as historical texts to search for and reconstruct these sites of memory. From the French Revolution to the student revolt of May 1968, this course follows Parisians, exploring the ways in which cinematic representations and literary texts shape collective memory and are a particular historical/political representation of France. The course takes an interdisciplinary approach and compares and contrasts works of fiction with works of non-fiction, the written word with the visual representation, and includes site visits. Classes are broken up into specific themes each pertaining to a major event in the life of France.

This course examines erotic literature from antiquity to the present. It also discusses the depiction of erotic literature in film.

This course examines how the tragic worldview is expressed in the great dramas of Greek antiquity, such as Aeschylus’ Prometheus, Sophocles’ Oedipus Rex, and Antigone and Euripides’ Bacchae.  Attention is paid – through the study of the Old Testament book of Job and Marlowe’s Faust – to the continuing importance of the tragic worldview in the Judaeo-Christian tradition. Finally, after exploring the political and philosophical conditions that caused the ever-decreasing importance of tragic modes of thought in modern times, the course turns to the remarkable new meaning the tragic legacy of the Greeks took on at the end of the nineteenth century. Through Friedrich Nietzsche’s mightily influential The Birth of Tragedy from the Spirit of Music and a series of important works it inspired, it will be shown how the tragic worldview of the Greeks inspired artists to reject the dogmatism of reason and to find beauty, happiness, and truth in the irrational, subconscious and at times dark recesses of the human soul.